Home » Highest to Lowest Rated Movies
Writers David Wain and Michael Showalter won over audiences (though not critics) with their 2001 nostalgic summer-camp satire Wet Hot American Summer and attempt to repeat their success with...
In a film like Lucy, Luc Besson’s new existential action flick starring Scarlett Johansson, the stakes are everything. High stakes, forged through effective storytelling, can imbue even the sleepiest action...
A particularly muted Elmore Leonard adaptation, Daniel Schechter‘s Life of Crime has real value in its cast and their skillful performances, but the remaining elements of the film, while not disastrous, lack...
Ridley Scott's 'Exodus' will draw you in with pretty effects, then disappoint you with blunt, soulless storytelling.
About Alex is very much a film of its time. For starters, the film is occasionally hyper-aware, in the Chris Miller-Phil Lord vein, of its architecture as a film...
Despite a promising start , Before I Go to Sleep is a film that is sadly let down by a number of flaws.
Katie Holmes plays a prim and proper vigilante in this dark comedy.
A truth-based football melodrama that fumbles 50 yards short of the end zone.
A psychological drama of tension between two sisters.
An epic Indian gang drama smothers with violence, 'Gangs of Wasseypur' is laborious and overly long.
A girl deferring college for a year starts a blog depicting her poor life choices.
An alien film whose aliens have more emotional depth than the humans they pursue.
A comedy of switched identity pushes a girl into the world of a telenovela and the show's lead stuck in the real world.
A downer of a movie that sleepwalks through action-thriller tropes and takes itself too seriously.
Sturla Gunnarson gives a tourist's perspective of India's monsoon season in this bland, middlebrow take on a subject that's anything but.
A survival thriller starts out as a character-study and falls into a pit of poorly conceived action.
A rousing true story of national and familial identity gets sunk by Hollywood clichés.
Captures neither the drama or charm of its fascinating subject about the escapades of a journalist.
Bridgend is a jarring drama set during a real life suicide pandemic that offers no answers and doesn't think to ask many questions.
Anesthetized grievers make for a bummed out viewing experience in this drama from first-timer Reed Morano.
Political and sexual tensions rise when war forces two couples to cohabit in this uneven Israeli drama.
War and sports are only one of the intersections in this dry documentary about the plight of Italian Jews in WWII.
Often syrupy and sometimes manipulative, this doc on the man who has been Big Bird for over forty years is still a nostalgic force.
Al Pacino can't pull this nostalgic film out of its reverie.
A restless and unnecessary adaptation that manages to flatten an already overplayed tale.
The successful surrealism of this directorial debut is overshadowed by its weak performances and inconsistent writing.
Luiz Guzman and Edgar Garcia play with predictable humor in this silly caper comedy.
A twenty-something slacker looks to add direction to his aimless life path in this burdened comedy.
A dialogue-heavy, meditative meander through a tangled web of romance in modern-day Argentina.
All style and no substance makes for a beautiful but boring thriller.
The strange combo of Chan, Cusack, and Brody intrigues but this frilly film is a blood-soaked PSA for world peace.
The best boxing matches are roller coasters of emotion, full of twists, shifts in momentum and ungodly displays of skill. Unlike a classic big-time fight, Southpaw, starring Jake Gyllenhaal as...
Though more creature-feature than zombie film, this relational horror film gets lost in its emotions.
Tries to do too much and becomes unwieldy too early, losing both focus and viewer interest in the process.
Another formally playful Hong Sang-Soo film about love and (foolish) directors, but this time the results aren't as successful.
A once great director continues his steady decline with a film that's sometimes beautiful but mostly dull and infuriating.
An indie horror directorial debut from Osgood Perkins that's too busy trying to be clever to realize how dumb it truly is.
Michael Moore resorts to dad-jokes and prodding his interviewees in order to make an argument for civic duty with Where to Invade Next.
Naomi Klein's attempt to redefine the climate change debate only frames it in a childish and overly simplistic way.
A meta horror/comedy that's lacking in both horror and comedy.
