Steve JobsBy Zachary Shevich Steve Jobs is an asshole until he isn't in Danny Boyle's dynamic depiction of the late Apple CEO's life.
This Changes EverythingBy Gary Garrison Naomi Klein's attempt to redefine the climate change debate only frames it in a childish and overly simplistic way.
Brooklyn (NYFF Review)By Zachary Shevich Saoirse Ronan shines as a young Irish immigrant choosing between two lives and two loves.
(T)ERRORBy C.J. Prince An unprecedented look into an FBI counter terrorism operation exposes a terrifying systematic injustice in this riveting documentary.
VictoriaBy C.J. Prince This one-take wonder isn't likely to be remembered for anything other than being one long take.
Manson Family VacationBy Dustin Jansick Despite a few missteps along the way, Manson Family Vacation's fast pace keeps things moving towards its satisfying conclusion.
ParallaxBy Michael Nazarewycz This '80s-set dramedy is as cumbersome as the nascent technology at the center of its plot.
The Forbidden RoomBy C.J. Prince A phantasmagorical epic so wild, so mad, so hilarious, it must be seen to be believed.
Carol (NYFF Review)By Zachary Shevich Todd Haynes' 1950s-set lesbian romance Carol is a touching display of forbidden love.
The MartianBy Bernard Boo Science is our friend in this surprisingly optimistic inter-planetary dramedy.
Jafar Panahi’s TaxiBy C.J. Prince Jafar Panahi's latest act of defiance is a surprisingly playful experience.
Drunk Stoned Brilliant Dead: The Story of the National LampoonBy Zachary Shevich A consistently hilarious look back on the National Lampoon, and the comedians who turned it into an institution.
Microbe & Gasoline (NYFF Review)By Zachary Shevich Filmmaker Michel Gondry takes to the coming-of-age genre to make one of his least eccentric films to date