“My biggest fear is for my mind to control me and not the other way around,”Chilean filmmaker Sebastian Silva told us at FilmHouse in San Francisco, when asked about the inspiration behind his 2013 psychological creeper Magic Magic, starring Juno Temple and Michael Cera. We spoke with him at the beginning of his tenure as the San Francisco Film Society’s 2014 artist in residence, which runs through the end of the week. Including student lectures, a screening of Magic Magic, an intimate artist talk, and filmmaker networking events, the residency program is an opportunity for emerging filmmakers to spread their knowledge across the Bay Area filmmaking community.

In Magic Magic, Temple plays Alicia, an American who travels to Chile to visit her cousin Sarah (Emily Browning). During her stay, Alicia’s mind begins to crack when her interactions with Sarah’s friends turn adversarial. The film also stars Silva’s brother, Agustin, Cera, and Catalina Sandino Moreno. Magic Magic is one of two collaborations Silva had with Cera last year, the other being kooky road trip movie Crystal Fairy, based on a real-life experience Silva had in with a girl named Crystal Fairy (played by Gaby Hoffmann).

During our chat we talked about Silva reconnecting with the real Crystal Fairy, the gift of spontaneity, his residence in San Francisco, questioning his craft, Juno Temple’s tortured acting style, and more.

For More info about Silva’s residence, visit sffs.org.

When I spoke to you last year at the San Francisco International Film Festival, you were hoping that the real Crystal Fairy was going to show up to the film’s screening that night, as you were led to believe she lived in the area.

Sebastian: She didn’t show up at that screening, but we eventually heard from her. Gaby emailed me that she had contacted the real Crystal Fairy and that she was living in Vermont. She sent me her number, and I was petrified. I wasn’t ready to talk to her, you know? I had no idea whether she liked the movie or not. I told Michael [Cera] that I had her number, and he said, “Let’s call her!” We called her on speakerphone, and she said she loved the movie. She freaked the fuck out.

She had no idea you made this movie about her, right?

Sebastian: No! I lost contact with her 13 years ago, but now she’s in my phone.

What I enjoy about this pair of movies you’ve made is that they depict Chile so differently.

Sebastian: One is “feel-good”, and one is “feel-bad”. Crystal Fairy is handheld, improvised, and Magic Magic is the most expensive movie I’ve made, with a rockstar DP, precious photography, artificial lighting…they were very different processes. They do share a lot of similarities; a girl comes to Chile in search of herself, and Michael plays an antagonist to them. There are a lot of similarities, but the movies make you feel very different.

You made Crystal Fairy fairly quickly, and filmed Magic Magic shortly thereafter. Do you think that, because the two processes were so disparate, you felt refreshed going into Magic Magic and that it helped that film?

Sebastian: Definitely. Crystal Fairy was the first movie where I explored improvisation so deeply. We had an outline, but we didn’t have a screenplay. I had to be so much more aware of my surroundings. I was making it on the go. You just feel so much more alive, and it was very challenging. That formula helped me to be more loose and open to change things in Magic Magic, which had a very rigid screenplay and shooting plan. Having shot Crystal Fairy so recently, it made me work more loosely. I’d delete entire scenes, shoot scenes on the front porch instead of the dining room. That spontaneity was a gift from Crystal Fairy, and I’m treasuring it.

I love the chemistry Michael has with Gaby and Juno, but I actually particularly enjoy the dynamic between he and your brother, Agustin.

Sebastian: It’s a great dynamic. He’s a good kid. Such a natural. He and Michael are great friends.

Gaby and Juno both give very intense performances, with Gaby’s character being an extremely positive person and Juno’s being a deeply tortured soul. 

Sebastian: Gaby’s a bit older than Juno, and Juno seems to be a more sensitive, fragile creature. For her, I think this character was a little bit of a spiritual burden, and she was sometimes overwhelmed by it. I’d give her directions to cry, act scared, act insecure, and it would bring her spirit down. Gaby’s character was ridiculous. She was preaching shit that she wasn’t doing herself, a forgivable hypocrite. They are very different women doing very different roles. It’s hard to compare them, in that sense. Gaby is one of those actresses who does a character. She doesn’t become Crystal Fairy. She’s doing a job. On the other hand, Juno started suffering like her character Alicia. When I asked her to cry, she couldn’t stop crying afterwards. She’d go to places that weren’t very healthy to get the emotions I was asking for.

You’re going to be here in San Francisco for a while as the SFFS artist in residence. You have a lot of activities lined up, including lectures for students. Have you ever spoken to students in this kind of forum before?

Sebastian: No, never. But I’ve done a lot of Q&A’s and press. It’s kind of the same. I didn’t prepare or anything. I wouldn’t know how to start a lecture. I’d rather go “Crystal Fairy” on them and improvise the lectures.

Would a younger you have enjoyed having access to a filmmaker like this?

Sebastian: It would have been nice to hear about stuff that isn’t easy, for instance. Tips I know are very useful for if you’re making your first feature, or writing your first script.

Do you think that watching a lot of movies keeps your filmmaking skills sharp?

Sebastian: I don’t really watch a lot of movies. I’m not a cinephile. I even question my craft every day. “What am I doing? Should I just paint?” It’s become my life and my craft, but I don’t completely love it. I find it very superficial at times. I have a love-hate relationship with making movies. I guess some filmmakers are sharper that way. I remember a Chilean filmmaker telling me, “If you want to shoot a car scene, just watch how Quentin Tarantino does it and copy it!” I’d never copy something. If I have to shoot a car scene, I’d figure it out on my own.

I love Michael’s character in Magic Magic, Brink.

Sebastian: He’s the best. I love Brink, too. Michael and I got so addicted to him. He’s such a closeted gay. Very creepy. I love him.

Was it your idea from the beginning to dye his hair dark?

Sebastian: Yeah. I wanted to transform him. I asked him to gain a lot of weight, but he said, “No fucking way.”

Tell me about your next project, Nasty Baby.

Sebastian: We’re locking picture at the end of March. We shot it in my neighborhood in New York, and I’m starring as the main character with Kristen Wiig and Tunde Adebimpe, the lead singer of TV On The Radio. I think we did a really good job. It’s very naturalistic and funny, but it gets a little dark. It’s not a comedy, it’s not a drama. It’s just a piece of life that goes wrong. By the end it becomes a sort of thriller.

This is your first time starring and directing, so that’s another unique filmmaking experience under your belt.

Sebastian: You want to keep it fresh, so that’s why I decided to act. It’s a very small movie so there was no risk. Co-starring with Kristen was very comfortable. She’s a great improvisor and made me feel very safe. The DP I work with on most of my films came from Chile, so I felt at home. Very comfortable. But it was very overwhelming to be directing and acting. I had no monitor to see what I was doing, see the takes. I had to just trust my co-actors. I told them, “If I’m embarrassing myself, just let me know I’m doing a shitty job.”

