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Everything Is Copy (NYFF 2015)
A slick tribute to the writer and filmmaker Nora Ephron, knowingly directed by her son.
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NYFF 2015: The Walk
Zemeckis' newest CGI assisted blockbuster overcomes its deficient script to provide a visceral thrill.
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Stonewall
This scatterbrained tribute to the most defining moment in gay activism history misses the point entirely.
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NYFF 2015: Les Cowboys
A character-based French Western that doesn't have a single character worth investing in.
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The Poetic Magic of Apichatpong Weerasethakul Ranked
We rank the films of one of the most interesting directors to enter the world of arthouse cinema in the past 15 years, Apichatpong Weerasethakul.
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Black Mass
Mob-movie clichés weigh down this otherwise compelling true-crime thriller.
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Ashby
Not as funny as it wants to be nor dramatic enough when it needs to be.
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Anne Émond Talks About Her Ambitious New Film ‘Our Loved Ones’
An interview with writer/director Anne Émond about her ambitious sophomore feature 'Our Loved Ones.'
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Homesick (TIFF Review)
A wonderful, audacious film that challenges its audience, and serves as a brilliant debut for its lead actress and director.
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TIFF 2015: Downriver
An Aussie mystery thriller that relies heavily on its fascinating characters, 'Downriver' is consistently suspenseful, despite occasionally overstaying its welcome.
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The Ones Below (TIFF Review)
Unexpected twists, empathetic characters, and an unshakable darkness, 'The Ones Below' is one of the most suspenseful films of the year.
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Our Loved Ones (TIFF Review)
This tender, decades-spanning film about one man's life and family takes an unstructured observational approach to wonderful heights.
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Women He’s Undressed (TIFF Review)
A dazzling documentary on Aussie costumer Orry-Kelly which weaves his life story with a fascinating Hollywood history lesson.
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TIFF 2015: Neon Bull
A beguiling and gently subversive portrait of rodeo workers in Brazil.
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