In 2011 Michel Hazanavicius skyrocketed to the American consciousness with the delightful and charming silent film throwback, The Artist. The film took home a shelf worth of awards, including the Oscar for Best Director for Hazanavicius and Best Film. Before that film’s premiere Hazanavicius had been mostly working in the same feather-light register with the OSS 117 films. All of this is to say that there must be something rather intimidating about that Oscar looming down from the mantle, because the latest effort from the director is the bruising Chechen War film, The Search.

The Search—inspired by the 1948 film of the same name—takes place in 1999 during the outbreak of the Second Chechen War and opens with a found footage style video made by a Russian soldier that shows the senseless murder of a mother and father. Following the title credits we meet the near-mute 9-year-old, Hadji (newcomer Abdul-Khalim Mamutsjev), who takes his baby brother and flees only to wind up in an orphanage for Chechens run by Helen (Annette Bening). When Hadji can’t stand the presence of so many guns, he sneaks away and is taken in by Carole (Berenice Bejo–teaming up with Hazanavicius again), a non-governmental aid worker trying to get foreign attention for the conflict, and the two become a quick family.

While Hadji’s story is the core driving force of the narrative, two other plot lines are woven in to complete the picture from the opening scene. Kolia (Maksim Emelyanov) is a Russian teenager arrested for smoking pot on the streets of Perm and forced to join the army. His timid nature makes him the whipping boy for the rest of the new soldiers, as well as for the higher-ups, until little-by-little he is broken down and rebuilt by the horrendous monstrosity that is the film’s depiction of the Russian army. The third plotline follows Raissa (Zukhra Duishvili), Hadji’s sister, who is desperate to find her younger brothers. It is this thread, by a long shot, that gives the film much of its burdensome feel.

The essence of the film rests upon Mamutsjev’s shoulders as the young Hadji scrambles to stay alive and cope with his loss while still being a 9-year-old boy. For a large part of his screen-time, Hadji stays mute, and Mamutsjev and Hazanavicius use this silence to heartbreaking effect—mostly early on in the film. Bejo’s (The Artist, The Past) Carole is Hadji’s opposite, a neurotic and fast paced NGO worker who can hardly stop talking. The resulting relationship quickly becomes the emotional core of the entire film.

For the most part, the rest of the cast turns in similar work. Emelyanov is utterly convincing as he seemingly grows hollow and distant and then completely detached over the two-hour plus run time. The notable exception is the normally solid Bening (The Kids Are All Right, American Beauty), who instead of seeming exhausted and rundown by her tireless work, just feels lifeless.

The fact of the matter is, this film is likely a necessary one; how often has a Chechen War found its way into American cinemas? And in Chechen and Russian no less? The stories here are powerful, and, as exemplified by Carole’s interview subjects, by no means unique. The utter confusion and senselessness run rampant.

But that doesn’t stop the movie from stretching its net too wide and becoming overwrought. Much like the heavy-handed early films of this year’s Best Director winner, Alejandro Gonzalez Inarritu (21 Grams, Babel), it’s easy to spot the connections between the seemingly random narratives early on. So, while the mass cold shoulder from the rest of the world, and the horrific human rights abuses that occur carry some sickening heft, Hazanavicius piles it on until characters basically start speaking to the audience— “It’s about understanding they’re alive and they have a right to a better life.” But perhaps this gets at the point. These tragedies undoubtedly do pile up, and back in the day the international community couldn’t be bothered to raise so much as a finger in support of Chechnya. But the film gets lost in its frustration, buried so deep that the proceedings starts to feel laborious, and even the pockets of hope and joy hardly resonate.

Somewhere in this overlong film is a very good and rather important story about the way the world can steal our home and how we still have to find ourselves in the mess; about the unspeakable tragedies that can’t continue going ignored; about how we lose our humanity, and how we find it again. In many ways it feels as though The Searchwas directed by a first-time director, lacking in that effervescent touch Hazanavicius brought to The Artist with such authority.

The Search is out in limited release in Canada today, March 13.

Michel Hazanavicius burst into Hollywood with The Artist, which won 5 Academy Awards, including Best Picture and Best Director. The trailer for his highly anticipated follow-up, The Search, has hit today, and you can conveniently watch it below.

From the looks of the trailer, Hazanavicius is certainly trying to break out of his wheelhouse of crowd-pleasing spoofs. The Search is a much grander epic, taking place during World War II, but also focusing on the emotionally wrought story of a European Union delegate (Bérénice Bejo) who takes in an orphaned young boy.

