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    Damien Chazelle: We’re Too Narrative-Focused When It Comes to Movies

    Damien Chazelle: We’re Too Narrative-Focused When It Comes to Movies

    Interview | Bernard Boo | October 14, 2014

    As we emerge on the other side of the long film festival season and move into awards season, Damien Chazelle’s Whiplash has been drumming up (sorry) so much good publicity that it isn’t crazy to think the 29-year-old filmmaker may be holding his first golden statue in a few months time. About an aspiring jazz drummer (Miles...

  • MVFF37 Days 10 & 11: After The Fall, Timbuktu, & Wild

    MVFF37 Days 10 & 11: After The Fall, Timbuktu, & Wild

    Film Festival | Ananda Dillon | October 13, 2014

    Closing weekend of the Mill Valley Film Festival just proves the authority of this small festival. It’s rare for a film festival to have such a high percentage of excellent films. No wonder its gained a reputation as a finely...

  • Maika Monroe On Being a Badass, ‘The Guest’

    Maika Monroe On Being a Badass, ‘The Guest’

    Interview | Bernard Boo | October 13, 2014

    In Adam Wingard and Simon Barrett’s The Guest, their genre-blending follow-up to 2013’s You’re Next,  Dan Stevens plays an ex-soldier who ingratiates himself into the family of one of his fallen comrades. With his good looks and Southern charm, he’s got...

  • Camp X-Ray

    Camp X-Ray

    Movie | Edward Haynes | October 13, 2014

    Camp X-Ray opens like a tense thriller, with the capture of Ali Amir (Peyman Moaadi) and his transportation to Guantanamo Bay, played out in quick, rapid cuts and an imposing soundtrack. The film may start with intensity but this isn’t...

  • The Reel Indie Film Festival Brings A Wide Selection of Docs, Shorts and Music Videos

    The Reel Indie Film Festival Brings A Wide Selection of Docs, Shorts and Music Videos

    Film Festival | C.J. Prince | October 13, 2014

    Only in its second year, the Reel Indie Film Festival (or RIFF for short) is kicking things off with a nice selection of music videos, shorts and features for audiences in Toronto. RIFF is a recent offshoot of Indie...

  • MVFF37 Day 9: St. Vincent, Foxcatcher, & Two Days, One Night

    MVFF37 Day 9: St. Vincent, Foxcatcher, & Two Days, One Night

    Film Festival | Ananda Dillon | October 11, 2014

    Three of our most anticipated films at the Mill Valley Film Festival played on Day 9 in the 11-day stretch, and they didn’t disappoint. From Bill Murray’s performance as the grumpy titular character in St. Vincent; to Steve Carell’s long-awaited dramatic turn...

  • The Guest

    The Guest

    Movie | Bernard Boo | October 10, 2014

    If you’re familiar with Dan Stevens, it’s probably with his work on Downton Abbey as the kind-hearted English gentleman Matthew Crawley. Other than that, his career is largely a blank slate, with most of us having no preconceived notions about him as an actor. This absence...

  • MVFF37 Day 8: The Theory of Everything, 10,000 KM, & Living Is Easy With Eyes Closed

    MVFF37 Day 8: The Theory of Everything, 10,000 KM, & Living Is Easy With Eyes Closed

    Film Festival | Ananda Dillon | October 10, 2014

    Forget waiting for the weekend to bring in the heavy hitters, Mill Valley says “It’s Thursday. Let’s party!” And what better way to kick off an early weekend than with the stirring and emotionally sensational biopic of Stephen Hawking, The...

  • It Was You Charlie

    It Was You Charlie

    Movie | Michael Nazarewycz | October 10, 2014

    The moment near the end of a film that puts everything you have just watched into perspective is a dicey proposition. It requires the closing payoff to be something worth waiting for–and more importantly, it demands deft storytelling. To...

  • MVFF37 Day 7: Charlie’s Country, Nightcrawler, Black and White

    MVFF37 Day 7: Charlie’s Country, Nightcrawler, Black and White

    Film Festival | Ananda Dillon | October 9, 2014

    We’re at the midpoint of the Mill Valley Film Festival and this is where I jump in. Having made the trek from Los Angeles to join in our coverage of the festival, I’ve been immediately greeted with colorful fall...

  • Nadav Schirman, Mosab Hassan Yousef, Gonen Ben Yitzhak, and the Amazing Story of ‘The Green Prince’

    Nadav Schirman, Mosab Hassan Yousef, Gonen Ben Yitzhak, and the Amazing Story of ‘The Green Prince’

    Interview | Bernard Boo | October 9, 2014

    A Palestinian and son of a Hamas leader, Mosab Hassan Yousef was raised deeply entrenched in the Middle Eastern conflict. In his early twenties, he was captured and interrogated by Gonen Ben Yitzhak, a “handler” working for the Shin...

  • NYFF 2014: Listen Up Philip

    NYFF 2014: Listen Up Philip

    Film Festival | Zachary Shevich | October 9, 2014

    In Alex Ross Perry’s follow up to The Color Wheel, the writer/director introduces us to author Philip Lewis Friedman as he angrily awaits the release of his 2nd book. Only steps behind Perry’s chaotic handheld camera movements, Jason Schwartzman...

  • Automata

    Automata

    Movie | Patrick Larkin | October 9, 2014

    Sci-fi thriller Automata’s obvious parallel – so obvious that it has dominated press publicity — is with I, Robot, both the film and the Isaac Asimov novel it was adapted from. But it is instructive to consider where the...

  • MVFF37 Day 6: Whiplash, Gett: The Trial of Viviane Amsalem

    MVFF37 Day 6: Whiplash, Gett: The Trial of Viviane Amsalem

    Film Festival | Bernard Boo | October 8, 2014

    After five days of the typical film festival arthouse heartbreakers and soul-shakers, I began to feel a bit of emotional fatigue as I reached the halfway point of MVFF37. Mr. Turner, The Homesman, Clouds of Sils Maria–all fine films, but how much...

  • Hossein Amini: I Struggle So Much With Dialogue…I Find Silent Storytelling More Interesting

    Hossein Amini: I Struggle So Much With Dialogue…I Find Silent Storytelling More Interesting

    Interview | Bernard Boo | October 7, 2014

    Best known for writing Nicholas Winding Refn’s Drive, Hossein Amini makes his directorial debut with the ’60s noir-ish throwback, The Two Faces of January, based on the novel by Patricia Highsmith. Set in Greece in 1962, the film follows a vacationing...

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