RoomBy Ananda Dillon Perfect performances and an excellently adapted script create a visceral emotional experience.
MeadowlandBy Ananda Dillon Anesthetized grievers make for a bummed out viewing experience in this drama from first-timer Reed Morano.
ChameleonBy Susan Kemp Captures neither the drama or charm of its fascinating subject about the escapades of a journalist.
Nasty BabyBy Michael Nazarewycz Sebastián Silva's meditation on the universal balance of creation and destruction in Nasty Baby is undermined by an inconceivable third act.
Beasts of No NationBy Bernard Boo A stunning, unflinching examination of a child soldier's ascension to manhood.
Jason and ShirleyBy Michael Nazarewycz Jason and Shirley recklessly imagines events surrounding the filming of a very real, incredibly important documentary.
ExperimenterBy Bernard Boo Sarsgaard mesmerizes in this playful journey into the mind of an outcast academic.
MomentumBy Michael Nazarewycz Poor writing undermines this female-driven thrill-ride, proving there is more to an action movie than just action.
Crimson PeakBy Bernard Boo A not-so-serious haunted mansion story with stunning gothic imagery you won't soon forget.
The InhabitantsBy Michael Nazarewycz Too many horror tropes distract the Rasmussen Brothers from achieving their true intention, mostly a collection of undeveloped ideas.
99 HomesBy C.J. Prince It’s a big step towards the mainstream for Bahrani, boasting a terrific cast and a relevant subject.
Miles Ahead (NYFF Review)By Zachary Shevich Don Cheadle stars, writes and directs in this jazzy, erratic film about the iconic trumpeter Miles Davis.