The Search is a remake of Fred Zinnemann‘s 1948 film of the same name. The original film starred Montgomery Clift in the Bejo role, so it should be interesting to see how the gender swap will effect the dynamics of the film. Hazanavicius also seems to have ramped up the film’s scale, adding almost an hour of runtime.

The Search will debut at the Cannes Film Festival this week and later this year in France. No U.S. date has been set, but given the awards pedigree of those involved, a holiday release can be assumed.

Watch The Search trailer

While Hugo started off the 84th Annual Academy Awards strong but The Artist made come back later in the night. At the beginning of the award show Hugo piled on the wins in most of the technical awards such as Best Visual Effects, Best Sound Mixing, Best Sound Editing and Best Art Direction. With the momentum it built early on, it sort of makes sense that it won the Best Cinematography award (although I thought The Tree of Life should have won).

As the night progressed and some of the bigger categories were announced is when The Artist came into the spotlight. The Artist won the top award of Best Picture as well as the prestigious Best Director award. The film received another large award when Jean Dujardin won for Best Actor. It also won for Best Score and Best Costume Design.

Thankfully, there were some upsets throughout the night to keep things interesting in what many thought to be a fairly predictable year. Arguably the biggest upset was when Meryl Streep’s name got called for Best Actress as many, myself included, expected Viola Davis to win. The people from Undefeated accepting the award for Best Documentary even sounded surprised they won that category. Most of the time Best Film Editing winner goes to win Best Picture but The Girl With the Dragon Tattoo won it instead and it was their only one of the night.

The full list of Oscar winners:
(The winners are highlighted in bold red font)

The Artist
The Descendants
Extremely Loud and Incredibly Close
The Help
Hugo
Midnight In Paris
Moneyball
The Tree of Life
War Horse

Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Martin Scorsese – Hugo
Woody Allen – Midnight In Paris
Terrence Malick – The Tree Of Life

Demian Bichir – A Better Life
Jean Dujardin – The Artist
George Clooney – The Descendants
Brad Pitt – Moneyball
Gary Oldman – Tinker Tailor Soldier Spy

Glenn Close – Albert Nobbs
Viola Davis – The Help
Rooney Mara – The Girl With The Dragon Tattoo
Meryl Streep – The Iron Lady
Michelle Williams – My Week With Marilyn

Kenneth Branagh – My Week With Marilyn
Jonah Hill – Moneyball
Nick Nolte – Warrior
Christopher Plummer – Beginners
Max Von Sydow – Extremely Loud and Incredibly Close

Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Janet McTeer – Albert Nobbs
Octavia Spencer – The Help

Michel Hazanavicius – The Artist
Kristin Wiig & Annie Mumulo – Bridesmaids
J.C. Chandor – Margin Call
Woody Allen – Midnight in Paris
Asghar Farhadi – A Separation

Jim Rash, Nat Faxon, Alexander Payne – The Descendants
John Logan – Hugo
George Clooney, Grant Heslov, Beau Willimon – The Ides Of March
Steve Zaillian & Aaron Sorkin – Moneyball
Peter Straughan & Bridget O’Connor – Tinker Tailor Soldier Spy

A Separation
Bullhead
Footnote
In Darkness
Monsieur Lazhar

A Cat In Paris
Chico & Rita
Kung Fu Panda 2
Puss In Boots
Rango

Hell And Back Again
If A Tree Falls; A Story Of The Earth Liberation Front
Paradise Lost 3: Purgatory
Pina
Undefeated

Guillaume Shiffman – The Artist
Jeff Cronenweth – The Girl With The Dragon Tattoo
Robert Richardson – Hugo
Emmanuel Lubezki – The Tree of Life
Janusz Kaminski – War Horse

Anne-Sophie Bion & Michel Hazavanicius – The Artist
Kevin Tent – The Descendants
Kirk Baxter & Angus Wall – The Girl With The Dragon Tattoo
Thelma Schoonmaker – Hugo
Christopher Tellefsen – Moneyball

The Artist
Harry Potter and the Deathly Hallows Pt. 2
Hugo
Midnight In Paris
War Horse

Anonymous
The Artist
Hugo
Jane Eyre
W.E.