Our Bay Area readers will finally get a chance to see Michael Cera and Gaby Hoffman in Crystal Fairy when it hits theaters tonight. We learned in our interview with director Sebastian Silva and Cera that the story about a wild group of friends who are on a quest to find magical psychedelic cactus San Pedro, was actually based on real life events. We noted that Crystal Fairy is a not drug movie per se, but rather a warm drama about the dynamics between an odd group of people embarking on a new experience in our review. If that is not enough to convince you to see the film, check out the trailer below.

Watch the official trailer for Crystal Fairy:

While stoned at a party in Chile, Jamie (Michael Cera), a boorish American asshole, invites a cosmo-tripping hippy named Crystal Fairy (Gaby Hoffman) on a quest with his friends to obtain San Pedro—a  “magical” cactus—and imbibe the mescaline-rich plant. Much to his surprise, Crystal Fairy actually shows up for the journey the next day. Feeling threatened by her weirdness (or something), Jamie slings nasty barbs and general douchiness in an attempt to drive her away, but their fellow road-trippers have taken quite a liking to her.

Cera and director Sebastian Silva chatted with us before the film’s screening at the San Francisco International Film Festival in May. We spoke about the film’s inception, the risk of improvisation, the real Crystal Fairy, whether Jamie is an asshole or not, their favorite road trip movies, and more.

Review of Crystal Fairy

How did the project get started? You were trying to get Magic Magic made, right?
Michael Cera: Right. We were basically sitting around twiddling our thumbs waiting for somebody to step in and finance Magic Magic. It seemed like that ship had sailed. We had given up. Then Sebastian said, “Why don’t we do this instead?” Just to make something, we’ll go make this movie and no one will stop us.

Sebastian Silva: I had Michael and Gaby there, so that was enough incentive for a Chilean producer to make a tiny movie that could finance itself just by international sales. It was a simple financial, economical figure and a good business idea.

Michael Cera: It was financially sound.

Sebastian Silva: Yeah, from every perspective. My friend’s producers were into it immediately and it was a very easy project to get going. Super easy. It took us, like, two weeks.

Because the film came together so quickly, how structured was the script?
Michael Cera: It was very structured. It was completely conceptualized and figured out.

Sebastian Silva: It’s based on a true story. I went through the same experience fourteen years ago with my best friend. We were going to go take San Pedro in the Chilean desert and I invited this hippy girl that I met at a concert. She was from San Francisco actually, and she went by the name of Crystal Fairy. We’re looking for her.

Michael Cera: We’re really hoping to find her. It just occurred to us today that maybe she’ll show up tonight*.

That would be amazing!
Michael Cera: It would be amazing!

Sebastian Silva: It would be fucking crazy. But anyways, that’s the structure—it actually happened. I would say about 80 percent of the things you see [in the film] are based on true facts. The fact that Jamie and Crystal are fighting so much—Jamie’s embarrassed of her and she’s so annoying—that’s kind of fictionalized. We actually got along with Crystal Fairy. Otherwise, I wouldn’t be looking for her and I probably wouldn’t name the movie after her! We had a very thorough outline, about 12 pages. It’s basically a screenplay without dialog. We knew some of the jokes. Gaby had some of her stuff written. I thought [some of her lines] were improvised, but I found out later that she memorized a lot of her speeches.

Let’s talk a bit about your character, Michael. Do you know anybody like that? You look…
Michael Cera: Awful! (laughs) I don’t know anyone that outwardly toxic off the top of my head, but I do know people who are that way with drugs. They like spouting their knowledge of the onset of LSD…people who have collected experiences in order to be an authority on something. That element was sort of inspired by real people. His terrible energy was inspired by the way the story was constructed. The whole thrust of the conflict in the movie is that he invites this woman [on a trip] and then unfairly turns on her when she takes him up on the invitation and makes her feel very unwanted and unwelcome. He actually tries to campaign against her, campaign to get her excommunicated from the group (laughs). It’s so unfair and so ugly. That’s the root of the character, that he’s so out of touch with himself that he can’t even take responsibility for his actions.

Sebastian Silva: I need to defend Jamie because I personally feel like it’s crazy…(trails off). If you’re all coked up at a party, all high and drunk, and you invite someone on a trip, you don’t expect them to call you! If you don’t pick up your phone, they don’t go! She’s kind of crazy [for going out there.]

Michael Cera: They’re both crazy.

Sebastian Silva: Jamie had a point. She’s embarrassing. The first thing they [see from her] is that she’s fighting a whole group of gypsies, she’s crying, she has no money. It’s a drag. It’s such a drag. The kid’s aren’t excited that you invited her. Champa (one of the guys on the trip) is like, “Are you serious? She’s going to come?” Jamie’s got a point. She’s pretty annoying.

Michael Cera: It’s really objective in that way. They’re both annoying (laughs).

Not having written dialog requires a measure of trust between the actor and director, right?
Michael Cera: I don’t think anyone had any feelings of doubt about whether we could do it or not. Gaby was expressing that she was a little nervous.

Sebastian Silva: She said she was really bad at improv, but she was an improve genius! I personally was more scared of my brothers (who act in the film) who had never acted. One of them had acted before…

Agustín
Sebastian Silva: Yeah, Agustín had acted before. Juan plays the second most important character after Jamie and Gaby. I was really scared for him. The first night he was nervous. You could see his veins really bulging. Luckily, the characters had done cocaine, so his tension was justified by the overuse of cocaine. The next morning he already felt more comfortable with the cameras and the crew and started pulling off an amazing performance. He was really good at improvising as well.

Michael Cera: They’re such present people. They could just sit there and have a conversation and not overdo it. They had really good instincts about what human beings are like. They’re all really intuitive. They played off of each other incredibly, too. It was really good for them to be doing those things with each other.

Sebastian Silva: In terms of the improv and the risk of it, for me, it was the inexperience of my brothers. But, that was solved the very first day of shooting. I was in one of the first talking scenes…

Michael Cera: You really set the tone with that. There’s a scene at the beginning of the movie where we go into a bedroom and we’re doing cocaine and getting stoned. Sebastian is in there. He’s the guy who’s done San Pedro before. It was a good way to kick-start the entire experience.

I like that, when we arrive at the inevitable “trippin’ on San Pedro” scene, you don’t overdo it. The screen doesn’t get hazy, there aren’t crazy colors everywhere. You do some interesting things with the sound.
Sebastian Silva: It’s actually more of a panic attack than the effect of the drug. Any drug can give you a panic attack, right? Even marijuana can give you a panic attack. In that scene, we’re not really portraying the effects of mescaline. We’re portraying the effects of the sudden paranoia attack that Jamie gets from being so crazy. I never even thought that we would get all psychedelic and visual about it. It’s not that kind of movie.

