The Artist won big at the 2012 Film Independent Spirit Awards by taking home most of the major awards such as Best Feature, Best Director, Best Male Lead and Best Cinematography. In fact, it won every award it was nominated for except for Best Screenplay. We will see tomorrow night if The Artist can win Best Picture for both the Independent Spirit Awards and The Oscars, something that has not been done since 1987 with Platoon.

I ended up doing pretty well with my predictions this year. Out of the total of 13 unannounced awards I got 9 of them correct, which is about 69% accuracy. Although this year there will likely be a lot of cross-over winners between the Spirit Awards and the more mainstream awards, it was great to see independent films get the recognition they deserve.

The full list of Independent Spirit Award winners:
(The winners are highlighted in bold red font)

50/50 – Seth Rogen, Evan Goldberg, Ben Karlin
Beginners – Miranda de Pencier, Lars Knudsen, Leslie Urdang, Jay Van Hoy, Dean Vanech
Drive – Michel Litvak, John Palermo, Marc Platt, Gigi Pritzker, Adam Siegel
Take Shelter – Tyler Davidson, Sophia Lin
The Artist – Thomas Langmann, Emmanuel Montamat
The Descendants – Jim Burke, Alexander Payne, Jim Taylor

Mike Mills – Beginners
Nicolas Winding Refn – Drive
Jeff Nichols- Take Shelter
Michel Hazanavicius – The Artist
Alexander Payne – The Descendants

Another Earth
In The Family
Margin Call
Martha Marcy May Marlene
Natural Selection

Demian Bichir – A Better Life
Jean Dujardin – The Artist
Ryan Gosling – Drive
Woody Harrelson – Rampart
Michael Shannon – Take Shelter

Lauren Ambrose – Think Of Me
Rachel Harris – Natural Selection
Adepero Oduye – Pariah
Elizabeth Olsen – Martha Marcy May Marlene
Michelle Williams – My Week With Marilyn

Albert Brooks – Drive
John Hawkes – Martha Marcy May Marlene
Christopher Plummer – Beginners
John C. Reilly – Cedar Rapids
Corey Stoll – Midnight In Paris

Jessica Chastain – Take Shelter
Angelica Huston – 50/50
Janet McTeer – Albert Nobbs
Harmony Santana – Gun Hill Road
Shaileen Woodley – The Descendants

Bellflower
Circumstance
Hello Lonesome
Lovers of Hate
The Dynamiter
Pariah

An African Election
Bill Cunningham New York
The Interrupters
The Redemption of General Butt Naked
We Were Here

A Separation
Melancholia
Shame
The Kid With A Bike
Tyrannosaur

Bellflower
The Off Hours
Midnight In Paris
The Artist
The Dynamiter

Footnote
The Artist
Win Win
Beginners
The Descendants

Another Earth
Margin Call
Terri
Cedar Rapids
50/50

Margin Call
Director: J.C. Chandor
Ensemble Cast: Kevin Spacey, Paul Bettany, Jeremy Irons, Zachary Quinto, Penn Badgley, Simon Baker, Mary McDonnell, Demi Moore

Chad Burris – Mosquita y Mari
Sophia Lin – Take Shelter
Josh Mond – Martha Marcy May Marlene

Where Soldiers Come From
Hell and Back Again
Bombay Beach

Simon Arthur – Silver Tongues
Mark Jackson – Without
Nicholas Ozeki – Mamitas

The name of the film comes from when Adam (Joseph Gordon-Levitt) finds out his odds of survival are 50/50 after finding out he has spinal cancer. The film was written by Will Reiser, who was actually diagnosed with spinal cancer in real life, which is what undoubtedly helped it feel so genuine. The focus of the film is to show how cancer can affect more than just the person with it but also the people around them. It does that surprisingly well.

Adam is not risk taker, when the crosswalk blinks do not walk, he stays put, even when no vehicles are to be seen. The 27 year old does not drive because it is the 5th leading cause of death. So it is ironic when after going to the doctor for some minor back symptoms, Adam is diagnosed with a rare form of spinal cancer, rendering his chances of death 50/50.

Adam gets along with his girlfriend well enough but at the same time you can tell that something is missing from that relationship. He does not realize it at first. It is brought to his attention when two fellow treatment patients question the fact she will not even step inside the hospital. However, it becomes even more evident when she does not answer her phone and shows up an hour late for picking him up.

If it were up to his best friend Kyle (Seth Rogen), Adam would be using his cancer to his advantage for picking up new girls. In fact, Kyle picks up someone at a bookstore by telling her that he is taking care of his dying friend. On their date, Kyle sees Adam’s girlfriend kissing another guy and even snapped a picture on his phone for proof. At the end of the date, Kyle rushes to Adam’s to show him the picture. Needless to say, their relationship came to an end.

Even though Kyle’s repeated attempts to set Adam up with girls have failed, he ends up meeting someone on his own. Turns out it is his 24 year old student therapist that is helping him through treatment. Since he recently broke up with his girlfriend, she offers him a ride home and will not take no for an answer. The first thing he notices about her car is that it is very messy which she insists on him not to judge her for it. The slightly odd scene turns cute when he demands her to pull over so that he can throw away her trash in the car that he could not stand any longer.

Just as things are starting to look up for Adam, one of the patients he got close to passed away. That served as a harsh reminder to him that he may die at any moment. Adam takes his frustrations out on everyone around him; his therapist, Kyle and even his Mom. Up until now he has taken the cancer news fairly lightly so it was only a matter of time until the frustrations settled in.

Not many actors today can make me laugh out loud as much as Seth Rogen does. In most of his films I find myself laughing even when I am watching it by myself (which is the ultimate test), this film was no exception. He did a great job at not dominating the film too much as the supporting actor. Granted, he did play his usual role in the film.

Joseph Gordon-Levitt’s performance felt effortless and brilliant. The awkward romantic scenes between Anna Kendrick and him were outstanding. Most of the film he plays it cool but he shows his range of emotions by the end, particularly well in one “freak out” scene. His career is really starting to take off after recently doing, (500) Days of Summer, Inception and now currently working on Christopher Nolan’s long awaited The Dark Knight Rises.

After watching the trailer for 50/50 when it first came out, I jokingly said it had a 50/50 shot at being good. That depended on which way director Jonathan Levine approached the film. Luckily, he balanced the right amount of comedy and drama together in a very realistic manner without all the pitfalls of a stereotypical dramedy. The situations that Adam gets into seem to all be completely natural, it did not suffer from a cheesy movie-like moment. I was kind of hoping “Banana Pancakes” by Jack Johnson played for the final scene instead of Pearl Jam’s “Yellow Ledbetter”, if you saw the film you know why.