Coming off a disappointing previous film (Touchy Feely), director Lynn Shelton returns with Laggies to what she does best —examining likable but flawed characters at a crossroads in their life. Working from a script she didn’t write (a first for the director) and her largest budget to date, Shelton ditches her typical improvisational approach for a more conventional structure. But even with a more refined technique, Laggies still obtains excellent chemistry between its cast, giving off the authentic vibe that we’re used to seeing in Shelton’s work.

It’s been over 10 years since Megan (Keira Knightley) graduated from high school, and while her friends are getting married, having babies, and starting up their own restaurant, Megan twirls signs on the street for her father (Jeff Garlin). It slowly dawns on her that she’s lagging behind her peers and just floating through life. She needs some time away from her social group and her boyfriend Anthony (played by Mark Webber, who always gets typecast for these kind of roles) to clear her mind and to find herself.

This is when the film begins to test your ability to overlook and roll with the nonsensical developments. After buying beer for a group of underage high schoolers, Megan forms a close friendship with one of them named Annika (Chloë Grace Moretz). Megan decides to cash in her I-O-U from Annika for the beer and devises a plan to get away from her routine for a while. So she tells everyone she’s going on a weeklong self-development seminar, but instead stays with Annika at her father’s (Sam Rockwell) house. Like the audience, her father questions Megan’s motives but it doesn’t take much arm twisting before he allows her to stay. Everything goes according to plan until Megan develops feelings for Annika’s father, which threatens to ruin her relationships with Annika and Anthony.

Shelton continues to show her extraordinary ability to get the best performances out of her cast. Knightley puts on the best performance of her career by dominating her own scenes and enhancing everyone else’s around her. Moretz is very much in her comfort zone playing a snippy teenager and pairs well with Knightley. Rockwell has the luxury of getting the best material to work with, playing both the cool dad and the love interest with the effortless charm he’s known for.

There are some great life messages in Laggies, namely about gaining perspective on life while helping others avoid making those same mistakes. Another theme throughout is on the nature of relationships, their fragility and the constant attention needed to make them last. Unfortunately, there are also a lot of predictable moments in Laggies. It’s far too easy to guess how the story’s plot points will turn out before they happen. A predictability that is of course dissatisfying. Filled with solid performances from everyone involved, and an enjoyable original soundtrack by Benjamin Gibbard (Death Cab for Cutie), Laggies is Lynn Shelton’s most accessible and crowd-pleasing film to date. Unfortunately it comes at the expense of believability and few moments that contain her unique style, making the film feel overly familiar and generic.

The Mill Valley Film Festival has built a reputation as a showcase for future Oscar winners and emergent independent and foreign filmmakers. The festival has hosted five of the last six Best Picture Oscar winners, rolling out the red carpet for A-list actors and filmmakers while heavily supporting local filmmakers as well. Nestled in one of the most beautiful places in the world, filmmakers, actors, and attendees alike are drawn to Mill Valley every year by the easy, low-stress atmosphere, the gorgeous surroundings, the varied special events and, of course, the films. In its 37th year, the festival looks to deliver everything loyal festival-goers expect and more.

“Variety has said once–probably more than once–that Mill Valley has the ambience of a destination festival and the clout of an urban festival,” said festival founder and director Mark Fishkin at yesterday’s press conference. “Change” is one of the themes of this year’s festival, with the folks behind the festival embracing the evolving landscape of film and film distribution. Said Fishkin: “For us, change is inevitable, but we are still part of a special division of the film industry, which is theatrical exhibition. We take our role as curators very seriously, whether it’s films that are coming from the Bay Area or films coming from Cannes.”

The Homesman

Tommy Lee Jones‘ latest offering, The Homesman, will open the festival, with star Hilary Swank set to attend. The film is a Western, following a claim jumper (Jones) and a young woman (Swank) as they escort three insane woman through the treacherous frontier between Nebraska and Iowa. Fishkin describes it as a “feminist Western” that is “extremely moving. We’re just so proud to be showing it in this year’s festival.”

Co-headlining opening night is Men, Women, & Children, Jason Reitman‘s new film starring Ansel Elgort, Adam Sandler, Judy Greer, and Jennifer Garner that explores the strange effect the internet age has on parents and their teens. Reitman will be in attendance to present. Lynn Shelton‘s Laggies will also play opening night, completing the killer triple-threat. The film, about a woman stuck in slacker adolescence, stars Chloë Grace Moretz, Keira Knightley, and Sam Rockwell.

The festival looks to finish as strong as it started, with Jean-Marc Valée‘s follow-up to Dallas Buyers Club, spiritual quest movie Wild, starring Reese Witherspoon as Cheryl Strayed, who embarked on a 1,100-mile hike to heal deep emotional wounds. Laura Dern also stars, and will be honored with a tribute.

French favorite Juliette Binoche stars across Kristen Stewart in Clouds of Sils Maria. Binoche plays an actress who’s asked to return to a play that made her famous 20 years ago, but this time in an older role, forcing her to reflect on the young woman she once was and what she’s become since. Another French actress who can do no wrong, Marion Cotillard is outstanding in the Dardenne brothers’ new film, Two Days, One Night. Recalling the best of Italian neorealism, the film follows a woman who’s got a weekend to convince her co-workers to forego their bonuses to save her job.

The Theory of Everything

Two emerging young actors will be spotlighted as Eddie Redmayne and Elle Fanning will be in attendance to discuss their respective new films. Fanning stars in Low Down, which views the troubled life of jazz pianist Joe Albany (John Hawkes) from the perspective of his teenage daughter (Fanning). Set in the ’70s, the film also stars Glenn Close, Peter Dinklage, and Lena Headey. In a breakout performance, Redmayne portrays legendary physicist Stephen Hawking in the stirring biopic The Theory of Everything, which is quickly generating momentum on the festival circuit.

Several other films that have been building steam on the festival circuit will play at the festival as well. English landscape painter J. M. W. Turner is played brilliantly by Timothy Spall in Mike Leigh‘s Mr. Turner, which we loved at Cannes. Also portraying a significant real-life figure is Benedict Cumberbatch, who stars in The Imitation Game, the story of English mathematician Alan Turing and his groundbreaking intelligence work during World War II. Steve Carell‘s highly-anticipated turn in Foxcatcher as John Du Pont, the man who shot olympic great David Schultz, will surely continue to stir up Oscar talk as the film plays late in the festival. Robert Downey Jr. stars as a big city lawyer who returns home to defend his father (Robert Duvall), the town judge, who is suspected of murder.

Metallica is set to play a pleasantly unexpected role in the festival as his year’s artist in residence, with each of the four members of the band presenting a film. Drummer Lars Ulrich has naturally chosen to highlight Whiplash, Damien Chazelle‘s drama about a young aspiring drummer and his relentless instructor. Chazelle will also be in attendance. Lead singer James Hetfield has chosen to present a classic, The Good, The Bad, and the Ugly, while guitarist Kirk Hammett, one of the world’s foremost horror aficionados, will offer up Dracula vs. Frankenstein. Bassist Robert Trujillo is showing a sneak peek at a documentary he produced himself, Jaco, which tells the story of legendary bassist Jaco Pastorius.

On the local side of things is a special screening of Soul of a Banquet, a documentary by filmmaker Wayne Wang  about celebrity chef Cecilia Chang. Wang and Chang, who both have deep San Francisco Bay Area roots, will be in attendance to celebrate their storied careers and present their film collaboration. Chuck Workman, another Bay Area legend who’s best known for editing the clip reels at the Oscars, will be honored at the festival as well.

Another week, another slew of TIFF announcements. And while the full line-up is yet to be revealed (that’ll be next week), TIFF certainly brought out the big guns today. Thomas McCarthy (Win Win, The Station Agent) will premiere his newest film The Cobbler at the festival, while early festival favorites Lynn Shelton‘s (Humpday, Your Sister’s Sister) Laggies and Olivier Assayas‘ (Summer Hours, Carlos) Clouds of Sils Maria will play as well.

But we’re just scratching the surface on today’s announcements. Contemporary World Cinema, one of the biggest programs in the festival, was also announced. Included in that line-up are Jessica Hausner’s Amour Fou and Bruno Dumont’s P’Tit Quinquin, two films we thought highly of back when we caught them at Cannes. Also included are films by Melanie Laurent, Celine Sciamma, Naomi Kawase and plenty more.

Wavelengths, the program dedicated to experimental and avant-garde cinema, also got announced today. Jauja, a film we went nuts over back in May, will have its North American premiere. Also included are new films by Pedro Costa, Lav Diaz, Eugene Green, Matias Pineiro, Shinya Tsukamoto, and Sergei Loznitsa, just to name a few of the heavy hitting names in the line-up.

Read on below for films playing in Galas, Special Presentations, Contemporary World Cinema, City to City (this year focuses on Seoul, South Korea), and Wavelengths. Be sure to keep an eye out on the international shorts program as well, as Claire Denis will be unveiling her latest work. The Toronto International Film Festival will run from September 4 to 14, 2014. To find out more about what’s playing, including how to buy tickets, go to www.tiff.net/thefestival.

Galas

Boychoir François Girard, USA
An orphaned 12-year-old boy is sent to prestigious music school where he struggles to join an elite group of world-class singers. No one expects this rebellious loner to succeed, least of all the school’s relentlessly-tough conductor who wages a battle of wills to bring out the boy’s extraordinary musical gift. Starring Dustin Hoffman, Kathy Bates, Josh Lucas, Kevin McHale, Eddie Izzard, Debra Winger and Garrett Wareing.