Why isn’t it the right movie for that?
Sebastian Silva: The movie isn’t about the effects of mescaline. If you know about mescaline, [you know] it affects people differently. To make something visually would frame the experience in a weird way and not allow the audience to project their own experiences with recreational drugs onto the story. It felt like the wrong thing to do.

Michael Cera: It’s done often, too. I don’t think Sebastian ever falls into the trap of doing movie tropes. (To Sebastian) If you smell that, you try to do something different.

Sebastian Silva: Yeah, absolutely.

The film is kind of this odyssey, a journey across Chile for San Pedro. What’s your favorite road trip movie?
Sebastian Silva: Thelma and Louise! That’s a road trip film, right? I like that movie a lot. It made me want to be a woman and shoot men.

Michael Cera: Fear and Loathing in Las Vegas. It makes you want to drive.

Sebastian Silva: That’s a fun one.

Michael Cera: Oh! Wild at Heart! It’s great.

Crystal Fairy opens in San Francisco Friday, July 19^th and is available now on demand.

* As far as we know, Crystal Fairy did not show up to the screening.

Crystal Fairy

Sebastián Silva just directed two Michael Cera features and at least one, Crystal Fairy, is bizarre and excellent. The story is rather simple, an American dick studies abroad in Chile in order to party and try the uber-psychedelic San Pedro, a cactus native to the Northern regions. Cera, his Chilian roommate, and brothers have a trip all planned out, but Cera sabotages their own intentions by trying to impress the groovy hippie chick, Crystal Fairy, at a party and drunkenly invites her along on their journey.

The beauty of Crystal Fairy evolves from the shifting group dynamic between Cera and the Chilian brothers, portrayed with honest naïveté by Silva’s three younger brothers and how it falters when Fairy joins them. Cera’s abrasive, insensitive American plays well against his established innocent persona, while feeling like a totally honest character. Gaby Hoffman’s fearless portrayal of the hypocritical hippie, Fairy, is something to behold. She literally bears all in a moving and disturbing performance.

The film weaves between a hipster comedy of manors, road trip, drug film, and honest drama but never settles long enough to get stale. Not much happens in Crystal Fairy, but its small character driven rewards feel like grand revelations. The excellent, yet sloppy cinematography and great music selection only elevate its already assured scenes. I’m eager to see this film again and to see Silva’s other Cera picture, Magic Magic, but I hear lightning doesn’t strike twice.

Monsters University

Pixar is dead. If the back-to-back of Cars 2 and Brave didn’t seal the deal, then Monsters University will. While the past two pictures were so obviously missteps, this one trips and plunges into the indiscernible Hollywood slurry. Monsters University gets under my fingernails like bamboo spikes because of its mediocrity.

Monsters University brings nothing new to the Monsters universe that was not already created in the excellent first film, yet seems fine with it as it skips along at a brisk pace. I found myself chuckling at a few of the lame jokes and was happy with the inclusion of Always Sunny In Philadelphia’s Charlie Day as a wacky new monster. People of my generation (late 20s) grew up on Pixar in a way that we were young enough to be enchanted, but old enough to appreciate the new films and analytically follow their progression. It pains me to see a studio, who used to produce only amazing films, fall so far with only varying degrees of recent success. It seems that Pixar is now fine with producing the same old recycled crap, just with newer and better animation. Pour out a little Old E on the sidewalk. A giant has fallen.

I’m very excited to attend the 2013 LA Film Festival as this year’s festival has a very solid line up with several specific films I’ve been dying to see. Upon analyzing the lineup, it seems most of the big films are the “popular kids” from more prestigious festivals like Cannes, Toronto and particularly, Sundance. Not that this is a bad thing, but Hollywood isn’t quite known for its originality and they’re basically presenting a “best of what’s played.” That’s great for me as I have not attended any other of the major festivals. Here’s what I’m chomping at the bit to see—

Most Anticipated films to play at LA Film Festival

Ain’t Them Bodies Saints

I’m particularly psyched for this Badlands-esque period noir that looks gorgeous, moody, and let’s not forget violent. The film boasts an amazing cast— Casey Affleck who can do no wrong playing a psychotic creep; Rooney Mara who has proved herself a solid versatile actor and desperately needs to shrug off the lingering Goth image festering from the wretched Dragon Tattoo film; and a slew of excellent character actors who I adore, Ben Foster and Keith Carradine among them.

Trailer for Ain’t Them Bodies Saints:

Only God Forgives

I’m a huge fan of Nicolas Winding Refn from back to his Pusher days and I obviously loved Drive. His new Gosling project appears to be a continuation of the hyper-cool neon noir aesthetic established in Drive, but this time he’s tackled a new action sub-genre— the Muay Thai Boxing film. The love it or hate it (mostly hate) reaction from Cannes only makes me want to see it more, although my expectations are probably so high that I’m bound to be let down.

Trailer for Only God Forgives:

Short Term 12

I heard this was the best film at Sundance this year and I like Brie Larson from United States of Tara and 21 Jumpstreet. While I do take that label with a gain of salt as I’ve found that the best of Sundance often means mediocre when plopped into theaters. However, the trailer displays the elements of a moving and unsentimental drama, which Hollywood studios have become incapable of producing. I want Short Term 12 to make me cry.

Trailer for Short Term 12:

Fruitvale Station

Again, Fruitvale Station is coasting on some nice Sundance buzz. Weinstein has picked up the film for distribution and they usually have a knack for picking fine films. While I do think this one could veer into clichéd white-guilt Hollywood territory, I’ve heard an excellent performance from Chronicle star Michael B. Jordan carries the film. I’m open to have my cynicism proved wrong.

Trailer for Fruitvale Station:

Crystal Fairy

Director Sebastián Silva has two films at the fest, Crystal Fairy and Magic Magic. Both films star Michael Cera, but I’ve vaguely heard that Crystal Fairy is both weirder and better. I don’t know much about the story other than Cera travels somewhere in Central America and gets into some insanity. I’m waiting to find Cera in a role that allows him to break through his thick type-cast and my gut tells me this could be the one.

The Act of Killing

I’m not as knowledgeable about documentaries as I should be but the offbeat ones often catch my attention. This image alone urged me to put The Act of Killing on my schedule. Reading about this meta-bomb of history, interviews, reenactments, musical numbers and Asian film history exploring Indonesian death squads sounds too weird not to see. Plus it will likely be fascinating piece of history

Trailer for The Act of Killing:

You’re Next

Any mention of the possibility of a great new Horror film peaks my interest, especially one that wowed Toronto’s midnight lineup. All I know about the story is that it manages a sly twist on the sadistic home-invasion subgenre. Also, modern horror icon Ti West acts in it, which is both strange and enticing. Hopefully it’s not another Cabin Fever.