Albert Nobbs
Harry Potter & The Deathly Hallows Pt. 2
The Iron Lady

Ludovic Bource – The Artist
Alberto Iglesias – Tinker Tailor Soldier Spy
Howard Shore – Hugo
John Williams – The Adventures Of Tintin
John Williams – War Horse

“Man Or Muppet” – The Muppets
“Real In Rio” – Rio

Drive
The Girl With The Dragon Tattoo
Hugo
Transformers: The Dark Of The Moon
War Horse

The Girl With The Dragon Tattoo
Hugo
Moneyball
Transformers: The Dark of The Moon
War Horse

Harry Potter and The Deathly Hallows Pt. 2
Hugo
Real Steel
Rise of the Planet of the Apes
Transformers: The Dark of the Moon

The Barber Of Birmingham: Foot Soldier of the Civil Rights Movement
God Is The Bigger Elvis
Incident In New Baghdad
Saving Face
The Tsunami & The Cherry Blossom

Dimanche
The Fantastic Flying Books Of Mr. Morris Lessmore
La Luna
A Morning Stroll
Wild Life

Pentecost
Raju
The Shore
Time Freak
Tuba Atlantic

The nominations for the 2012 Oscars were announced this morning with Hugo leading the pack for the 84nd Academy Awards with 11 nominations. The Artist came in as a close second with 10 nominations including; Best Picture, Best Director, Best Original Screenplay and Best Score. This is the first year with the new Best Picture rule, no longer is there a set number of Best Picture nominations, instead a film needs to get 5% of votes get a nomination. The new rule is a great change. This year still ended up with 9 films, a few more than I expected.

Perhaps the biggest surprises were The Tree Of Life getting nominations for Best Picture and Best Director, which I am glad that film is getting some love from the Academy. Other shocker is Michael Fassbender not getting a nomination for Best Actor for his role in Shame, shame on you Academy. Tilda Swinton comes up empty for Best Actress for We Need To Talk About Kevin. But some good news, Gary Oldman received his very first Oscar nomination which makes a lot of people happy.

Full List of 2012 Oscar Nominations:

The Artist
The Descendants
Extremely Loud and Incredibly Close
The Help
Hugo
Midnight In Paris
Moneyball
The Tree Of Life
War Horse

Michel Hazanavicius – The Artist
Alexander Payne – The Descendants
Martin Scorsese – Hugo
Woody Allen – Midnight In Paris
Terrence Malick – The Tree Of Life

Demian Bichir – A Better Life
Jean Dujardin – The Artist
George Clooney – The Descendants
Brad Pitt – Moneyball
Gary Oldman – Tinker Tailor Soldier Spy

Glenn Close – Albert Nobbs
Viola Davis – The Help
Rooney Mara – The Girl With The Dragon Tattoo
Meryl Streep – The Iron Lady
Michelle Williams – My Week With Marilyn

Kenneth Branagh – My Week With Marilyn
Jonah Hill – Moneyball
Nick Nolte – Warrior
Christopher Plummer – Beginners
Max Von Sydow – Extremely Loud and Incredibly Close

Berenice Bejo – The Artist
Jessica Chastain – The Help
Melissa McCarthy – Bridesmaids
Janet McTeer – Albert Nobbs
Octavia Spencer – The Help

Michel Hazanavicius – The Artist
Kristin Wiig & Annie Mumulo – Bridesmaids
J.C. Chandor – Margin Call
Woody Allen – Midnight In Paris
Asghar Farhadi – A Separation

Jim Rash, Nat Faxon, Alexander Payne – The Descendants
John Logan – Hugo
George Clooney, Grant Heslov, Beau Willimon – The Ides Of March
Steve Zaillian & Aaron Sorkin – Moneyball
Peter Straughan & Bridget O’Connor – Tinker Tailor Soldier Spy

A Separation
Bullhead
Footnote
In Darkness
Monsieur Lazhar

A Cat In Paris
Chico & Rita
Kung Fu Panda 2
Puss In Boots
Rango

Hell And Back Again
If A Tree Falls; A Story Of The Earth Liberation Front
Paradise Lost 3: Purgatory
Pina
Undefeated

Guillaume Shiffman – The Artist
Jeff Cronenweth – The Girl With The Dragon Tattoo
Robert Richardson – Hugo
Emmanuel Lubezki – The Tree Of Life
Janusz Kaminski – War Horse

Anne-Sophie Bion & Michel Hazavanicius – The Artist
Kevin Tent – The Descendants
Kirk Baxter & Angus Wall – The Girl With The Dragon Tattoo
Thelma Schoonmaker – Hugo
Christopher Tellefsen – Moneyball

The Artist
Harry Potter and the Deathly Hallows Pt. 2
Hugo
Midnight In Paris
War Horse

Anonymous
The Artist
Hugo
Jane Eyre
W.E.