The Connection (La French) Cédric Jimenez, France/Belgium World Premiere

Marseille, 1975. Pierre Michel, a young police magistrate with a wife and children, has just been transferred to help crack down on the city’s organized crime. He decides to take on the French Connection, a Mafia-run operation that exports heroin all over the world. Not paying heed to any warnings, he leads a one-man campaign against Mafia kingpin Gaëtan Zampa, the most untouchable godfather of all. But Pierre Michel soon discovers that to get results he will have to change his methods. Starring Jean Dujardin, Gilles Lellouche, Céline Sallette and Benoît Magimel.

Escobar: Paradise Lost Andrea Di Stefano, France World Premiere

Young surfer Nick thinks all his dreams have come true when he visits his brother in Colombia. Against an idyllic backdrop of blue lagoons and white beaches, he falls madly in love with Maria, a beautiful Colombian girl. It all seems perfect until he meets her uncle, Pablo Escobar. Starring Benicio del Toro, Josh Hutcherson and Claudia Traisac.

The Forger Philip Martin, USA World Premiere

A former art prodigy and second generation petty thief buys his way out of prison to spend time with his ailing son. To do so, he must team up with his father for one last job to pay back the syndicate that arranged his release. Starring John Travolta, Christopher Plummer, Tye Sheridan, Jennifer Ehle, Marcus Thomas, Anson Mount, Abigail Spencer and Travis Wade.

Infinitely Polar Bear Maya Forbes, USA Canadian Premiere

Set in the late ’70s, a manic-depressive mess of a father tries to win back his wife by taking responsibility of their two young daughters. The spirited girls don’t make the overwhelming task any easier. Starring Mark Ruffalo, Zoe Saldana, Imogene Wolodarsky, Ashley Aufderheide, Beth Dixon and Keir Dullea.

Laggies Lynn Shelton, USA International Premiere

Overeducated and underemployed, 28-year-old Megan is in the throes of a quarter-life crisis. Squarely into adulthood with no career prospects or motivation to think about her future, Megan is comfortable lagging a few steps behind while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and — given an unexpected opportunity to escape for a week — hides out in the home of her new friend, 16-year-old Annika, and her world-weary single dad Craig. A romantic coming-of-age comedy about three people who find their lives intertwined in the most unconventional of ways. Starring Keira Knightley, Sam Rockwell and Chloë Grace Moretz.

Ruth & Alex Richard Loncraine, USA World Premiere

Based on Jill Ciment’s novel, Heroic Measures. Ruth & Alex is set over a weekend where a couple (Morgan Freeman and Diane Keaton) must decide whether or not to sell their Brooklyn walk up of 40 years. The story takes a comedic turn when the dynamic couple have to contend with eccentric open house guests, their pushy realtor niece, and the health of their beloved family dog — all while navigating a New York on edge from what turns out to be an media-generated terror threat.

Special Presentations

Beyond the Lights Gina Prince-Bythewood, USA
Noni is the music world’s latest superstar, but the pressures of fame have her on edge — until she meets Kaz Nicol, a young cop and aspiring politician. Can Kaz’s love give Noni the courage to find her own voice and become the artist she was meant to be? Starring Gugu Mbatha-Raw, Nate Parker, Minnie Driver, Colson “MGK” Baker and Danny Glover.

Clouds of Sils Maria Olivier Assayas, France/USA North American Premiere

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous 20 years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she’s asked to step into the role of the older Helena. She departs with her assistant to rehearse in Sils Maria, a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to play the role of Sigrid, and Maria finds herself on the other side of the mirror, face to face with an ambiguously charming woman who is, in essence, an unsettling reflection of herself. Starring Juliette Binoche, Chloë Grace Moretz, Kristen Stewart and Lars Eidinger.

The Cobbler Thomas McCarthy, USA World Premiere

Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man’s shoes is the only way one can discover who they really are. Starring Adam Sandler, Cliff “Method Man” Smith, Ellen Barkin, Melonie Diaz, Dan Stevens, Fritz Weaver, Yul Vazquez, Steve Buscemi and Dustin Hoffman.

Don’t Go Breaking My Heart 2 (Dan Shen Nan Nu 2) Johnnie To, Hong Kong/China World Premiere

After losing his girl in a love triangle, Shen Ran falls in love with another woman, only to find himself still attached to his old flame. Meanwhile, his new love also finds herself torn between him and another young man. Starring Louis Koo, Miriam Yeung, Gao Yuanyuan and Vic Chou.

Gemma Bovery Anne Fontaine, France World Premiere

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behaviour also seems to be inspired by Flaubert’s heroes. Starring Gemma Arterton, Fabrice Luchini, Jason Flemyng and Niels Schneider.

Gentlemen Mikael Marcimain, Sweden World Premiere

Beaten, bruised and afraid, young author Klas Östergren hides out in a Stockholm apartment, writing the story of its vanished inhabitants: the flamboyant, charismatic, enigmatic Morgan brothers. Gentlemen simultaneously celebrates and mourns the post-WWII era — its liberation, wild jazz music and poetry, economic boom and rampant corruption. Starring David Dencik, Ruth Vega Fernandez, David Fukamachi Regnfors, Sverrir Gudnason, Boman Oscarsson and Pernilla August.

Gomorrah Stefano Sollima, Italy North American Premiere

This is the inside story of the Camorra, the fierce Neapolitan crime organization, told through the eyes of 30-year-old Ciro, the right hand of the clan’s godfather, Pietro Savastano.

Human Highway (Director’s Cut) Bernard Shakey and Dean Stockwell, USA World Premiere

The road to the ’80s is reflected through the hi-tech, fantasy lens of Neil Young’s 1982 film, Human Highway. This absurdist comedy- musical deals with one of the most serious issues of our time: the threat of nuclear destruction. Starring Dean Stockwell, Neil Young, Devo, Russ Tamblyn, Dennis Hopper, Charlotte Stewart, Sally Kirkland and Geraldine Baron.

Madame Bovary Sophie Barthes, United Kingdom/Belgium World Premiere

In 19th-century France, Emma Bovary, the wife of a dull country doctor, embarks on a series of love affairs and spends well beyond her means. Although the affairs provide moments of perceived bliss, Emma’s idealized notions of love evade her and leave her in ruinous debt. Starring Mia Wasikowska, Laura Carmichael, Ezra Miller, Paul Giamatti, Rhys Ifans, Logan Marshall-Green and Henry Lloyd- Hughes.

Maggie Henry Hobson, USA World Premiere

A Midwestern farmer stays by the side of his beloved teenage daughter even as she slowly turns into a cannibalistic zombie, in this daring, genre-bending debut feature from director Henry Hobson. Starring Arnold Schwarzenegger, Abigail Breslin and Joely Richardson.

Pride Matthew Warchus, United Kingdom

North American Premiere Inspired by an extraordinary true story, Pride follows a group of gay and lesbian activists who come together to support the families of striking mine workers in 1984 England. As the strike drags on, the two groups discover that standing together makes the strongest union of all. Starring Bill Nighy, Imelda Staunton, Dominic West, Paddy Considine, Andrew Scott, Joseph Gilgun, George MacKay and Ben Schnetzer.

Revenge of the Green Dragons Andrew Lau and Andrew Loo, USA World Premiere

In the vein of crime classics like Mean Streets and Infernal Affairs, this film follows two immigrant friends, Sonny and Steven, who survive the hard streets of New York in the 1980s by joining Chinatown gang The Green Dragons. Sonny and Steven quickly rise up the ranks, drawing the unwanted attention of the city’s police force. Starring Ray Liotta, Justin Chon, Kevin Wu, Harry Shum Jr., Shuya Chang and Geoff Pierson.

The Search Michel Hazanavicius, France North American Premiere

The Second Chechen War, 1999. The Search recounts a powerful story of conflict told through four lives that will be brought together by a shocking twist of fate. Starring Bérénice Bejo, Annette Bening, Maxim Emelianov, Abdul-Khalim Mamatsuiev and Zukhra Duishvili.

Shelter Paul Bettany, USA World Premiere

Hannah and Tahir come from two different worlds. But when their lives intersect, they’re at the same place: homeless on the streets of New York. A love letter to the great New York dramas of the 1970s, Shelter is an unsparing story of loss, love, sacrifice, redemption and ultimately, hope. Starring Jennifer Connelly, Anthony Mackie.

Three Hearts (3 Coeurs) Benoît Jacquot, France North American Premiere

One night in a French provincial city, Marc meets Sylvie. They wander the streets until morning and set a date to meet in Paris a few days later. When Marc doesn’t show up on time a twist of fate leaves him romantically torn between two sisters. Starring Benoît Poelvoorde, Charlotte Gainsbourg, Chiara Mastroianni and Catherine Deneuve.

Two Days, One Night (Deux jours, une nuit) Luc Dardenne and Jean-Pierre Dardenne, Belgium/France Canadian Premiere

Sandra has only one weekend to visit her colleagues and — with the help of her husband — convince them to sacrifice their bonuses so she can keep her job. Starring Marion Cotillard, Fabrizio Rongione, Pili Groyne and Simon Caudry.

Welcome to Me Shira Piven, USA World Premiere

A woman with Borderline Personality Disorder wins the Megamillions lottery, quits her meds and buys herself a talk show on an infomercial channel where she talks and creates segments exclusively about herself. This movie is a dark comedic look at our obsession with celebrity and narcissism. Starring Kristen Wiig, James Marsden, Jennifer Jason Leigh, Wes Bentley, Tim Robbins, Joan Cusack and Linda Cardellini.