Trailer for You’re Next:

David O. Russell

David O. Russell is receiving the spirit of independence award at this year’s LA Film Festival. He’s been one of my favorite directors since high school and he’s managed not to become stale. He’s bounced back from I Heart Huckabees (while I adore) and an unreleased/failed film project with two excellent studio films that display a newly reinvigorated artist. I greatly enjoy hearing directors talk and I certainly won’t miss one of my favorites, who I’m sure has a lot to say. A screening of Three Kings precedes the discussion!

Spike Jonze

Not to sound redundant, but Spike Jonze, another excellent director who will be there to talk about his career. He’s reportedly showing a sizzle-reel for his upcoming film Her, about a man who falls in love with a computer, and I wouldn’t miss the opportunity to see that or hear this oddball director speak about how he made it. His feature film career has its up and downs but each film has been intriguing and his important contribution to modern society.

Other Stuff

The festival is holding a pre-screening of Superman (Man of Steel). Zach Synder has not made a good film since his debut, Dawn of the Dead, but between the internet buzz and a brutal studio marketing campaign I can’t help but be a little swept up in the excitement. There’s a chance I won’t make it into the packed screening though.

I recently attended a press screening of the indie sci-fi film, Europa Report, which is playing at the festival. I was very excited for this documentary-style take on a manned space flight to Jupiter’s ice moon Europa. But unfortunately it’s pretty lame (I’ll post a review).

I’m also excited to see Johnnie To’s Drug War, the documentary Our Nixon, Winter in the Blood and Lesson of Evil.

Stay tuned as we bring you coverage of the LA Film Festival which starts tomorrow through June 23rd

Crystal Fairy

The ever-awkward Michael Cera plays Jamie, a self-absorbed asshole who goes on a road trip through Chile with some friends to find some San Pedro—a cactus which, when ingested, sends you on a different kind of ‘trip’ altogether. The problem is, on the eve of their quest for the cactus, Jamie—in a drunken stupor—invites a hippie-ish wild child named Crystal Fairy (Gaby Hoffmann) to join them on their journey. Much to Jamie’s surprise, Crystal Fairy takes him up on his drunken offer, and the two develop a harsh, contentious relationship. Tensions rise, and when the group finally acquire the precious plant, things escalate even further.

Cera, typically cast as the good-hearted, smiling, neurotic type, gets a change of pace in this role, playing one of the most dislikable, insensitive people you could imagine. You know, he’s that guy. A group of friends are having a good time, joking around. Then, his ornery ass starts walking their way. “Oh god, here he comes. This asshole.” He’s that guy. Hoffmann is just as convincing as the cloyingly spiritual Crystal Fairy. She’s obsessed with everything astral and cosmic, and relentlessly pushes her strange lifestyle on the group—”Smell this! It’s chamomile. Chaaaaamomile.”

Director Sebastian Silva shows a lot of creativity in how he crafts a story, turning left when you think he’ll turn right, zigging when you expect him to zag. His visual style is tasteful (you’ll find no clichéd psychedelic trip-out scenes here), and he captures Jamie and Crystal Fairy’s opposite energy perfectly.

Look for our full review around the film’s release in July, along with an interview with Michael Cera and Director Sebastian Silva.

Before You Know It

Some of my favorite documentaries are ones that give a voice to the voiceless. Following three very different subjects, all gay men in their twilight years, Before You Know It sheds light on a community that deals with a difficult paradox—they are desexualized by society because they are old, and yet, their sexuality is one of the driving forces in their lives.

Dennis is a lonely widower who discovered his sexuality after his wife’s death. Robert is the matron of a bustling community of drag queens who gather at his bar, ‘Robert’s LaFitte’. Ty, Harlem born and raised, is the head of SAGE, a group that serves aging, gay members of the community. All three have unique lifestyles, but the common thread is that they all belong to a group of people who are doubly neglected. As we observe them struggle with their issues, as we go through their daily routines with them, as we learn their histories, we suddenly find ourselves familiar with a group of people most of us likely never paid any mind. This film helps to make sure these people are neglected no longer.

Director PJ Raval applies very little spin to the film, simply placing us in the subjects’ world to sit, watch, and absorb their lives. Ty’s story is filmed during an historic time in gay rights history, but Raval admirably keeps the film focused on Ty. The closer Raval zooms in his camera on the characters, the more we relate to them. The film is about a very specific community, but there’s a universal message being delivered here—they’re old, and we will be too someday.

RATING: 7.8

Stay tuned to Way Too Indie for an interview with director PJ Raval and subject Dennis.

Nights With Theodore

Centered on a couple’s obsession with spending long nights in a park in Paris, Sebastien Betbeder’s kooky, messy romance feels like an overly-fluffed and elongated short film. A couple meets at a party, hook up in a spooky park, and the nocturnal trysts slowly but surely begin to poison their lives in vaguely supernatural ways. The idea is intriguing, but Betbeder mucks it up by adding in pretentious asides and flourishes that feel like extra weight.

Betbeder inserts footage of a real-life interview with a psychiatrist who specializes in environmental psychology. The segment does add a strange gravity to the film, though what it adds is heavily outweighed by what it detracts, as it is as jarring a scene as I’ve seen in years, killing what little momentum the film had. The film’s opening, detailing the park’s long and storied history, is actually quite nice, creating an air of mystery that unfortunately dissipates quickly.

Aesthetically, Nights With Theodore is shoddy. A lot of the nighttime shots look downright murky, and though a foggy Parisian park at night should be a cinematographer’s dream, most of the shots are as uninteresting as the flat characters.

Pio Marmai and Agathe Bonitzer as Theodore and Anna, respectively, are talented, but are never given the opportunity to let their characters breathe. Odd distractions like the psychiatrist scene break up any connection we begin to make with the two, and there’s a pervading sense of distance between them and us that feels a little off. The pair do have some legitimate chemistry, but the thin story gives them little to chew on. Is it a movie about a park or a summer romance? Who knows? Betbeder certainly doesn’t.

RATING: 5

One day after the Film Independent Spirit Awards announced the nominations for films from the 2012 festival run, Sundance is ready to kick off the festival season for 2013. On Wednesday, Sundance Film Festival announced the Competition Lineups. One day later they presented their Spotlight, Park City At Midnight and New Frontier program lineups which feature out of competition films including some that have already played at other festivals.

Already we are excited about some of the films in the lineup. First and foremost is Touchy Feely from director Lynn Shelton, her follow up to her delightful film from last year, Your Sister’s Sister. Touchy Feely is a drama starring Rosemarie DeWitt (who also starred in Your Sister’s Sister) about a massage therapist that ironically has an aversion to bodily contact. Then we have a long awaited return of Shane Carruth who first turned heads with his 2004 film Primer. Carruth is finally back for his sophomore film entitled Upstream Color.

