Too Late (LAFF Review)By Ananda Dillon An LA noir shot in five takes is only as good as John Hawkes makes it.
Me and Earl and the Dying GirlBy Bernard Boo A crafty, refreshingly platonic take on young-adult fiction with an exuberant visual sensibility.
Madame BovaryBy Ananda Dillon A restless and unnecessary adaptation that manages to flatten an already overplayed tale.
I Dream Too MuchBy Byron Bixler Poor direction and a hollow script tarnish this well-meaning coming-of-age dramedy.
Set Fire to the StarsBy Byron Bixler A semi-biographical drama featuring Dylan Thomas struggles to find its own narrative poetry.
The WolfpackBy Zachary Shevich An unsettling, oddly uplifting documentary of a family of young men trapped inside their apartment.
ReboundBy Eli Hayes The successful surrealism of this directorial debut is overshadowed by its weak performances and inconsistent writing.
The Yes Men Are RevoltingBy C.J. Prince A personal touch is the greatest asset to this entertaining documentary about environmental activists The Yes Men.
Welcome to Happiness (Dances With Films Review)By Blair Hoyle The secret to happiness lies in one man's closet in this charming comedic fantasy from Oliver Thompson.
Homeless (Dances With Films Review)By Blair Hoyle A dark, honest look at the life of homeless, without being preachy. Homeless is an incredible feature debut from Clay Riley Hassler.
The NightmareBy C.J. Prince Rodney Ascher's The Nightmare is a sometimes creepy look into the phenomenon of sleep paralysis.
Spartacus and CassandraBy Byron Bixler Spartacus and Cassandra is a highly empathetic documentary that finds subtle power in story of Roma immigrant siblings searching for a better tomorrow.
Love & MercyBy Bernard Boo Pohlad's Brian Wilson biopic sidesteps cliché, telling a stereophonic story of heroes and villains.
SpyBy Bernard Boo This Melissa McCarthy 007 parody serves its star well, but some nagging comedy clichés sully the fun.