Contemporary World Cinema

Aire Libre Anahí Berneri, Argentina International Premiere

Even though they refuse to admit it, Lucía and Manuel no longer have dreams in common. Maybe for love or perhaps as a remedy for something that is beyond repair, they plan on rebuilding their life together out of town. Their shared passion for architecture seems to bring them together, as they plan on renovating a house with a garden, selling their apartment and moving in with Lucía’s mother. But living with his wife’s family is suffocating Manuel, and he decides to take a break from cohabitation and moves to his parents’ house. As Lucía and Manuel begin to live separate lives trying to fulfill their own personal dreams, they forget what brought both of them together. Building a place to meet is very hard for them, discovering what they have destroyed is hard as well.

Amour Fou Jessica Hausner, Austria/Luxembourg/Germany North American Premiere

Berlin, the Romantic Era. Young poet Heinrich wishes to conquer the inevitability of death through love, yet is unable to convince his skeptical cousin Marie to join him in a suicide pact. It is while coming to terms with this refusal, ineffably distressed by his cousin’s insensitivity to the depth of his feelings, that Heinrich meets Henriette, the wife of a business acquaintance. Heinrich’s subsequent offer to the beguiling young woman at first holds scant appeal… until Henriette discovers she is suffering from a terminal illness. Amour Fou is a romantic comedy based loosely on the suicide of the poet Henrich von Kleist in 1811.

Behavior (Conducta) Ernesto Daranas, Cuba Canadian Premiere

Chala is an 11-year-old with an attitude problem and a difficult life. When his teacher Carmela, the only person who Chala respects, takes a short leave of absence, her substitute sends the boy to a rehab centre. Upon her return, Carmela tries to correct the situation, but her commitment will put them both at risk.

Bird People Pascale Ferran, France North American Premiere

In a Paris airport zone, two strangers try to make sense out of their lives: an American engineer under great professional and emotional pressure who decides to radically change the course of his existence, and a young hotel chambermaid who goes through a life-altering supernatural experience.

Black Souls (Anime Nere) Francesco Munzi, Italy International Premiere

The story of a criminal family from the Southern region of Calabria plays out like a contemporary western, where the call to blood law and an emphasis on revenge are commonplace and acceptable notions of justice.

Breathe (Respire) Mélanie Laurent, France North American Premiere

Charlie is a 17-year-old girl tortured by doubt, disillusionment and solitude. When the beautiful and self-confident Sarah arrives and the two become inseparable, Charlie is thrilled to feel alive, fulfilled and invincible in their intense friendship. But as Sarah tires of Charlie and begins to look elsewhere for a new friend, their friendship takes an ominous turn.

Charlie’s Country Rolf de Heer, Australia North American Premiere

The great Australian actor David Gulpilil won the Best Actor prize in the Un Certain Regard section of the Cannes Film Festival for his engaging performance in this semi-autobiographical drama about an Aboriginal man who journeys into the Outback to live in the traditional ways of his ancestors.

Cut Snake Tony Ayres, Australia International Premiere

Set in Melbourne in the mid-1970s, Cut Snake tells the story of Sparra Farrell (Alex Russell), a very private young man who is trying to make a life for himself in a new city. He has found honest work and becomes engaged to the outgoing and charismatic Paula (Jessica De Gouw). But the prospect of his new life is challenged when the charismatic Pommie (Sullivan Stapleton) tracks him down. Sparra finds himself drawn back into a world that he thought he had left behind.

The Dark Horse James Napier Robertson, New Zealand International Premiere

The Dark Horse is an inspiring true story based on the life of a charismatic, brilliant but little-known New Zealand chess champion, Genesis Potini. It’s a provocative, emotionally-charged drama about a man who searches for the courage to lead, despite his own
struggles — finding purpose and hope in passing on his gift to the children of his community.

Don’t Breathe (La Faille) Nino Kirtadze, France World Premiere

This subtly comic blend of fact and fiction follows a middle-aged married couple in Tbilisi, Georgia, as they deal with the fallout from an unclear, potentially fatal prognosis.

The Farewell Party (Mita Tova) Sharon Maymon and Tal Granit, Germany/Israel North American Premiere

The Farewell Party is a compassionate dramatic comedy about friendship and saying goodbye. A group of friends at a Jerusalem retirement home build a machine for self-administered euthanasia in order to help their terminally-ill friend. But as rumours of the secret machine begin to spread, more and more people ask for their help.

Frailer (Brozer) Mijke de Jong, Netherlands World Premiere

A woman diagnosed with terminal lung cancer gathers her three dearest friends together to make the most of the time she has left.

Gett, The Trial of Viviane Amsalem (Gett, le procès de Vivane Amsalem) North American Premiere Ronit Elkabetz and Shlomi Elkabetz, France/Germany/Israel

This film tells the story of Viviane Amsalem’s five-year fight to obtain her divorce in front of the only legal authority for divorce cases in Israel, the Rabbinical Court. Viviane and her lawyer must face the uncompromising attitude of her husband, Elisha, who isn’t responsive to the rabbi’s convocations. Witnesses are called, the procedure drags on, while Viviane is still unable to recover her dignity.

Girlhood (Bande de filles) Céline Sciamma, France North American Premiere

Oppressed by her family situation, dead-end school prospects and having to live by the boys’ rules in the neighbourhood, Marieme starts a new life after meeting a group of three free-spirited girls. She changes her name, her dress code, and quits school to be accepted into the gang, hoping that this will be a way to freedom.

The Grump (Mielensäpahoittaja) Dome Karukoski, Finland World Premiere

A stubbornly traditional 80-year-old farmer whose social attitudes verge on the prehistoric raises hell when he is forced to move in with his sad sack, city-dwelling son and domineering daughter-in-law, in this hilarious social satire based on the wildly popular novel by Finnish author Tuomas Kyrö.

High Society (Le beau monde) Julie Lopes Curval, France International Premiere

Twenty-year-old Alice lives in Normandy. Passionate about embroidery, she invents and creates, trying to find her own path. Contemplating what to do with her innate talent, she meets Agnes, a rich Parisian lady who helps her get into a prestigious school. Without hesitation, Alice leaves everything behind to start a new life in Paris. When she meets Antoine, Agnes’ son, they fall passionately in love. Antoine finds in Alice a sincerity and simplicity that frees him from the bourgeois environment he hates, while Alice risks losing herself in a fascinating new world.

Impunity Jyoti Mistry, South Africa World Premiere

When the mauled body of Zanele Majola, a minister’s daughter, is discovered in the forest of an exclusive safari lodge the morning after her engagement party to a rising political star, Dingande Fakude, a Special Crimes Unit detective is dispatched from Pretoria to oversee the investigation and bring swift closure. He is teamed with the local detective, Naveed Khan, a self-styled outcast. When two young lovers, Derren and Echo, working as waiters at the party, are taken in for questioning, their complicity seems obvious. But as more crimes are uncovered, what looks like an open and shut case presents the two policemen with the complicated challenge of protecting the political elite. Behind the intertwining stories of a couple on a killing rampage and the corruption of politics in South Africa, filmmaker Jyoti Mistry weaves a provocative portrayal of a society permeated with violence and its spectacle, where the notion of justice has gone awry.

In the Crosswind (Risttuules) Martti Helde, Estonia International Premiere

Without warning, Erna and her family are removed from their home and without a trial she is deported to Siberia. Fighting starvation and humiliation, her soul seeks and finds freedom in the letters she sends to her husband, who has been sentenced to a separate prison camp. Based on a true story, In the Crosswind tells a visually extraordinary, heart-wrenching tale of the fate of tens of thousands of people in Estonia, Latvia and Lithuania during the purge of native inhabitants of the Baltic countries ordered by Joseph Stalin in 1941.

Itsi Bitsi Ole Christian Madsen, Denmark/Sweden World Premiere

In 1962, a young generation rebels against the establishment. Peace activist Eik Skaløe meets Iben and falls head over heels in love, but Iben refuses to commit herself to one man only. Desperately, Eik tries to win her over by transforming from poet to writer, nomad, junkie, and eventually lead singer in the destined-to-become-legendary band Steppeulvene.

Justice (Hustisya) Joel Lamangan, Philippines International Premiere

Biring (Nora Aunor) works for her kapwa Bicolano Vivian, who operates a human trafficking agency controlled by a powerful syndicate. But Biring sees no evil, hears no evil, caring only about her survival. When she is accused of murder, she is forced to fight for her soul in the belly of the city. Written by the celebrated Ricky Lee, who is also known for his work with Lino Brocka.

Kabukicho Love Hotel (Sayonara Kabukicho) Ryuichi Hiroki, Japan World Premiere

Over one day at this love hotel in Shinjuku, Tokyo — where guests have the choice of staying for a short time or overnight — the dreams and desires of these characters intersect and collide in a bittersweet portrait of modern Japan as they try to get through the day while aspiring for something greater.

Kill Me Three Times Kriv Stenders, Australia World Premiere

A mercurial assassin (Simon Pegg) discovers he isn’t the only person trying to kill the siren (Alice Braga) of a sun-drenched surfing town. In this darkly comedic thriller, the hit man finds himself unravelling three tales of mayhem, murder, blackmail and revenge.

Labyrinth Of Lies (Im Labyrinth des Schweigens) Giulio Ricciarelli, Germany World Premiere

Frankfurt 1958: young prosecuting attorney Johann Radmann comes across documents that help to initiate the trial against members of the SS who served in Auschwitz. Both the horrors of the past and the hostility against his work bring Johann to the point of meltdown. It is nearly impossible for him to find his way through this maze; everybody seems to have been involved.

Leopardi (Il giovane favoloso) Mario Martone, Italy International Premiere

Giacomo Leopardi is a prodigious kid raised under the supervision of his implacable father. Giacomo’s mind runs free in his house, his prison, while outside revolutions begin and he chases connections to the world. When he finally leaves, Italian high society opens its doors to him and the tormented poet struggles to adapt.