Two other in competition films that are receiving some more mainstream attention are Kill Your Darlings which will star Daniel Radcliffe, Elizabeth Olson, Ben Foster and Michael C. Hall, about a Columbia murder in 1944 that brought together Allen Ginsberg, Jack Kerouac and William Burroughs. David Lowery’s directorial debut Ain’t Them Bodies Saints is also generating buzz. The film is about an outlaw who escapes from prison to reunite with this wife and his child that he has never met.

There are many more films that will be announced to play at Sundance Film Festival to come, this is just the first sets of films. The 2013 Sundance Film Festival will take place from January 17th through the 27th.

U.S. Dramatic Competition

Afternoon Delight (Director and screenwriter: Jill Soloway) — In this sexy, dark comedy, a lost Los Angeles housewife puts her idyllic hipster life in jeopardy when she tries to rescue a stripper by taking her in as a live-in nanny. Cast: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch.

Ain’t Them Bodies Saints (Director and screenwriter: David Lowery) — The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. Cast: Rooney Mara, Casey Affleck, Ben Foster, Nate Parker, Keith Carradine.

Austenland (Director: Jerusha Hess, Screenwriters: Jerusha Hess, Shannon Hale) — Thirtysomething, single Jane is obsessed with Mr. Darcy, as played by Colin Firth in “Pride and Prejudice.” On a trip to an English resort, her fantasies of meeting the perfect Regency-era gentleman become more real than she ever imagined. Cast: Keri Russell, JJ Feild, Bret McKenzie, Jennifer Coolidge, Georgia King, James Callis.

C.O.G. (Director and screenwriter: Kyle Patrick Alvarez) — In the first film adaptation of David Sedaris’s work, a cocky young man travels to Oregon to work on an apple farm. Out of his element, he finds his lifestyle and notions being picked apart by everyone who crosses his path. Cast: Jonathan Groff, Denis O’Hare, Corey Stoll, Dean Stockwell, Casey Wilson, Troian Bellisario.

Concussion (Director and screenwriter: Stacie Passon) — After a blow to the head, Abby decides she can’t do it anymore. Her life just can’t be only about the house, the kids and the wife. She needs more: she needs to be Eleanor. Cast: Robin Weigert, Maggie Siff, Johnathan Tchaikovsky, Julie Fain Lawrence, Emily Kinney, Laila Robins.

Emanuel and the Truth About Fishes (Director and screenwriter: Francesca Gregorini) — Emanuel, a troubled girl, becomes preoccupied with her mysterious new neighbor, who bears a striking resemblance to her dead mother. In offering to babysit her newborn, Emanuel unwittingly enters a fragile fictional world, of which she becomes the gatekeeper. Cast: Kaya Scodelario, Jessica Biel, Alfred Molina, Frances O’Connor, Jimmi Simpson, Aneurin Barnard.

Fruitvale (Director and screenwriter: Ryan Coogler) — The true story of Oscar, a 22-year-old Bay Area resident who crosses paths with friends, enemies, family and strangers on the last day of 2008. Cast: Michael B. Jordan, Octavia Spencer, Melonie Diaz, Ahna O’Reilly, Kevin Durand, Chad Michael Murray.

In a World… (Director and screenwriter: Lake Bell) — An underachieving vocal coach is motivated by her father, the king of movie-trailer voice-overs, to pursue her aspirations of becoming a voiceover star. Amid pride, sexism and family dysfunction, she sets out to change the voice of a generation. Cast: Lake Bell, Demetri Martin, Rob Corddry, Michaela Watkins, Ken Marino, Fred Melamed.

Kill Your Darlings (Director: John Krokidas, Screenwriters: Austin Bunn, John Krokidas) — A story of murder that brought together a young Allen Ginsberg, Jack Kerouac and William Burroughs at Columbia University in 1944, providing the spark that led to the birth of an entire generation – their Beat revolution. Cast: Daniel Radcliffe, Dane DeHann, Ben Foster, Michael C. Hall, Jack Huston, Elizabeth Olsen.

The Lifeguard (Director and screenwriter: Liz W. Garcia) — A former valedictorian quits her job as a reporter in New York and returns to the place she last felt happy: her childhood home in Connecticut. She gets work as a lifeguard and starts a dangerous relationship with a troubled teenager. Cast: Kristen Bell, Mamie Gummer, Martin Starr, Alex Shaffer, Amy Madigan, David Lambert.

May in the Summer (Director and screenwriter: Cherien Dabis) — A bride-to-be is forced to re-evaluate her life when she reunites with her family in Jordan and finds herself confronted with the aftermath of her parents’ divorce. Cast: Cherien Dabis, Hiam Abbass, Bill Pullman, Alia Shawkat, Nadine Malouf, Alexander Siddig.

Mother of George (Director: Andrew Dosunmu, Screenwriter: Darci Picoult) — A story about a woman willing to do anything and risk everything for her marriage. Cast: Isaach De Bankolé, Danai Gurira, Anthony Okungbowa, Yaya Alafia, Bukky Ajayi.

The Spectacular Now (Director: James Ponsoldt, Screenwriters: Scott Neustadter, Michael H. Weber) — Sutter is a high school senior who lives for the moment; Aimee is the introvert he tries to “save.” As their relationship deepens, the lines between right and wrong, friendship and love, and “saving” and corrupting become inextricably blurred. Cast: Miles Teller, Shailene Woodley, Brie Larson, Jennifer Jason Leigh, Mary Elizabeth Winstead, Kyle Chandler.

Touchy Feely (Director and screenwriter: Lynn Shelton) — A massage therapist is unable to do her job when stricken with a mysterious and sudden aversion to bodily contact. Meanwhile, her uptight brother’s foundering dental practice receives new life when clients seek out his “healing touch.” Cast: Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, Josh Pais.

Toy’s House (Director: Jordan Vogt-Roberts, Screenwriter: Chris Galletta) — Three unhappy teenage boys flee to the wilderness, where they build a makeshift house and live off the land as masters of their own destiny. Or at least that’s the plan. Cast: Nick Robinson, Gabriel Basso, Moises Arias, Nick Offerman, Megan Mullally, Alison Brie.

Upstream Color (Director and screenwriter: Shane Carruth) — A man and woman are drawn together, entangled in the life cycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives. Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins.

U.S. Documentary Competition

99% — The Occupy Wall Street Collaborative Film (Directors: Audrey Ewell, Aaron Aites, Lucian Read, Nina Kristic) — The Occupy movement erupted in September 2011, propelling economic inequality into the spotlight. In an unprecedented collaboration, filmmakers across America tell its story, digging into issues as organizers, analysts, participants and critics reveal how it happened and why.

