Before I Disappear

Shawn Christensen converts his Academy Award winning short film featuring a man who discovers his motivation to stay alive into a full feature film with Before I Disappear. Richie (Christensen) is asked to turn the other way when a woman is found dead on the floor of a bathroom from a heroin overdose. Feeling a stronger connection to her than any living person in his life, Richie considers this to be the final straw of his own miserable life. But as he sits in a bathtub filled with his own blood, a phone call interrupts his attempted suicide. On the other line is his estranged sister (Emmy Rossum) begging him to watch her daughter niece (Fatima Ptacek) Sophia.

Richie reluctantly agrees to look after Sophia for the night, but as the night progresses he realizes that this opportunity for him to actually do something worthwhile in his life. There are other subplots in the film involving Richie owing a debt to a mysterious man and befriending the boyfriend of the dead woman he found in the beginning, but these developments to not add much to enhance the central narrative. Just as she does in the short film, Ptacek steals the show with her sassy, but smart role as the pivotal component that turns Richie’s life around. It’s difficult to say if Before I Disappear generates the same level of heartfelt emotions that the short film it was based from did, however, fans of the source material are likely to at least appreciate this extension.

RATING: 6.8

The Internet’s Own Boy: The Story of Aaron Swartz

Through the abundant use of early home videos, Brian Knappenberger’s documentary The Internet’s Own Boy: The Story of Aaron Swartz shows that Aaron Swartz was somewhat of a prodigy at an early age when he begins to recite the alphabet and read. Going up on computers at a young age, Swartz effortlessly learned how to write programming languages and soon become obsessed with them. Before he finished high school, Swartz built an open-access encyclopedia that allowed others to add and edit entries. This sounds very similar to the idea behind the 5th most visited website on the planet, Wikipedia. Though Swartz wrote his own version years before Wikipedia was even launched. Other impressive technology accolades in his life include helping develop RSS, co-founding Reddit, and launching Creative Commons.

Swartz had always been a programming wunderkind, but alongside his technical abilities was his enthusiastic philosophy that information should be accessible by the public. He eventually became a political hacktivist and wrote a script that would automatically download all of the academic journal articles from JSTOR that MIT had access to. The FBI took notice and later outrageously charged him with 13 counts of felony and a fine of up to $1 million.

It was nice to see the documentary not dwelling on the actual details of Swartz’s suicide and instead keeping the focus on the impact of death on everyone around him. Occasionally the film meanders on some of the topics it brings up, specifically when it went into more detail surrounding the SOPA bill than it needed.

It’s absolutely heartbreaking that a man who believed information should be free would be bullied by the government just to be made an example of, ultimately leading him to take his own life. Through Aaron Swartz’s tragic but inspiring story, The Internet’s Own Boy delivers the important message of just how critical access to knowledge is, and that by limiting our access, it limits our ability to learn, evolve, and create. And that’s a message worth listening to.

RATING: 7.7

After last year’s surprise breakout film Short Term 12, many people are wondering if the SXSW Film Festival will premiere another indie sensation. Only time will tell if lightning will strike twice in Austin, but at the very least the festival’s reputation is at an all-time high. With a hefty lineup of 133 feature films, there are plenty of independent films to choose from, but I managed to narrow down ten of my most anticipated films at the 2014 SXSW Film festival.

I will be attending SXSW this year for Way Too Indie, so make sure to check back for coverage and follow us on Twitter for instant updates.

Creep

I am not ashamed to admit that the main reason Creep landed on this list is because Mark Duplass is listed as a co-writer and lead actor. And then I read the wacky synopsis for the film–a man strapped for cash comes across a Craigslist ad for a $1,000 one-day job in a remote mountain town, but then discovers that the client may not be who he says he is. Adding to the overall intrigue, Creep supposedly fits into the genres of comedy, horror, and romance; a curious mixture that I cannot wait to witness.

Frank

Despite receiving a mixed response from its premiere at Sundance, Frank remains a must-see for me at the festival. This oddball comedy features Michael Fassbender as the mysterious musical genius who spends the majority of the film wearing a gigantic plastic head. The satirical tone of the film looks to be only outmatched by its absurdity, making it easy to understand why audiences are so divided on Frank.

Open Windows

Open Windows is Spanish filmmaker Nacho Vigalondo’s third feature film and the first of which to be in the English-language. This is a real-time suspense thriller about a man’s desperate search to track down his abducted girlfriend. Open Windows is said to be heavily influenced by ‘70s paranoid thrillers and is shown through the point of view of a screen on a laptop computer. I am excited to see what the filmmaker has up his sleeve, considering his history of making high-concept sci-fi thrillers (Timecrimes and Extraterrestrial).

Boyhood

Richard Linklater’s coming of age drama, Boyhood, received the Best Director award a couple weeks ago at the Berlin Film Festival. This ambitious project follows a family over the course of 12 actual years, which allows the audience to observe the cast members mature as they would in real life. Although Boyhood is not a documentary like Michael Apted’s Up series, Linklater experiments with a similar concept and the results could be quite intriguing.

Animals

In his first full-length feature, Collin Schiffli’s Animals tells the story of a troubled young couple who live out of their car and rely on stealing in order to survive. The reality of their situation is realized when one of them gets hospitalized. The film stars David Dastmalchian (Prisoners, The Dark Knight) and Kim Shaw (The Good Wife) and has one of the founding members of Passion Pit (Ian Hultquist) as the composer for the original score.

The Heart Machine

After combing through the entire festival lineup (a daunting task), The Heart Machine caught my eye for a few reasons. The primary reason is that the film stars John Gallagher Jr., who was the talk of the town in Austin after starring in last year’s Short Term 12. Another attention-grabbing credit is the director Zachary Wigon, a current film critic for The Village Voice. Lastly, the idea behind the film is fascinating–a man in a long-distance relationship begins to suspect his girlfriend to actually be living in the same city as him all along.

Joe

There are many reasons why the film Mud comes to mind when looking at David Gordon Green’s Joe. Not only are both films named after the three-letter name of their main character, but both films also star Tye Sheridan as a young kid who forms an unlikely bond with said characters. This indie film might just be what Nicholas Cage’s career needs at this point in order for people to start respecting him as an actor again.

Oculus

Our very own C.J. Prince caught Oculus last year at the Toronto International Film Festival and praised the film for its originality and well-written screenplay. Mike Flanagan’s Oculus will screen in the Midnighters section of SXSW, a program that features various hair-raising horror films to a midnight crowd. The film centers on an antique mirror called the Lasser Glass, which forces its owners to harm themselves as well as others. There is a good chance that audiences in Austin are going to be freaked out by the film, I surely hope I am as well.

The Guest

Another film I want to see from the Midnighters program is Adam Wingard’s The Guest. Similar to his recent work in You’re Next, Wingard seems to mix together equal parts humor and horror in this throwback thriller. The Guest received unanimously positive responses from the midnight crowd during its world premiere at Sundance earlier this year. And I expect similar results at SXSW.

Before I Disappear

Based on his 2013 Academy Award winning short film Curfew, Shawn Christensen’s film is about a man whose suicidal thoughts are suddenly interrupted by a phone call from his estranged sister. The wide range of emotions he was able to pack into a short film impressed me, but I wondered how the film would transition into a full-length feature some day. Luckily, I will not have to wonder for much longer.