foreign
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TIFF 2015: Mia Madre
For a drama about the loss of a mother, 'Mia Madre' is surprisingly bland and indifferent.
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Girls Lost (TIFF Review)
Three outcast girls get a look at life through boys' eyes in this mystical gender-bending drama.
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TIFF 2015: Jafar Panahi’s Taxi
Jafar Panahi's boldest protest to date turns out to be a (literal) fun ride through the streets of...
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Demon (TIFF Review)
A truly unique take on the all-too-crowded possession sub-genre, but is it worth the strenuous journey?
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TIFF 2015: The Ardennes
This crime drama about a tragic love triangle has an ending that packs one hell of a punch.
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TIFF 2015: Mountains May Depart
Jia Zhangke crafts a moving, beautiful story about a family dealing with the constantly changing landscape of their...
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Blind
A strong visual emphasis on the sensory experience and a gorgeous original score makes Blind pure cinema.
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TIFF 2015: The Here After
'The Here After' is filled with one arthouse cliche after another, but it does them well enough to...
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Cub
This Belgian horror flick squanders its solid premise by relying on cheap shocks and failing to earn true...
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Tom at the Farm
You can’t say that Xavier Dolan is one for slowing down. The 25 year old director/writer/actor/editor/costume designer (only...
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The Great Man
Succeeds in capturing the male bond and its significance in manhood.
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The Kindergarten Teacher
A child prodigy and his obsessive teacher make for a hauntingly evocative but ambiguous tale.
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Assassination
Tries to do too much and becomes unwieldy too early, losing both focus and viewer interest in the...
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Tag (Fantasia Review)
Sion Sono's latest is a typically bizarre, funny, surreal and bloody treat.
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Socialphobia (Fantasia Review)
This cyberbullying whodunit asks relevant questions about the implications of our actions online.