After Tiller (Directors: Martha Shane, Lana Wilson) — Since the assassination of Dr. George Tiller in 2009, only four doctors in the country provide late-term abortions. With unprecedented access, “After Tiller” goes inside the lives of these physicians working at the center of the storm.

American Promise (Directors: Joe Brewster, Michèle Stephenson) — This intimate documentary follows the 12-year journey of two African-American families pursuing the promise of opportunity through the education of their sons.

Blackfish (Director: Gabriela Cowperthwaite) — Notorious killer whale Tilikum is responsible for the deaths of three individuals, including a top animal trainer. “Blackfish” shows the sometimes devastating consequences of keeping such intelligent creatures in captivity.

Blood Brother (Director: Steve Hoover) — Rocky went to India as a disillusioned tourist. When he met a group of children with HIV, he decided to stay. He never could have imagined the obstacles he would face, or the love he would find.

Citizen Koch (Directors: Carl Deal, Tia Lessin) — Wisconsin – home of government unions, “cheeseheads” and Paul Ryan – becomes ground zero in the battle for the future of the Republican Party.

Cutie and the Boxer (Director: Zachary Heinzerling) — This candid New York love story explores the chaotic 40-year marriage of boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband’s assistant, Noriko finds an identity of her own.

Dirty Wars (Director: Richard Rowley) — Investigative journalist Jeremy Scahill chases down the truth behind America’s covert wars.

Gideon’s Army (Director: Dawn Porter) — This follows three young, committed public defenders who are dedicated to working for the people society would rather forget. Long hours, low pay and staggering caseloads are so common that even the most committed often give up.

God Loves Uganda (Director: Roger Ross Williams) — A powerful exploration of the evangelical campaign to infuse African culture with values imported from America’s Christian right. The film follows American and Ugandan religious leaders fighting “sexual immorality” and missionaries trying to convince Ugandans to follow biblical law.

The Good Life (Directors: Sean Fine, Andrea Nix Fine) — Dr. Leslie Gordon and Dr. Scott Berns fight to save their only son from progeria, a rare and fatal disease for which there is no treatment. In less than a decade, their work has led to significant advances.

Inequality for All (Director: Jacob Kornbluth) — In this timely and entertaining documentary, economic-policy expert Robert Reich distills the topic of widening income inequality, and addresses the question of what effects this increasing gap has on our economy and our democracy.

Manhunt (Director: Greg Barker) — This espionage tale goes inside the CIA’s long conflict against al Qaeda, as revealed by the remarkable women and men whose secret war against Osama bin Laden started nearly a decade before most of us even knew his name.

Narco Cultura (Director: Shaul Schwarz) — An examination of Mexican drug cartels’ influence in pop culture on both sides of the border as experienced by a Los Angeles narcocorrido singer dreaming of stardom and a Juarez crime scene investigator on the front line of Mexico’s drug war.

Twenty Feet From Stardom (Director: Morgan Neville) — Backup singers live in a world that lies just beyond the spotlight. Their voices bring harmony to the biggest bands in popular music, but we’ve had no idea who these singers are or what lives they lead – until now.

Valentine Road (Director: Marta Cunningham) — In 2008, eighth-grader Brandon McInerney shot classmate Larry King at point-blank range. Unraveling this tragedy, the film reveals the heartbreaking circumstances that led to the shocking crime as well as its startling aftermath.

World Cinema Dramatic Competition

Circles/Serbia, Germany, France, Croatia, Slovenia (Director: Srdan Golubovic, Screenwriters: Srdjan Koljevic, Melina Pota Koljevic) — Five people are affected by a tragic heroic act. Twenty years later, all of them will confront the past through their own crises. Will they overcome guilt, frustration and their urge for revenge? Will they do the right thing? Cast: Aleksandar Bercek, Leon Lucev, Nebojsa Glogovac, Hristina Popovic, Nikola Rakocevic, Vuk Kostic.

Crystal Fairy/Chile (Director and screenwriter: Sebastián Silva) — Jamie invites a stranger to join a road trip to Chile. The woman’s free and esoteric nature clashes with Jamie’s acidic, self-absorbed personality as they head into the desert for a mescaline-fueled psychedelic trip. Cast: Michael Cera, Gabby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva.

The Future/Chile, Germany, Italy, Spain (Director and screenwriter: Alicia Scherson) — When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future. Cast: Manuela Martelli, Rutger Hauer, Luigi Ciardo, Nicolas Vaporidis, Alessandro Giallocosta.

Houston/Germany (Director and screenwriter: Bastian Günther) — Clemens Trunschka is a corporate headhunter and an alcoholic. Drinking increasingly isolates him and leads him away from reality. While searching for a chief executive candidate in Houston, his addiction submerges him in darkness. Cast: Ulrich Tukur, Garret Dillahunt, Wolfram Koch, Jenny Schily, Jason Douglas, Jens Münchow.

Jiseul/South Korea (Director and screenwriter: Muel O) — In 1948, as the Korean government ordered the Communists’ eviction to Jeju Island, the military invaded a peaceful village. Townsfolk took sanctuary in a cave and debated moving to a higher mountain. Cast: Min-chul Sung, Jung-won Yang, Young-soon Oh, Soon-dong Park, Suk-bum Moon, Kyung-sub Jang.

Lasting/Poland, Spain (Director and screenwriter: Jacek Borcuch) — An emotional love story about two Polish students who fall in love with each other while working summer jobs in Spain. An unexpected nightmare interrupts their carefree time in the heavenly landscape and throws their lives into chaos. Cast: Jakub Gierszal, Magdalena Berus, Angela Molina.

Metro Manila/United Kingdom, Philippines (Director: Sean Ellis, Screenwriters: Sean Ellis, Frank E. Flowers) — Seeking a better life, Oscar and his family move from the poverty-stricken rice fields to the big city of Manila, where they fall victim to various inhabitants whose manipulative ways are a daily part of city survival. Cast: Jake Macapagal, John Arcilla, Althea Vega.

Shopping/New Zealand (Directors: Mark Albiston, Louis Sutherland, Screenwriters: Louis Sutherland, Mark Albiston) — New Zealand, 1981: Seduced by a charismatic career criminal, teenager Willie must choose where his loyalty lies – with a family of shoplifters or his own blood. Cast: Kevin Paulo, Julian Dennison, Jacek Koman, Alistair Browning.

Soldate Jeannette/Austria (Director: Daniel Hoesl) — Fanni has had enough of money and leaves to buy a tent. Anna has had enough of pigs and leaves a needle in the hay. Cars crash and money burns to shape their mutual journey toward a rising liberty. Cast: Johanna Orsini-Rosenberg, Christina Reichsthaler, Josef Kleindienst, Aurelia Burckhardt, Julia Schranz, Ines Rössl.

