indie
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V/H/S/2
It comes as no surprise that a sequel has already come out less than a year later after...
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Black Rock
The production of Black Rock is a husband and wife collaboration between Mark Duplass handling the screenwriting duties...
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The Rambler
Anyone able to withstand the visual and aural assault of The Oregonian will find plenty more to like...
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House of Good and Evil
Since having the privilege to see Rachel Marie Lewis’s debut film last year (Transatlantic Coffee), I had high...
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The Kings of Summer
There are a lot of wonderful components at work in Jordan Vogt-Roberts’ feature debut— a savvy, clever screenplay,...
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Computer Chess (Berlinale)
For me personally, Andrew Bujalski’s Computer Chess was one of the most anticipated films at the Berlinale festival....
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Future Weather
Future Weather is an indie drama from first feature director Jenny Deller, about a passionate thirteen-year-old girl who...
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Frances Ha
Noah Baumbach, the director of Greenberg and The Squid and the Whale, shows a more comedic side in...
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Mud
Jeff Nichols’ latest film is now finally hitting the theaters after nearly a full year since its warm...
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Nebraska (Cannes Review)
Alexander Payne’s Nebraska is a light and warmhearted film about a son who wants to bond with his...
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Only God Forgives (Cannes Review)
Only God Forgives is another highly-stylized film from director Nicholas Winding Refn that stars Ryan Gosling as the...
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As I Lay Dying (Cannes Review)
At the very least, you must credit James Franco for even attempting to film what some consider to...
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Stories We Tell
“Every family has a story.” Canadian actor and director Sarah Polley (Away From Her, Take This Waltz) lost...
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Touchy Feely
Lynn Shelton’s Touchy Feely has, so far, gathered mixed reviews and unfortunately I got to see why. I...
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The Place Beyond the Pines
It would be easy to mistake The Place Beyond the Pines as a sequel to Drive as this...