The Lesson (Urok) Kristina Grozeva and Petar Valchanov, Bulgaria/Greece World Premiere

In a small Bulgarian town, Nadezhda, a young teacher, is looking for the robber in her class so she can teach them the difference between right and wrong. But when she finds herself in debt to loan sharks, can she find the right way out herself?

Li’l Quinquin (P’tit Quinquin) Bruno Dumont, France North American Premiere

An improbable, screwball and slapstick police investigation focusing on bizarre crimes on the outskirts of a small town in the north of France that has fallen prey to evil and to a band of young scoundrels led by Li’l Quinquin and his beloved Eve.

Lulu Luis Ortega, Argentina World Premiere

Lucas and Ludmilla are two street kids in love with each other and with the city they live in. They move through it as if it was their own board game. Lucas works with his truck driver friend, Hueso, picking up cow and pig bones from the city butcher shops. In his spare time with Ludmilla he shoots at monuments and sculptures with his gun and commits small crimes for amusement.

Margarita, with a Straw Shonali Bose, India World Premiere

Laila is a young romantic, a secret rebel in a wheelchair. Undeterred by cerebral palsy, she embarks on exhilarating adventures of self discovery, which cause a rift both within and with those she is closest to. Ultimately, it is in the intensity of these bonds where she must find the strength to truly be herself.

Meet Me in Montenegro Alex Holdridge and Linnea Saasen, USA/Germany/Norway World Premiere

Finding himself in a career roadblock, Anderson (Alex Holdridge) begins to feel nostalgic about a blissful but brief romantic tryst he had several years ago in Montenegro, and heads to Berlin to rediscover what might have been. He visits his friends Stephen (Rupert Friend) and Friederike (Jennifer Ulrich), a couple floundering between commitment and conclusion. Berlin nestles these couples in her outstretched streets, while they wrestle with the perennial challenge of finding love, recognizing it and keeping it alive.

Men Who Save The World (Lelaki Harapan Dunia) Liew Seng Tat, Malaysia/Netherlands/Germany/France North American Premiere

In a quaint Malay village, the villagers unite to help Pak Awang carry an abandoned house from the jungle into the village as a gift for his daughter, who is getting married. What they don’t know is that an illegal African immigrant who is on the run found the house by accident and decided to hide in it. When the village drug addict mistakes the black shadow he saw in the house as a ghost, the villagers fear that the relocation of the house has enraged the devil. The house moving comes to a halt as a series of wild mishaps befalling the village lead to false accusations, hilarious situations and ingenious actions meant to protect the village from danger.

Mirage (Délibáb) Szabolcs Hajdu, Hungary/Slovakia World Premiere

Francis Boyo is an African substitute forward for a Second League football team in a small town in Romania. After a lost match, he is caught in the middle of a match-fixing scandal and has to flee. Albert, an underworld acquaintance, convinces Francis to go to a farm deep in the Hungarian Puszta, run by a Romanian stockman called Cisco, to find refuge. But when he arrives, he realizes that the farm might not be such a safe haven after all.

Modris Juris Kursietis, Latvia/Germany/Greece World Premiere

Modris is a normal 17-year-old who goes to school, has a girlfriend and some good friends. However, his gambling addiction makes his relationship with his mother difficult, especially since she constantly reminds him that his father is in prison and that Modris has a bad gene. Their relationship boils over when, in the middle of the Nordic winter, Modris pawns his mother’s electric heater to try to squeeze a win from a slot machine. When she betrays him to the police he is sentenced to two years probation, and as he begins his adventures with the Latvian justice system, his relationship to the outside world changes and he becomes determined to find the father he has never met. A story based on true events.

Not My Type (Pas son genre) Lucas Belvaux, Belgium/France Canadian Premiere

Clément, a young Parisian philosophy professor, is transferred to Arras for a year. Far from Paris and its nightlife, he doesn’t quite know what to do with his free time. Then he meets Jennifer, a pretty hairdresser who becomes his lover. While Clément’s life revolves around Kant and Proust, Jennifer’s is punctuated with chick lit, tabloids and karaoke evenings with her girlfriends. Free love and free hearts, they could live a beautiful romance together, but is it enough to bridge the social gap and cultural divide between them?

Out of Nature (Mot naturen) Ole Giæver, Norway World Premiere

Out of Nature is a journey inside Martin’s head and out into the wild nature. Martin is alone on a hiking trip in the mountains and we hear all of his uncensored thoughts and brutally honest observations about himself and the people around him. With thoughts and fantasies ranging from the trivial and infantile to the existential and profound, Out of Nature is an honest and funny portrait of a young man wanting to break the mold.

The Owners Adilkhan Yerzhanov, Kazakhstan North American Premiere

Twenty-five-year-old John, his teenage brother Yerbol, and their sickly 12-year-old sister Aliya, are forced to leave their house in the Kazakh city of Almaty when they become orphaned. By luck, their mother left them a house in a remote village but when they arrive, they find themselves battling with a corrupt local police chief whose alcoholic brother has been living in the house illegally for 10 years. Through the alembic of the absurd, this tragicomedy depicts routine injustice growing to unexpected cruelty, against a background of hilarious indifference.

Partners in Crime (Kong Feng) Chang Jung-Chi, Taiwan
When a girl who is loved by her entire school commits suicide, everyone tries to understand why. A good student, a bad student, and a weird student happen to discover her body on their way to school, and their lives become fatefully intertwined in their search for the truth behind the girl’s death.

The Reaper (Kosac) Zvonimir Jurić, Croatia/Slovenia International Premiere

Three fateful encounters over the course of a single night exposes the gloomy picture of Ivo’s life and of the small Croatian village where he lives, which is as stuck and imprisoned by war as Ivo is by his dark past.

Red Rose Sepideh Farsi, France/Greece/Iran World Premiere

A politically complacent middle-aged man and a young pro-democracy activist debate about the future of their country while hiding from the police in this fascinating drama that blends scripted scenes with on-the-ground footage from Iran’s 2009 Green Revolution.

Sand Dollars (Dólares de Arena) Laura Amelia Guzmán and Israel Cárdenas, Dominican Republic/Argentina/Mexico World Premiere

Noelí and her boyfriend earn their living from the tourists in a beach town in the Dominican Republic. When Noelí meets Anne, a mature French woman who promises to take her to Europe, she must decide whether to stay with her loved one or to leave in the hope of a better future.

Still the Water (Futatsume no mado) Naomi Kawase, Japan/France/Spain North American Premiere

On the subtropical Japanese island of Amami-shima, traditions about nature remain eternal. During the full-moon night of traditional dances in August, 16-year-old Kaito discovers a dead body floating in the sea. His girlfriend Kyoko will attempt to help him understand this mysterious discovery.

Tales (Ghesseha) Rakhshan Banietemad, Iran North American Premiere

Tales is an honest and courageous story of seven passionate Iranian filmmakers, workers, intellectuals and state employees, and demonstrates their daily struggles. Will the light of love and hope lighten their lives?

*Ron Levi, Director of the Master of Global Affairs at the Munk School, is an expert on global justice, and human rights regimes. He will speak about Tales in an extended Q&A session following the second screening of the film.

Today (Emrouz) Reza Mirkarimi, Iran International Premiere

In this delicate, deceptively small-scale drama from award-winning Iranian director Reza Mirkarimi, Youness, an ageing taxi driver, takes a young woman to a hospital at the end of his working day not knowing what awaits him there.

Tokyo Fiancée Stefan Liberski, Belgium/Canada/France World Premiere

Her head filled with dreams, Amélie, 20, goes back to Japan, where she spent her childhood. To earn a living, she decides to give private classes in French and meets Rinri, her first and only student, a young Japanese man with whom she soon begins an intimate relationship. Between surprises, happy times and the pitfalls of a culture shock that is both poetic and amusing, she discovers a side of Japan she had never seen before.

Tour de Force (Hin und weg) Christian Zübert, Germany

Belgium, of all places! Why visit, if not for the French fries and chocolates? But it is Hannes and his wife Kiki’s turn to decide on the destination of their annual bike trip with their closest friends, so the group sets out with the spirit of adventure. It is only once they are on their way that their friends learn of Hannes’ terminal illness. This trip is to be his last. Initially, the group is at a loss, but then they turn their trip into a wild and unique tour. Through Hannes, they realize how precious life really is, celebrating it like never before.

Two Shots Fired (Dos disparos) Martin Rejtman, Argentina/Chile/Germany/Netherlands North American Premiere

When 16-year-old Mariano finds a gun in his house, he has a thoughtless impulse and shoots himself twice. Immediately, we learn that he survives and he is in perfect condition. Two Shots Fired is the story of how his family copes with this event.

The Valley (Al-Wadi) Ghassan Salhab, France/Germany/Lebanon/QatarWorld Premiere

Following a car accident on a lone mountain road, a middle-aged man loses his memory. Drenched in blood, he continues to walk along the deserted path. Further down the road, he encounters people with engine trouble and helps them get their car running again. They are reluctant to leave him stranded and take him home to their large estate in the Bekaa valley, a place where production is not only agricultural, and a place he may never leave again.

Venice (Venecia) Kiki Álvarez, Cuba/Colombia World Premiere

Havana, summer of 2012. Mayelín, Mónica and Violeta are three friends employed in a hairdressing salon. On payday they spend a night out on the town together, and at dawn they share a common dream: Venice.