There Will Come a Day/Italy, France (Director: Giorgio Diritti, Screenwriters: Giorgio Diritti, Fredo Valla, Tania Pedroni) — Painful issues push Augusta, a young Italian woman, to doubt the certainties on which she has built her existence. On a small boat in the Amazon rain forest, she faces the adventure of searching for herself. Cast: Jasmine Trinca, Anne Alvaro, Pia Engleberth.

Wajma (An Afghan Love Story)/Afghanistan (Director and screenwriter: Barmak Akram) — A young man in Kabul seduces a girl. When she tells him she’s pregnant, he questions having taken her virginity. Then her father arrives, and a timeless, archaic violence erupts – possibly leading to a crime, and even a sacrifice. Cast: Wajma Bahar, Mustafa Abdulsatar, Haji Gul, Breshna Bahar.

What They Don’t Talk About When They Talk About Love/Indonesia (Director and screenwriter: Mouly Surya) — This film explores the odds of love and deception among the blind, the deaf and the unlucky sighted people at a high school for the visually impaired. Cast: Nicholas Saputra, Ayushita Nugraha, Karina Salim, Anggun Priambodo, Lupita Jennifer.

World Cinema Documentary Competition

Fallen City/China (Director: Qi Zhao) — This spans four years to reveal how three families who survived the 2008 Sichuan earthquake embark on a journey in search of hope, purpose, identity and new lives in a China torn between tradition and modernity.

Fire in the Blood/India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, leading to 10 million or more unnecessary deaths. An improbable group of people decided to fight back.

Google and the World Brain/Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious project ever conceived on the Internet, Google has been scanning the world’s books for 10 years. It said the intention was to build a giant digital library, but that involved scanning millions of copyrighted works.

The Machine Which Makes Everything Disappear/Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-to-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations.

The Moo Man/United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene-stealing Ida (queen of the herd) and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their way of life is at stake.

Pussy Riot – A Punk Prayer/Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in?

A River Changes Course/Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world.

Salma/United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world.

The Square (El Midan)/Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation?

The Stuart Hall Project/United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of cultural studies. This documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual.

The Summit/Ireland, United Kingdom (Director: Nick Ryan) — 24 climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers’ code, he might still be alive.

Who Is Dayani Cristal?/United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo.

Next

Blue Caprice (Director: Alexandre Moors, Screenwriters: R.F.I Porto, Alexandre Moors) — An abandoned boy is lured to America and drawn into the shadow of a dangerous father figure in this film inspired by the real-life events that led to the 2002 Beltway sniper attacks. Cast: Isaiah Washington, Tequan Richmond, Joey Lauren Adams, Tim Blake Nelson, Cassandra Freeman, Leo Fitzpatrick.

Computer Chess (Director and screenwriter: Andrew Bujalski) — An existential comedy about the brilliant men who taught machines to play chess, back when the machines seemed clumsy and we seemed smart. Cast: Patrick Riester, Myles Paige, James Curry, Robin Schwartz, Gerald Peary, Wiley Wiggins.

Escape From Tomorrow (Director and screenwriter: Randy Moore) — A postmodern, surreal voyage into the bowels of “family” entertainment. An epic battle begins when an unemployed, middle-aged father loses his sanity during a close encounter with two teenage girls on holiday. Cast: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor.

I Used to Be Darker (Director: Matthew Porterfield, Screenwriters: Amy Belk, Matthew Porterfield) — A runaway seeks refuge with her aunt and uncle in Baltimore, only to find their marriage ending and her cousin in crisis. In the days that follow, the family struggles to let go while searching for things to sustain them. Cast: Deragh Campbell, Hannah Gross, Kim Taylor, Ned Oldham, Geoff Grace, Nick Petr.

It Felt Like Love (Director and screenwriter: Eliza Hittman) — On the outskirts of Brooklyn, a 14-year-old girl’s sexual quest takes a dangerous turn when she pursues an older guy and tests the boundaries between obsession and love. Cast: Gina Piersanti, Giovanna Salimeni, Ronen Rubinstein, Jesse Cordasco, Nick Rosen, Case Prime.

Milkshake (Director: David Andalman, Screenwriters: David Andalman, Mariko Munro) — In mid-1990s America, we follow the tragic sex life of Jolie Jolson, a wannabe thug (and great-great-grandson of legendary vaudevillian Al Jolson) in suburban Washington as he strives to become something he can never be – black. Cast: Tyler Ross, Shareeka Epps, Georgia Ford, Eshan Bay, Leo Fitzpatrick, Danny Burstein.

Newlyweeds (Director and screenwriter: Shaka King) — A Brooklyn repo man and his globetrotting girlfriend forge an unlikely romance. But what should be a match made in stoner heaven turns into a love triangle gone awry in this dark coming-of-age comedy about dependency. Cast: Amari Cheatom, Trae Harris, Tone Tank, Colman Domingo, Isiah Whitlock Jr., Adrian Martinez.

Pit Stop (Director: Yen Tan, Screenwriters: Yen Tan, David Lowery) — Two working-class gay men in a small Texas town and a love that isn’t quite out of reach. Cast: Bill Heck, Marcus DeAnda, Amy Seimetz, John Merriman, Alfredo Maduro, Corby Sullivan.

A Teacher (Director and screenwriter: Hannah Fidell) — A popular young teacher in a wealthy suburban Texas high school has an affair with one of her students. Her life begins to unravel as the relationship comes to an end. Cast: Lindsay Burdge, Will Brittain, Jennifer Prediger, Jonny Mars, Julie Phillips, Chris Dubeck.

This Is Martin Bonner (Director and screenwriter: Chad Hartigan) — Martin Bonner has just moved to Reno for a new job in prison rehabilitation. Starting over at 58, he struggles to adapt until an unlikely friendship with an ex-con blossoms, helping him confront the problems he left behind. Cast: Paul Eenhoorn, Richmond Arquette, Sam Buchanan, Robert Longstreet, Demetrius Grosse.

Spotlight

Fill the Void / Israel (Director and screenwriter: Rama Burshtein) — A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv’s ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi’s word are absolute. Cast: Hadas Yaron, Yiftach Klein, Irit Sheleg, Chaim Sharir, Razia Israeli, Hila Feldman.

Gangs of Wasseypur / India (Director: Anurag Kashyap, Screenwriters: Anurag Kashyap, Zeishan Quadri) — Exiled and outcast for robbing British trains, Shahid Khan spurs a battle for revenge that passes down generations. Shahid’s son vows to get his father’s honor back, becoming the most feared man in the Indian town of Wasseypur. Cast: Manoj Bajpai, Nawazuddin Siddique, Richa Chadda, Huma Qureshi, Tigmanshu Dhulia.

