Amira and SamBy Edward Haynes 'Amira and Sam' is a charming romantic comedy fueled by its cross-cultural quirks.
Alien OutpostBy Ananda Dillon Is it a war movie? Is it a sci-fi film? 'Alien Outpost' aims for both but misses completely.
TimbuktuBy Nik Grozdanovic Timbuktu has some stirring visuals, but ultimately fails to be a stirring piece of art.
Hard to Be a GodBy C.J. Prince 'Hard to Be a God' is a masterpiece 40 years in the making that's both revolutionary and revolting.
Art and CraftBy Michael Nazarewycz An all-time great forgery artist and the man determined to stop him clash in this intriguing documentary.
Across the Sea (Slamdance Review)By Ananda Dillon A Turkish woman and her husband return to her childhood home and the secrets of her past in 'Across the Sea'.
MommyBy Bernard Boo Dolan's fifth film is a shock to the system, a powerful, personal tale about enduring love.
Song OneBy Bernard Boo A music-centric romance that lacks ambition and misses some big opportunities.
The Duke of BurgundyBy C.J. Prince Peter Strickland’s 'The Duke of Burgundy' is not your average fairy tale love story involving BDSM.
Human CapitalBy Bernard Boo A well-constructed, well-groomed class drama with lots of big ideas that doesn't end up saying much.
Appropriate BehaviorBy Ananda Dillon A bisexual Brooklynite hilariously suffers through a break-up and her Iranian family's expectations.
A Most Violent YearBy Bernard Boo Chandor's period crime drama is his least cohesive film, but is gripping and tense nonetheless.