Voice Over (La Voz en Off) Cristián Jiménez, Chile World Premiere

Sofia, 35, lives in Valdivia. She’s beautiful and vegan. She has two kids she loves, but still everything seems to go wrong. In need of peace since her recent separation from her husband, she decides to take a reversed veil of silence: no more cell phone, tv, internet or reading for a year. But peace doesn’t occur. Following her example, her father leaves her mother. Her nasty sister comes back to Chile. Her kids become obsessed by meat. And Sofia discovers a disturbing secret about her dad. A southern familial drama-comedy.

Where I Am King (Hari ng Tondo) Carlos Siguion-Reyna, Philippines International Premiere

When his fortune is wiped out, an arrogant, self-made tycoon is forced to return to the slum tenement where he grew up, in this vibrant, socially-aware comedy from Filipino master Carlos Siguion-Reyna.

Xenia Panos H. Koutras, Greece/France/Belgium North American Premiere

After the death of their mother, 16-year-old Dany, leaves Crete to join his older brother, Odysseas, who lives in Athens. Born from an Albanian mother and a Greek father they never met, the two brothers, strangers in their own country, decide to go to Thessaloniki to look for their father and force him to officially recognize them. In Thessaloniki they discover that auditions are being held for the cult show, Greek Star, and Dany dreams that his brother, a gifted singer, could become the new star of the contest in a country that refuses to accept them.

Previously announced Contemporary World Cinema titles include Felix and Meira (Félix et Meira) by Maxime Giroux, Heartbeat by Andrea Dorfman, Love in the Time of Civil War (L’amour au temps de la guerre civile) by Rodrigue Jean, Teen Lust by Blaine Thurier, and Tu Dors Nicole by Stéphane Lafleur.

Freaked out by a sudden marriage proposal, Megan (Keira Knightley) takes a week to lay low at the house of a high schooler (Chloë Grace Moretz) that she’s only just met. Sometime after Megan’s bought her new teenage hangers on beers, made out with her young friend’s father, and tweaked the nipples of a Buddha statue, it becomes clear that Moretz isn’t playing the only adolescent in Laggies.

From Humpday and Touchy Feely director Lynn Shelton, her first feature based on a script she didn’t pen (that credit goes to first-time scribe Andrea Seigel), Laggies debuted at this year’s Sundance film festival to mostly positive reviews. Many noted that the Megan role is one of the best Knightley’s had in her career, and makes for great use of her abilities as an actress. Coming off of her starring role in Begin Again, Knightley’s established a side to her career that doesn’t need to involve the Pirates franchise or Jane Austen novels but instead sees her playing far more normal characters.

The film also stars Sam Rockwell. Which is good news, because he’s Sam Rockwell. Check out Keira Knightley, Chloë Grace Moretz and Sam Rockwell in the new trailer and teaser poster from director Lynn Shelton’s upcoming coming-of-age comedy Laggies — opening in select theaters October 24h!

Laggies trailer

Laggies movie poster

The claims that David Gordon Green is going back to his older days, where films like George Washington and All The Real Girls had him heralded as America’s Next Great Director, isn’t necessarily true. Sure, Prince Avalanche is Green’s first film in years that resembles his earlier projects, but the influence from his shift to studio pictures is just as prevalent. Even with all of the quiet, contemplative scenes this is still a very broad comedy, one that feels like a perfect middle ground between the two different sides of the director. Unfortunately, that doesn’t mean it’s a good thing.

Opening with a title card that talks about a Texas forest fire in the late 80s, the film cuts to gorgeous footage of trees being destroyed by a massive fire before showing two street workers preparing for their day. Alvin (Paul Rudd) and Lance (Emile Hirsch) spend their week walking around painting lines on a road that runs through the forest mentioned at the beginning. The job requires the two of them to be isolated from the outside world, camping out along the road during the week before heading back to town on the weekend.

Lance is the brother of Alvin’s girlfriend, and it’s evident that Alvin only hired him as a favour. Lance is a young playboy with only one thing on his mind, while Alvin prefers solitude. “There’s a difference between being lonely and being alone”, Alvin says at one point, which sums up what Prince Avalanche is about. Lance is constantly looking for a way to not be lonely, while Alvin prefers to be on his own. Both of them end up getting what they wish for, but not in the ways they imagined.

For most of this entirely whelming film, Rudd and Hirsch are usually clashing over their different approaches to life. There are some welcome detours in the narrative, one involving a truck driver (Lance LeGault) who has a never-ending supply of alcohol, and a fantastic scene with a woman (Joyce Payne) going through her destroyed home that nails a lot of what Green was trying to accomplish (and it says something that this scene was never in the script). The same can’t be said for most of Prince Avalanche.

Alvin and Lance feel broadly drawn as characters, making it hard to take either of them seriously. Rudd and Hirsch do fine in their roles, but the material they’re working with is lacking. Green’s focus on nature involves several montages of nature shots which, despite Tim Orr’s great cinematography, feel less evocative and more like padding for time. There’s a heartwarming quality to Prince Avalanche that contrasts with the themes of loneliness and depression, but there isn’t enough dramatic weight behind Alvin and Lance’s situations to make the uplifting quality feel earned.

Nonetheless, there’s plenty to admire. The late Lance LeGault is great in his minor role, and the score by David Wingo with Explosions in the Sky helps support the film’s off-kilter tone. Whether or not it’s an improvement on Either Way, the Icelandic film that Green based his script on, remains to be seen, but it wouldn’t be surprising if both films can easily stand on their own merits. For Green, a director who seemingly fell into a slump after Your Highness and The Sitter, Prince Avalanche certainly seems like a step in the right direction, but it’s too light and forgettable to really make any impact.

Prince Avalanche trailer:

Lynn Shelton’s Touchy Feely has, so far, gathered mixed reviews and unfortunately I got to see why. I went into the film very open minded and came away feeling confused and largely disappointed. Nevertheless, there can be a lot said for the powerful depiction of energy and balance within life and relationships, something that Shelton has always done a great job with in her films.

Abby (Rosemarie DeWitt) is a massage therapist whose world is enriched with the need to find balance within all aspects of her life, and her brother Paul (Josh Pais) seems to be the complete opposite, with an uptight personality who comes across as extremely emotionally stunted.

At a dinner held at the house Paul and his daughter Jenny (Ellen Page) share, we are introduced to all the characters that the film focuses on, each with different but strong personalities and each involved within the shift of energy and balance that occurs. Paul is dental practice owner whose business is failing yet it would seem he is in denial. During the dinner Abby advises her brother to see Bronwyn (Allison Janney) who is a Reiki healer and a personal friend of hers.

From the very beginning you get a sense that Touchy Feely is about something bigger than the characters within the film and that energy and balance are two factors that will play a large part in how the story will take shape. Abby develops an aversion to bodily contact and is unable to perform the duties required of her within her profession as well as the ability to share the passion she once had with her partner (Scoot McNairy). This obviously affects her well balanced lifestyle and how she deals with her new found fear is where this film would have focused on – or so you would have assumed.

What I found confusing however, was that the individual paths the characters went down seemed to be very separate from our initial expectations of the films intentions. We presume that from the Touchy Feely poster of Abby and that the entire sequences of events that occur are related to this character’s lifestyle – that Touchy Feely is about her. Yet once the credits role, I felt that it highlighted her brothers personal progression and even his daughter Jenny’s development so much more than any other – that Abby’s final ‘realisation’ was a mere after thought. If this was what the film intended, that the whole storyline and focus would shift along with the balance of energy, then it would seem to make a lot more sense. If this were the case then Touchy Feely would have done well to spend more time on tightening this idea rather than giving Abby somewhat confusing additional storylines, for instance the five-ten minutes she experienced the drug ‘ecstasy’ seemed utterly disconnected from the film.

In A World

What a fantastic, honestly hilarious comedy. Perfect in every sense of the word, In a World defines my idea of funny. This is the directorial debut for Lake Bell, and yet you really would not know it – she brought to the table a vision and with that a solid script; which deservedly won the Waldo Salt Screenwriting Award at Sundance, Utah in January.

Carol Solomon (Lake Bell) is a struggling vocal coach, teaching actors how to speak with different accents. This is how we are introduced to Bell’s character, she receives a phone call asking if she could work with Eva Longoria to develop her cockney accent – the auditorium is in fits of laughter as we hear Longoria trying to pronounce “slapper”, just a few seconds into the film. From then on, almost every scene has you involuntarily bursting out laughing as Bell knows exactly what the audience finds funny.

Though lacking in confidence, Carol seems to get lucky in scoring her first big ‘gig’ and attempts to pursue a career in voice acting, something she has always dreamed. Her father, Sam Sotto, the reigning king of movie-trailer-voice-over artists, has never wanted her daughter to follow in his footsteps and becomes insanely jealous of her success.

Dealing with issues of sexism, Bell highlights the hardship women can face in a male dominated industry, however this is not the focal point of In a World and during a Q&A at the end, she described it as being something she wanted to include but never to force onto the audience.

In a World is a wonderfully charming and extremely witty comedic gem directed, written and starred in by Lake Bell – I look forward for its international release.

RATING: 9.5

Touchy Feely

Lynn Shelton’s Touchy Feely has, so far, gathered mixed reviews and unfortunately I got to see why. I went into the film very open minded and came away feeling confused and largely disappointed. Nevertheless, there can be a lot said for the powerful depiction of energy and balance within life and relationships, something that Shelton has always done a great job with in her films.

We presume that from the Touchy Feely poster of Abby and that the entire sequences of events that occur are related to this character’s lifestyle – that Touchy Feely is about her. Yet once the credits role, I felt that it highlighted her brothers personal progression and even his daughter Jenny’s development so much more than any other – that Abby’s final ‘realisation’ was a mere after thought. If this was what the film intended, that the whole storyline and focus would shift along with the balance of energy then it would seem to make a lot more sense.

