sci-fi

8.2
Timecrimes Movie cover

Timecrimes

It does not take long to notice that even the smallest of details in Nacho Vigalondo’s Timecrimes are not without purpose. As with most time-travel films, if you were to break everything down you are bound to find plot holes here and there. But over-thinking the logic ruins the entertainment the film provides and what Read More
6.4
Antiviral Movie cover

Antiviral

Antiviral is a high-concept sci-fi film debut from Brandon Cronenberg, son of legendary director David Cronenberg. It is not completely far-fetched to imagine a future celebrity obsessed society where fans receive a virus that their idol has in order to feel closer to them, which is why the film is so creepy. Unfortunately, the signs Read More
8.2
Upstream Color Movie cover

Upstream Color

For all intents and purposes, Shane Carruth has completely disappeared off the filmmaking radar ever since his mind blowing indie sci-fi debut of Primer eight years ago. The only place his name has appeared since then was in the Thank You section of the credits in Looper. For Upstream Color the self-proclaimed “control freak” handles Read More
6.2
Ghosts with Shit Jobs (SF IndieFest) Movie cover

Ghosts with Shit Jobs (SF IndieFest)

Directors Chris McCawley, Jim Morrison, Jim Munroe, and Tate Young’s take on the dehumanization and sterilization of North Americans is inventive, but Ghosts with Shit Jobs often falls flat in its attempts at any significant humor or drama. While the bleak future the filmmakers visualize is thought-provoking, troubling, funny, and playfully satirical, its Achilles’ heel Read More
8.1
Cloud Atlas Movie cover

Cloud Atlas

Cloud Atlas is a big film by all definitions; it contains an inordinate amount of characters spread out across hundreds of years, making the shear scope of the production epic. Not to mention the estimated budget of 100 million dollars (though it was independently financed outside the studio). To pull off such an ambitious feat, Read More
7.1
The Bay Movie cover

The Bay

The found footage subgenre of horror films, now appearing to be completely exhausted, has some new life injected into it thanks to Barry Levinson. The Bay is Levinson’s first real leap into horror (if you don’t consider Sphere to be a horror film) which makes his presence as an outsider work in the film’s favour. Read More
8.4
Looper Movie cover

Looper

I am always skeptic when it comes to most sci-fi action films but Looper is the rare exception that proves from time to time excellent ones are made. Rian Johnson’s Looper is a smart and unique science fiction film set in the future about time travel that is controlled by mobsters. Looper is not your Read More
6.9
Safety Not Guaranteed Movie cover

Safety Not Guaranteed

Safety Not Guaranteed thankfully takes its science fiction framework and keeps it in the background, instead putting the focus on its characters and how they grow over the film’s short running time. For the most part the movie gets by on its low-key charm, with two good central performances but the sitcom-like structure drives a Read More
7.4
You Are Here Movie cover

You Are Here

You Are Here opens with a professor (R.D. Reid) lecturing to an unseen audience while footage of waves rolling in play behind him. He tells the audience to stare at the waves and think for a minute before asking them how they’re looking at the waves. He pulls out a laser pointer and moves the red Read More