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What We Learned from the Berlin Film Festival
The Berlin Film Festival came to a close this weekend when jury president Meryl Streep announced the winners with her fellow jury members. Here are the winners plus our thoughts on the festival as a whole.
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2016 Oscar Predictions
2016 Oscars predictions for every category, most of which have no real front-runners, making the playing field wide open.
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Zero Days (Berlin Review)
Alex Gibney’s excellent new documentary, 'Zero Days', is infused with a sense of urgency, relevance, and terrifying propinquity.
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Touched With Fire
A cute but redundantly lyrical sanitarium romance.
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The Witch
Almost sexual in its slow build to climax, Eggers' period piece carefully illuminates the horrors of domestic mistrust and misogyny.
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Tobias Lindholm Talks ‘A War,’ The Pursuit of Human Truth In Storytelling
Out in theaters today is Danish director Tobias Lindholm’s (A Hijacking) latest film, A War, a humanistic exploration of the personal and psychological struggles of soldiers. Set in Denmark and Afghanistan, the film stars Pilou Asbæk as a company commander accused...
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The Club
A group of banished priests have their idyllic golden years upended in this amazing Chilean drama.
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Movies and TV to Stream This Weekend – February 19
This weekend stream 1955 horror classic 'Diabolique', French masterpiece 'Amélie', and HBO's TV show 'Togetherness'.
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Robert Eggers on ‘The Witch,’ What Makes the 17th Century Scary
Atmospheric, well-acted and directed, and full of disturbing imagery you won't be able to shake, 'The Witch' is one horror fans shouldn't miss.
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A Quiet Passion (Berlin Review)
'A Quiet Passion' envelops the senses in warm, gentle waves of cinematic opulence.
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Soy Nero (Berlin Review)
Rafi Pitts' film 'Soy Nero' attempts to reveal something new by recycling the old, but it doesn't work.
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Genius (Berlin Review)
Michael Grandage’s star-studded 'Genius' goes refreshingly against the grain, but fine-tuning the screenplay would lead to bigger impact.
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Embrace of the Serpent
A visually sumptuous, frightening meditation on colonialism's violent stamping-out of indigenous culture.
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Crosscurrent (Berlin Review)
Yang Chao's 'Crosscurrent' doesn't get the art of subtle suggestion
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