Stick around Way Too Indie for a full review of Touchy Feely coming soon.

One day after the Film Independent Spirit Awards announced the nominations for films from the 2012 festival run, Sundance is ready to kick off the festival season for 2013. On Wednesday, Sundance Film Festival announced the Competition Lineups. One day later they presented their Spotlight, Park City At Midnight and New Frontier program lineups which feature out of competition films including some that have already played at other festivals.

Already we are excited about some of the films in the lineup. First and foremost is Touchy Feely from director Lynn Shelton, her follow up to her delightful film from last year, Your Sister’s Sister. Touchy Feely is a drama starring Rosemarie DeWitt (who also starred in Your Sister’s Sister) about a massage therapist that ironically has an aversion to bodily contact. Then we have a long awaited return of Shane Carruth who first turned heads with his 2004 film Primer. Carruth is finally back for his sophomore film entitled Upstream Color.

Two other in competition films that are receiving some more mainstream attention are Kill Your Darlings which will star Daniel Radcliffe, Elizabeth Olson, Ben Foster and Michael C. Hall, about a Columbia murder in 1944 that brought together Allen Ginsberg, Jack Kerouac and William Burroughs. David Lowery’s directorial debut Ain’t Them Bodies Saints is also generating buzz. The film is about an outlaw who escapes from prison to reunite with this wife and his child that he has never met.

There are many more films that will be announced to play at Sundance Film Festival to come, this is just the first sets of films. The 2013 Sundance Film Festival will take place from January 17th through the 27th.

U.S. Dramatic Competition

Afternoon Delight (Director and screenwriter: Jill Soloway) — In this sexy, dark comedy, a lost Los Angeles housewife puts her idyllic hipster life in jeopardy when she tries to rescue a stripper by taking her in as a live-in nanny. Cast: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch.

Ain’t Them Bodies Saints (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine.

Austenland (Director: Jerusha Hess, Screenwriters: Jerusha Hess, Shannon Hale) — Thirtysomething, single Jane is obsessed with Mr. Darcy, as played by Colin Firth in “Pride and Prejudice.” On a trip to an English resort, her fantasies of meeting the perfect Regency-era gentleman become more real than she ever imagined. Cast: Keri Russell, JJ Feild, Bret McKenzie, Jennifer Coolidge, Georgia King, James Callis.

C.O.G. (Director and screenwriter: Kyle Patrick Alvarez) — In the first film adaptation of David Sedaris’s work, a cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. Cast: Jonathan Groff, Denis O’Hare, Corey Stoll, Dean Stockwell, Casey Wilson, Troian Bellisario.

Concussion (Director and screenwriter: Stacie Passon) — After a blow to the head, Abby decides she can’t do it anymore. Her life just can’t be only about the house, the kids and the wife. She needs more: she needs to be Eleanor. Cast: Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney, Laila Robins.

Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O’Connor, Jimmi Simpson, Aneurin Barnard.

Fruitvale (Director and screenwriter: Ryan Coogler) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray.

In a World… (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amid pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed.

Kill Your Darlings (Director: John Krokidas, Screenwriters: Austin Bunn, John Krokidas) — A story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen.

The Lifeguard (Director and screenwriter: Liz W. Garcia) — A former valedictorian quits her job as a reporter in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager. Cast: Kristen Bell, Mamie Gummer, Martin Starr, Alex Shaffer, Amy Madigan, David Lambert.

May in the Summer (Director and screenwriter: Cherien Dabis) — A bride-to-be is forced to re-evaluate her life when she reunites with her family in Jordan and finds herself confronted with the aftermath of her parents’ divorce. Cast: Cherien Dabis, Hiam Abbass, Bill Pullman, Alia Shawkat, Nadine Malouf, Alexander Siddig.

Mother of George (Director: Andrew Dosunmu, Screenwriter: Darci Picoult) — A story about a woman willing to do anything and risk everything for her marriage. Cast: Isaach De Bankolé, Danai Gurira, Anthony Okungbowa, Yaya Alafia, Bukky Ajayi.

The Spectacular Now (Director: James Ponsoldt, Screenwriters: Scott Neustadter, Michael H. Weber) — Sutter is a high school senior who lives for the moment; Aimee is the introvert he tries to “save.” As their relationship deepens, the lines between right and wrong, friendship and love, and “saving” and corrupting become inextricably blurred. Cast: Miles Teller, Shailene Woodley, Brie Larson, Jennifer Jason Leigh, Mary Elizabeth Winstead, Kyle Chandler.

Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother’s foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais.

Toy’s House (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — Three unhappy teenage boys flee to the wilderness, where they build a makeshift house and live off the land as masters of their own destiny. Or at least that’s the plan. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie.

Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins.

U.S. Documentary Competition

99% — The Occupy Wall Street Collaborative Film (Directors: Audrey Ewell, Aaron Aites, Lucian Read, Nina Kristic) — The Occupy movement erupted in September 2011, propelling economic inequality into the spotlight. In an unprecedented collaboration, filmmakers across America tell its story, digging into issues as organizers, analysts, participants and critics reveal how it happened and why.

After Tiller (Directors: Martha Shane, Lana Wilson) — Since the assassination of Dr. George Tiller in 2009, only four doctors in the country provide late-term abortions. With unprecedented access, “After Tiller” goes inside the lives of these physicians working at the center of the storm.

American Promise (Directors: Joe Brewster, Michèle Stephenson) — This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons.

Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top animal trainer. “Blackfish” shows the sometimes devastating consequences of keeping such intelligent creatures in captivity.

Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find.

Citizen Koch (Directors: Carl Deal, Tia Lessin) — Wisconsin – home of government unions, “cheeseheads” and Paul Ryan – becomes ground zero in the battle for the future of the Republican Party.

Cutie and the Boxer (Director: Zachary Heinzerling) — This candid New York love story explores the chaotic 40-year marriage of boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own.

Dirty Wars (Director: Richard Rowley) — Investigative journalist Jeremy Scahill chases down the truth behind America’s covert wars.

Gideon’s Army (Director: Dawn Porter) — This follows three young, committed public defenders who are dedicated to working for the people society would rather forget. Long hours, low pay and staggering caseloads are so common that even the most committed often give up.

God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law.

The Good Life (Directors: Sean Fine, Andrea Nix Fine) — Dr. Leslie Gordon and Dr. Scott Berns fight to save their only son from progeria, a rare and fatal disease for which there is no treatment. In less than a decade, their work has led to significant advances.

Inequality for All (Director: Jacob Kornbluth) — In this timely and entertaining documentary, economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy.

Manhunt (Director: Greg Barker) — This espionage tale goes inside the CIA’s long conflict against al Qaeda, as revealed by the remarkable women and men whose secret war against Osama bin Laden started nearly a decade before most of us even knew his name.

Narco Cultura (Director: Shaul Schwarz) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by a Los Angeles narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s drug war.

Twenty Feet From Stardom (Director: Morgan Neville) — Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead – until now.

Valentine Road (Director: Marta Cunningham) — In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point-blank range. Unraveling this tragedy, the film reveals the heartbreaking circumstances that led to the shocking crime as well as its startling aftermath.

World Cinema Dramatic Competition

Circles/Serbia, Germany, France, Croatia, Slovenia (Director: Srdan Golubovic, Screenwriters: Srdjan Koljevic, Melina Pota Koljevic) — Five people are affected by a tragic heroic act. Twenty years later, all of them will confront the past through their own crises. Will they overcome guilt, frustration and their urge for revenge? Will they do the right thing? Cast: Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Hristina Popovic, Nikola Rakocevic, Vuk Kostic.

Crystal Fairy/Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva.

The Future/Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta.

Houston/Germany (Director and screenwriter: Bastian Günther) — Clemens Trunschka is a corporate headhunter and an alcoholic. Drinking increasingly isolates him and leads him away from reality. While searching for a chief executive candidate in Houston, his addiction submerges him in darkness. Cast: Ulrich Tukur, Garret Dillahunt, Wolfram Koch, Jenny Schily, Jason Douglas, Jens Münchow.

Jiseul/South Korea (Director and screenwriter: Muel O) — In 1948, as the Korean government ordered the Communists’ eviction to Jeju Island, the military invaded a peaceful village. Townsfolk took sanctuary in a cave and debated moving to a higher mountain. Cast: Min-chul Sung, Jung-won Yang, Young-soon Oh, Soon-dong Park, Suk-bum Moon, Kyung-sub Jang.

Lasting/Poland, Spain (Director and screenwriter: Jacek Borcuch) — An emotional love story about two Polish students who fall in love with each other while working summer jobs in Spain. An unexpected nightmare interrupts their carefree time in the heavenly landscape and throws their lives into chaos. Cast: Jakub Gierszal, Magdalena Berus, Angela Molina.

Metro Manila/United Kingdom, Philippines (Director: Sean Ellis, Screenwriters: Sean Ellis, Frank E. Flowers) — Seeking a better life, Oscar and his family move from the poverty-stricken rice fields to the big city of Manila, where they fall victim to various inhabitants whose manipulative ways are a daily part of city survival. Cast: Jake Macapagal, John Arcilla, Althea Vega.

Shopping/New Zealand (Directors: Mark Albiston, Louis Sutherland, Screenwriters: Louis Sutherland, Mark Albiston) — New Zealand, 1981: Seduced by a charismatic career criminal, teenager Willie must choose where his loyalty lies – with a family of shoplifters or his own blood. Cast: Kevin Paulo, Julian Dennison, Jacek Koman, Alistair Browning.

