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The Assassin (NYFF Review)
A film that redefines purity on screen from one everlasting moment to the next.
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MVFF38 Diary Day 2: ‘I Smile Back,’ ‘Here Is Harold’
The second day of MVFF38 saw the arrival of Sarah Silverman to promote I Smile Back, the actress’ first dramatic lead. I had the pleasure of meeting Silverman during a private cocktail party set up for the San Francisco Film...
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The Final Girls
A meta horror/comedy that's lacking in both horror and comedy.
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Steve Jobs
Steve Jobs is an asshole until he isn't in Danny Boyle's dynamic depiction of the late Apple CEO's life.
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75 Greatest Movie Cover Designs
A huge collection of 75 best movie cover designs of all-time.
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NYFF 2015: Heart Of A Dog
Get past the peculiar narration and this indie documentary from Laurie Anderson is riveting and refreshing.
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MVFF38 Diary Day 1: ‘Spotlight,’ ‘The Danish Girl’
Two heavy Oscar hopefuls opened the Mill Valley Film Festival last night as Tom Hooper‘s The Danish Girl and Tom McCarthy‘s Spotlight played to packed movie houses surrounded by towering redwoods in downtown Mill Valley and in San Rafael...
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This Changes Everything
Naomi Klein's attempt to redefine the climate change debate only frames it in a childish and overly simplistic way.
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Brooklyn (NYFF Review)
Saoirse Ronan shines as a young Irish immigrant choosing between two lives and two loves.
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MVFF38 Diary Intro
The Mill Valley Film Festival, which kicks off tonight in Marin County, Calif., is the perfect place to movie lovers to collect their festival-season thoughts and look forward to the approaching awards season. Boasting a lineup of some of...
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(T)ERROR
An unprecedented look into an FBI counter terrorism operation exposes a terrifying systematic injustice in this riveting documentary.
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Victoria
This one-take wonder isn't likely to be remembered for anything other than being one long take.
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WATCH: Matt Damon in the ‘The Martian Snapchat’
What if Ridley Scott's The Martian was a Snapchat story by Matt Damon instead?
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NYFF 2015: The Treasure
The plainly assembled observational Romanian comedy is intentionally unspectacular, and dryly humourous.
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