Albert Nobbs
Harry Potter & The Deathly Hallows Pt. 2
The Iron Lady

Ludovic Bource – The Artist
Alberto Iglesias – Tinker Tailor Soldier Spy
Howard Shore – Hugo
John Williams – The Adventures Of Tintin
John Williams – War Horse

“Man Or Muppet” – The Muppets
“Real In Rio” – Rio

Drive
The Girl With The Dragon Tattoo
Hugo
Transformers: The Dark Of The Moon
War Horse

The Girl With The Dragon Tattoo
Hugo
Moneyball
Transformers: The Dark of The Moon
War Horse

Harry Potter and The Deathly Hallows Pt. 2
Hugo
Real Steel
Rise of the Planet of the Apes
Transformers: The Dark of the Moon

The Barber Of Birmingham: Foot Soldier of the Civil Rights Movement
God Is The Bigger Elvis
Incident In New Baghdad
Saving Face
The Tsunami & The Cherry Blossom

Dimanche
The Fantastic Flying Books Of Mr. Morris Lessmore
La Luna
A Morning Stroll
Wild Life

Pentecost
Raju
The Shore
Time Freak
Tuba Atlantic

The Artist is a silent black-and-white film by French director Michel Hazanavicius that is easily the most entertaining film of 2011. Essentially, it is a silent film about silent films. The film benefits from being made in modern times in that it gets to toy with it’s self-aware silent self, unlike the era of films it pays tribute to, with occasional sounds here and there. Most people who are passionate about films will have fun with The Artist.

In the year 1927 silent films are what made up Hollywoodland and George Valentin (Jean Dujardin) dominated the screens. Always by his side are his loyal dog and longtime producer Al Zimmer (John Goodman). His latest film was a smashing hit and during a public photo shoot for it, a lady from the crowd bumps into him that catches his eye. The next morning photos of the two together are on newspapers, overnight a star is born.

Her name is Peppy Miller (Bérénice Bejo), a name that will soon be as big as George Valentin’s in Hollywood. She tries out to be a dancer in his next film and he grants her that role. George would have never guessed that by giving Peppy her first break that she would soon surpass him in fame, but she does.

His producer Al from the film studio he works at informs him that they are switching to the future, talking films. It is a future George does not want to be a part of, he believes it is just a fad. Peppy rises to fame as a talkie while the silent era is quickly diminishing leaving George without a job.

To make the situation worse, the Great Depression hits so the money he is living off from his previous success is now gone. He auctions off all of his valuables, the auctioneer says, “Congratulations! It’s all sold, you’ve got nothing left!” Nothing left is right, wife leaves him and he has to down-size to a studio apartment. It occurs to him one day that he has not paid his butler (Ed Lauter) in over a year, so he is forced to make the hard decision to fire him.

The scene that stood out to me the most is when his wife was leaving him because he would not talk to his wife. It was a metaphor for him not conforming as a talkie film actor. And on similar note, another stand out scene is when he had a dream that he was no longer able to speak, he knows that he belongs in the silent era.

Peppy knows that she would not be a star without George. She not only respects him but has always had a romantic connection to him as well. With George going through a riches-to-rags scenario that turns him on the bottle, will she still have the same feelings she once had about him? When you are at the top, it is hard to see the people at the bottom.

Jean Dujardin was the perfect lead for The Artist. He has the face and body language that silent films demand. In this film, his role required him to be charming, funny, prideful, sad and angry without the luxury of speaking. So it was well deserved when Dujardin won best actor at Cannes 2011.

The Oscar nominations will be announced tomorrow but the buzz around the internet is The Artist has a great chance for the top prize of Best Picture. I would not be surprised if it also won Best Original Screenplay and Best Original Score. Also, if animals could win, I think the dog would have a good chance for Best Supporting…Animal.

The Artist proves that a film does not have to have words in order to achieve greatness. When done correctly as in this case, silence can be just as engaging and rewarding as speech is. Similar to a good foreign film when you forget you are reading subtitles, you will likely be so enthralled with the film to notice there is no audible dialogue.