Soldate Jeannette/Austria (Director: Daniel Hoesl) — Fanni has had enough of money and leaves to buy a tent. Anna has had enough of pigs and leaves a needle in the hay. Cars crash and money burns to shape their mutual journey toward a rising liberty. Cast: Johanna Orsini-Rosenberg, Christina Reichsthaler, Josef Kleindienst, Aurelia Burckhardt, Julia Schranz, Ines Rössl.

There Will Come a Day/Italy, France (Director: Giorgio Diritti, Screenwriters: Giorgio Diritti, Fredo Valla, Tania Pedroni) — Painful issues push Augusta, a young Italian woman, to doubt the certainties on which she has built her existence. On a small boat in the Amazon rain forest, she faces the adventure of searching for herself. Cast: Jasmine Trinca, Anne Alvaro, Pia Engleberth.

Wajma (An Afghan Love Story)/Afghanistan (Director and screenwriter: Barmak Akram) — A young man in Kabul seduces a girl. When she tells him she’s pregnant, he questions having taken her virginity. Then her father arrives, and a timeless, archaic violence erupts – possibly leading to a crime, and even a sacrifice. Cast: Wajma Bahar, Mustafa Abdulsatar, Haji Gul, Breshna Bahar.

What They Don’t Talk About When They Talk About Love/Indonesia (Director and screenwriter: Mouly Surya) — This film explores the odds of love and deception among the blind, the deaf and the unlucky sighted people at a high school for the visually impaired. Cast: Nicholas Saputra, Ayushita Nugraha, Karina Salim, Anggun Priambodo, Lupita Jennifer.

World Cinema Documentary Competition

Fallen City/China (Director: Qi Zhao) — This spans four years to reveal how three families who survived the 2008 Sichuan earthquake embark on a journey in search of hope, purpose, identity and new lives in a China torn between tradition and modernity.

Fire in the Blood/India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, leading to 10 million or more unnecessary deaths. An improbable group of people decided to fight back.

Google and the World Brain/Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious project ever conceived on the Internet, Google has been scanning the world’s books for 10 years. It said the intention was to build a giant digital library, but that involved scanning millions of copyrighted works.

The Machine Which Makes Everything Disappear/Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-to-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations.

The Moo Man/United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene-stealing Ida (queen of the herd) and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their way of life is at stake.

Pussy Riot – A Punk Prayer/Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in?

A River Changes Course/Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world.

Salma/United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world.

The Square (El Midan)/Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation?

The Stuart Hall Project/United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of cultural studies. This documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual.

The Summit/Ireland, United Kingdom (Director: Nick Ryan) — 24 climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers’ code, he might still be alive.

Who Is Dayani Cristal?/United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo.

Next

Blue Caprice (Director: Alexandre Moors, Screenwriters: R.F.I Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real-life events that led to the 2002 Beltway sniper attacks. Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick.

Computer Chess (Director and screenwriter: Andrew Bujalski) — An existential comedy about the brilliant men who taught machines to play chess, back when the machines seemed clumsy and we seemed smart. Cast: Patrick Riester, Myles Paige, James Curry, Robin Schwartz, Gerald Peary, Wiley Wiggins.

Escape From Tomorrow (Director and screenwriter: Randy Moore) — A postmodern, surreal voyage into the bowels of “family” entertainment. An epic battle begins when an unemployed, middle-aged father loses his sanity during a close encounter with two teenage girls on holiday. Cast: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor.

I Used to Be Darker (Director: Matthew Porterfield, Screenwriters: Amy Belk, Matthew Porterfield) — A runaway seeks refuge with her aunt and uncle in Baltimore, only to find their marriage ending and her cousin in crisis. In the days that follow, the family struggles to let go while searching for things to sustain them. Cast: Deragh Campbell, Hannah Gross, Kim Taylor, Ned Oldham, Geoff Grace, Nick Petr.

It Felt Like Love (Director and screenwriter: Eliza Hittman) — On the outskirts of Brooklyn, a 14-year-old girl’s sexual quest takes a dangerous turn when she pursues an older guy and tests the boundaries between obsession and love. Cast: Gina Piersanti, Giovanna Salimeni, Ronen Rubinstein, Jesse Cordasco, Nick Rosen, Case Prime.

Milkshake (Director: David Andalman, Screenwriters: David Andalman, Mariko Munro) — In mid-1990s America, we follow the tragic sex life of Jolie Jolson, a wannabe thug (and great-great-grandson of legendary vaudevillian Al Jolson) in suburban Washington as he strives to become something he can never be – black. Cast: Tyler Ross, Shareeka Epps, Georgia Ford, Eshan Bay, Leo Fitzpatrick, Danny Burstein.

Newlyweeds (Director and screenwriter: Shaka King) — A Brooklyn repo man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark coming-of-age comedy about dependency. Cast: Amari Cheatom, Trae Harris, Tone Tank, Colman Domingo, Isiah Whitlock Jr., Adrian Martinez.

Pit Stop (Director: Yen Tan, Screenwriters: Yen Tan, David Lowery) — Two working-class gay men in a small Texas town and a love that isn’t quite out of reach. Cast: Bill Heck, Marcus DeAnda, Amy Seimetz, John Merriman, Alfredo Maduro, Corby Sullivan.

A Teacher (Director and screenwriter: Hannah Fidell) — A popular young teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end. Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Dubeck.

This Is Martin Bonner (Director and screenwriter: Chad Hartigan) — Martin Bonner has just moved to Reno for a new job in prison rehabilitation. Starting over at 58, he struggles to adapt until an unlikely friendship with an ex-con blossoms, helping him confront the problems he left behind. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse.

Spotlight

Fill the Void / Israel (Director and screenwriter: Rama Burshtein) — A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute. Cast: Hadas Yaron, Yiftach Klein, Irit Sheleg, Chaim Sharir, Razia Israeli, Hila Feldman.

Gangs of Wasseypur / India (Director: Anurag Kashyap, Screenwriters: Anurag Kashyap, Zeishan Quadri) — Exiled and outcast for robbing British trains, Shahid Khan spurs a battle for revenge that passes down generations. Shahid’s son vows to get his father’s honor back, becoming the most feared man in the Indian town of Wasseypur. Cast: Manoj Bajpai, Nawazuddin Siddique, Richa Chadda, Huma Qureshi, Tigmanshu Dhulia.

The Gatekeepers (documentary) / Israel, Germany, Belgium, France (Director: Dror Moreh) — Since its stunning military victory in 1967, Israel has hoped to achieve a long-lasting peace. Forty-five years later, this has yet to happen. Six former heads of Israel’s Secret Service reflect on the successes and failures of the “peace process.”

Mud / U.S.A. (Director and screenwriter: Jeff Nichols) — Two teenage boys encounter a fugitive and form a pact to help him evade the bounty hunters on his trail and reunite him with his true love. Cast: Matthew McConaughey, Tye Sheridan, Jacob Lofland, Reese Witherspoon. North American Premiere

No / Chile, U.S.A. (Director: Pablo Larraín, Screenwriter: Pedro Peirano) — When Chilean military dictator Augusto Pinochet calls for a referendum to decide his permanence in power, the opposition persuades a young advertising executive to head its campaign. With limited resources and under scrutiny, he conceives a plan to win the election. Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana.

Sightseers / United Kingdom (Director: Ben Wheatley, Screenwriters: Alice Lowe, Steve Oram) — Chris wants to show girlfriend Tina his world, but when events conspire against the couple, their dream caravan holiday takes a very wrong turn. Cast: Alice Lowe, Steve Oram. U.S. Premiere

Stories We Tell (documentary) / Canada (Director: Sarah Polley) — Sarah Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving.

Park City At Midnight

Ass Backwards / U.S.A. (Director: Chris Nelson, Screenwriters: June Diane Raphael, Casey Wilson) — Loveable losers Kate and Chloe take a road trip back to their hometown to claim the beauty pageant crown that eluded them as children, only to discover what really counts: friendship. Cast: June Diane Raphael, Casey Wilson, Vincent D’Onofrio, Alicia Silverstone, Jon Cryer, Brian Geraghty.

Hell Baby / U.S.A. (Directors and screenwriters: Robert Ben Garant, Thomas Lennon) — An expectant couple moves into the most haunted fixer-upper in New Orleans – a house with a demonic curse. Things spiral out of control and soon only the Vatican’s elite exorcism team can save the pair – or can it? Cast: Rob Corddry, Leslie Bibb, Keegan Michael Key, Riki Lindhome, Paul Scheer, Rob Huebel.

In Fear / United Kingdom (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they’ve let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech.

kink (documentary) / U.S.A. (Director: Christina Voros) — A story of sex, submission and big business is told through the eyes of the unlikely pornographers whose 9:00-to-5:00 work days are spent within the confines of the San Francisco Armory building, home to the sprawling porn production facilities of Kink.com.

The Rambler / U.S.A. (Director and screenwriter: Calvin Lee Reeder) — After being released from prison, a man known as “The Rambler” stumbles upon a strange mystery as he attempts the treacherous journey through back roads and small towns en route to reconnecting with his long-lost brother. Cast: Dermot Mulroney, Lindsay Pulsipher, Natasha Lyonne, James Cady, Scott Sharot.

S-VHS / U.S.A., Canada (Directors: Simon Barrett, Adam Wingard, Edúardo Sanchez, Gregg Hale, Timo Tjahjanto, Gareth Huw Evans, Jason Eisener, Screenwriters: Simon Barrett, Jamie Nash, Timo Tjahjanto & Gareth Huw Evans, John Davies) — Searching for a missing student, two private investigators break into his abandoned house and find another collection of mysterious VHS tapes. In viewing the horrific contents of each cassette, they realize there may be terrifying motives behind the student’s disappearance. Cast: Adam Wingard, Lawrence Levine, L.C Holt, Kelsy Abbott, Hannah Hughes.