The Gatekeepers (documentary) / Israel, Germany, Belgium, France (Director: Dror Moreh) — Since its stunning military victory in 1967, Israel has hoped to achieve a long-lasting peace. Forty-five years later, this has yet to happen. Six former heads of Israel’s Secret Service reflect on the successes and failures of the “peace process.”

Mud / U.S.A. (Director and screenwriter: Jeff Nichols) — Two teenage boys encounter a fugitive and form a pact to help him evade the bounty hunters on his trail and reunite him with his true love. Cast: Matthew McConaughey, Tye Sheridan, Jacob Lofland, Reese Witherspoon. North American Premiere

No / Chile, U.S.A. (Director: Pablo Larraín, Screenwriter: Pedro Peirano) — When Chilean military dictator Augusto Pinochet calls for a referendum to decide his permanence in power, the opposition persuades a young advertising executive to head its campaign. With limited resources and under scrutiny, he conceives a plan to win the election. Cast: Gael García Bernal, Alfredo Castro, Antonia Zegers, Luis Gnecco, Marcial Tagle, Néstor Cantillana.

Sightseers / United Kingdom (Director: Ben Wheatley, Screenwriters: Alice Lowe, Steve Oram) — Chris wants to show girlfriend Tina his world, but when events conspire against the couple, their dream caravan holiday takes a very wrong turn. Cast: Alice Lowe, Steve Oram. U.S. Premiere

Stories We Tell (documentary) / Canada (Director: Sarah Polley) — Sarah Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving.

Park City At Midnight

Ass Backwards / U.S.A. (Director: Chris Nelson, Screenwriters: June Diane Raphael, Casey Wilson) — Loveable losers Kate and Chloe take a road trip back to their hometown to claim the beauty pageant crown that eluded them as children, only to discover what really counts: friendship. Cast: June Diane Raphael, Casey Wilson, Vincent D’Onofrio, Alicia Silverstone, Jon Cryer, Brian Geraghty.

Hell Baby / U.S.A. (Directors and screenwriters: Robert Ben Garant, Thomas Lennon) — An expectant couple moves into the most haunted fixer-upper in New Orleans – a house with a demonic curse. Things spiral out of control and soon only the Vatican’s elite exorcism team can save the pair – or can it? Cast: Rob Corddry, Leslie Bibb, Keegan Michael Key, Riki Lindhome, Paul Scheer, Rob Huebel.

In Fear / United Kingdom (Directed and story by: Jeremy Lovering) — Trapped in a maze of country roads with only their vehicle for protection, Tom and Lucy are terrorized by an unseen tormentor exploiting their worst fears. Eventually they realize they’ve let the evil in – it’s sitting in their car. Cast: Alice Englert, Iain De Caestecker, Allen Leech.

kink (documentary) / U.S.A. (Director: Christina Voros) — A story of sex, submission and big business is told through the eyes of the unlikely pornographers whose 9:00-to-5:00 work days are spent within the confines of the San Francisco Armory building, home to the sprawling porn production facilities of Kink.com.

The Rambler / U.S.A. (Director and screenwriter: Calvin Lee Reeder) — After being released from prison, a man known as “The Rambler” stumbles upon a strange mystery as he attempts the treacherous journey through back roads and small towns en route to reconnecting with his long-lost brother. Cast: Dermot Mulroney, Lindsay Pulsipher, Natasha Lyonne, James Cady, Scott Sharot.

S-VHS / U.S.A., Canada (Directors: Simon Barrett, Adam Wingard, Edúardo Sanchez, Gregg Hale, Timo Tjahjanto, Gareth Huw Evans, Jason Eisener, Screenwriters: Simon Barrett, Jamie Nash, Timo Tjahjanto & Gareth Huw Evans, John Davies) — Searching for a missing student, two private investigators break into his abandoned house and find another collection of mysterious VHS tapes. In viewing the horrific contents of each cassette, they realize there may be terrifying motives behind the student’s disappearance. Cast: Adam Wingard, Lawrence Levine, L.C Holt, Kelsy Abbott, Hannah Hughes.

Virtually Heroes / U.S.A. (Director: GJ Echternkamp, Screenwriter: Matt Yamashita) — Two self-aware characters in a Call of Duty-style video game struggle with their screwy, frustrating existence. To find answers, one abandons his partner and mission, seeking to unravel the cheat codes of life. Cast: Robert Baker, Brent Chase, Katie Savoy, Mark Hamill, Ben Messmer.

We Are What We Are / U.S.A. (Director: Jim Mickle, Screenwriters: Nick Damici, Jim Mickle) — A devastating storm washes up clues that lead authorities closer and closer to the cannibalistic Parker family. Cast: Bill Sage, Ambyr Childers, Julia Garner, Michael Parks, Wyatt Russell, Kelly McGillis.

New Frontier

Charlie Victor Romeo / U.S.A. (Directors: Robert Berger, Karlyn Michelson, Screenwriters: Robert Berger, Patrick Daniels, Irving Gregory) — An award-winning theatrical documentary derived entirely from ‘Black Box’ transcripts of six real-life major airline emergencies brought to the screen with cutting-edge stereoscopic 3D technology. Cast: Patrick Daniels, Irving Gregory, Noel Dinneen, Sam Zuckerman, Debbie Troche, Nora Woolley.

Fat Shaker / Iran (Director and screenwriter: M Shirvani) — An obese father and his handsome, deaf son share extraordinary experiences in Tehran. Then a beautiful young woman upsets the balance of their relationship, forcing them to renegotiate their position with each other and the world around them. Cast: Levon Haftvan, Maryam Palizban, Hassan Rostami, Navid Mohammadzadeh.

Halley / Mexico (Director: Sebastian Hofmann, Screenwriters: Sebastian Hofmann, Julio Chavezmontes) — Alberto is dead and can no longer hide it. Before surrendering to his living death, he forms an unusual friendship with Luly, the manager of the 24-hour gym where he works as a night guard. Cast: Alberto Trujillo, Lourdes Trueba, Hugo Albores.

Interior. Leather Bar. / U.S.A. (Directors: Travis Mathews, James Franco, Screenwriter: Travis Mathews) — To avoid an X rating, it was rumored that 40 minutes of gay S&M footage was cut from the controversial 1980 film, Cruising. Filmmakers James Franco and Travis Mathews re-imagine what was in the lost footage. Cast: Val Lauren, James Franco, Travis Mathews, Christian Patrick, Brenden Gregory.

The Meteor / Canada (Director: François Delisle, Screenwriter: François Delisle) — Forty-something Pierre, his mother and his wife are linked by crime, guilt and loneliness. Like casualties of love and desire, they are dying to stick their heads above water and breathe the air of life. Cast: Noémie Godin Vigneau, François Delisle, Laurent Lucas, Brigitte Pogonat, François Papineau, Andrée Lachapelle.