Virtually Heroes / U.S.A. (Director: GJ Echternkamp, Screenwriter: Matt Yamashita) — Two self-aware characters in a Call of Duty-style video game struggle with their screwy, frustrating existence. To find answers, one abandons his partner and mission, seeking to unravel the cheat codes of life. Cast: Robert Baker, Brent Chase, Katie Savoy, Mark Hamill, Ben Messmer.

We Are What We Are / U.S.A. (Director: Jim Mickle, Screenwriters: Nick Damici, Jim Mickle) — A devastating storm washes up clues that lead authorities closer and closer to the cannibalistic Parker family. Cast: Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell, Kelly McGillis.

New Frontier

Charlie Victor Romeo / U.S.A. (Directors: Robert Berger, Karlyn Michelson, Screenwriters: Robert Berger, Patrick Daniels, Irving Gregory) — An award-winning theatrical documentary derived entirely from ‘Black Box’ transcripts of six real-life major airline emergencies brought to the screen with cutting-edge stereoscopic 3D technology. Cast: Patrick Daniels, Irving Gregory, Noel Dinneen, Sam Zuckerman, Debbie Troche, Nora Woolley.

Fat Shaker / Iran (Director and screenwriter: M Shirvani) — An obese father and his handsome, deaf son share extraordinary experiences in Tehran. Then a beautiful young woman upsets the balance of their relationship, forcing them to renegotiate their position with each other and the world around them. Cast: Levon Haftvan, Maryam Palizban, Hassan Rostami, Navid Mohammadzadeh.

Halley / Mexico (Director: Sebastian Hofmann, Screenwriters: Sebastian Hofmann, Julio Chavezmontes) — Alberto is dead and can no longer hide it. Before surrendering to his living death, he forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Cast: Alberto Trujillo, Lourdes Trueba, Hugo Albores.

Interior. Leather Bar. / U.S.A. (Directors: Travis Mathews, James Franco, Screenwriter: Travis Mathews) — To avoid an X rating, it was rumored that 40 minutes of gay S&M footage was cut from the controversial 1980 film, Cruising. Filmmakers James Franco and Travis Mathews re-imagine what was in the lost footage. Cast: Val Lauren, James Franco, Travis Mathews, Christian Patrick, Brenden Gregory.

The Meteor / Canada (Director: François Delisle, Screenwriter: François Delisle) — Forty-something Pierre, his mother and his wife are linked by crime, guilt and loneliness. Like casualties of love and desire, they are dying to stick their heads above water and breathe the air of life. Cast: Noémie Godin Vigneau, François Delisle, Laurent Lucas, Brigitte Pogonat, François Papineau, Andrée Lachapelle.

Having liked Lynn Shelton’s previous feature, Humpday, I was anxious to see if she could duplicate her efforts in Your Sister’s Sister. I will tell you right now, she does just that and then some. Shelton’s greatest achievement here is taking simple conventional situations and making them into complex and extraordinary without sacrificing believability. It is something that is commonly tried but rarely achieved, at least to the degree it was here.

Friends gather around having drinks and sharing stories about their friend Tom who passed away a year ago. We never actually meet Tom in the film but from hearing some of the stories it leads you believe he was a nice and likeable guy. That is until his brother Jack (Mark Duplass) gets up and tells the group the side he knows of him, which is a physical and mental manipulative person. Jack has a typical brother assessment but completely inappropriate time and place to express that. Needless to say the crowded room fell awkwardly silent.

Luckily for Jack, he has a close friend who is keeping an eye on him. Her name is Iris (Emily Blunt) and at one point she dated his brother Tom. She tells him that for a year now he has been a mess and that he needs to change his current destructive ways. In order to achieve this she comes up with a plan to send him off to her dad’s remote cabin that is located on peaceful an island.

This cabin has no television or internet, a perfect scenario for Jack not to get distracted and allow him to think about his life just watching the waves in the water that surrounds the cabin. At least that was the plan. But as we all know, life often does not go according to plan, it is especially the case in films.

When he arrives at the cabin he approaches the front door only to see that there is someone already there. Not sure what to do he peers through the window until he makes himself noticed by making a sound. As the woman comes charging out the cabin with an ore in her hand, he notices that it is just Iris’s sister Hannah (Rosemarie DeWitt).

The two did not start out on a good note but eventually make amends when they find themselves sharing a bottle of tequila around the table at 3:00 A.M. Hannah divulges that she has just got out of a 7 year relationship with a female partner. Jack explains how he has had a “shitty year” and came to the cabin for solitude. Several shots later a proposition from Jack arises for the two to hookup, even though she is a lesbian. We are not sure if it was the tequila or the intention to let go by try something different, but she accepts.

Almost exactly at the half way point in the film, I began to wonder how Shelton would advance the rest of the story. There is an obvious way the film could go and it does but not for very long. Somehow I knew, or maybe just hoped, that it would not stay on that obvious path for very long. Thankfully, it did not. It continued to hold your attention through it’s entirety.

For me, one of the best qualities a film can possess is for it to come off genuine. Do not get me wrong, I adore the weird crazy out-there films as well. But when a film can accurately replicate that awkward moment when someone prepares food in which you must lie by saying it is wonderful because they were so excited for you to try it, like found in Your Sister’s Sister, it is extraordinary.

I was shocked at how well the dialog was considering it was largely improvised. By definition it is a mumblecore film but for those of you who are turned off by that “genre”, do not worry. While the film still captures raw emotions in the moment with everyday dialog, it never feels like it rambles on for too long. It feels loose but not too loose. I guess you could call it Mumblecore 2.0 but the bottom line is that it worked well.

Remarkably, Shelton shot Your Sister’s Sister in just 12 days. When I first heard that I was expecting for it to be evident in the film. However, after watching the film you would never have guessed it was shot in less than two weeks.

I will admit that if you read just the synopsis of Your Sister’s Sister you will most likely think a typical sitcom is in store. Instead, the film is more of an intelligent romantic comedy featuring terrific characters in a very honest manner. It is an excellent example of how wonderful improvisational dialog can be when you have the right cast members and director. To cap it all off, instead of opting for a safe ending Shelton gives us an ending that fit perfectly with the rest of the film.

My ears perk up every time I hear the name Mark Duplass. It seems like he has really exploded as of late, whether it be directing or acting he is everywhere and I am not complaining. The last film he directed, Jeff Who Lives At Home, was highly reviewed by us.

Director Lynn Shelton used Mark in her last film Humpday (which we loved) so the two benefit from working together previously. In Your Sister’s Sister he plays Jack, a man is sent by a friend to stay at her family’s remote cabin when a unexpected relationship forms. The film also stars Emily Blunt and Rosemarie DeWitt. The trailer certainly gives off the same vibe I got from watching Humpday and that is not a bad thing. Your Sister’s Sister will be theaters June 15th.

UPDATE: Read our movie review of Your Sister’s Sister.

Official trailer for Your Sister’s Sister:

While the basic premise behind Humpday is simple and somewhat idiotic, the film is far from it. This indie comedy won the John Cassavetes Award at 2010 Independent Spirit Awards. It also won the Special Jury Prize and was nominated for the Grand Jury Prize at Sundance. And rightfully so.

A longtime friend Andrew (Joshua Leonard) arrives without notice at Ben’s (Mark Duplass) house late one night. They are re-connected for the first time in years. Ben’s life consists of a pretty normal “white picket fence” type lifestyle according to Andrew. Andrew is a free-spirited artist that couldn’t be more different than Ben. The only thing they really share in common now are their old college day memories together. Andrew meets some new people the next day who happen to be artists and invites Ben over for dinner. Coincidentally Ben was originally meaning to invite Andrew over for a home cooked meal that his wife Anna was making just for the three of them. Ben breaks it to Anna that their plans are not going to happen because he feels slightly obligated to stay.

Andrew and Ben end up getting drunk and the newly founded artist friends inform the two of a upcoming local amateur porn festival. Andrew is immediately interested in the festival. Ben feels maybe slightly forced to fit in and drunkenly says that if they want to do something for the festival that it has to be something no one has done before. It must be unique. So he suggests he and Andrew have sex on camera because two straight guys having sex is not something that is usually done.

Sober the next day neither one of them want to back down and still think it’s a good idea. But there was still one more hurdle to get over, Ben needs to inform Anna of their plans. This is not an easy task to say the least.

Mark Duplass seems to play similar characters in his roles, just as in The Puffy Chair, he reminds me so much of myself, which really allows me to connect to the film better. Often mannerisms and what he says in situations are similar to how I am. I get the feeling that Duplass on the screen and off the screen are pretty similar.

Ben doesn’t know why it’s important to him to make this video, although it seems like it’s partly to prove to his good friend that he isn’t just a settled down domestic family man with a “white picket fence”. However, without realizing it they both are trying to prove something to themselves. Ben is trying to convince himself that his marriage is really open and that he can have his own freedom and independence. Also to see if he gets any sort of positive homosexual feelings from it. For Andrew he is trying to live his life the way he perceives his lifestyle should be, but then realizes that he may not be as open minded as he had thought. He is also trying to finally finish something from start to end in his life, something that he struggles to do.

All the actors and dialog seemed very natural in Humpday. It’s incredibly honest. Humpday didn’t really feel like a film because it was so real, instead it felt more like a documentary. There is no overly complicated plot here. Nothing happens in the film that couldn’t easily happen in real life, including the ending. Which some people may not appreciate but you must take it for what it is, realistic.