What an incredible experience Sundance London Film Festival was. The line-up was so exciting and I knew right away I was in for a brilliant week, that I would be able to witness some of this year’s worthy hits.

The festival was primarily focused on the films they were showcasing, and their schedule also included some fantastic panel events that film fans and press were invited to attend. Sundance London is not just about the films however, they also provide live music events, which unfortunately I did not really have any desire to attend. The Sundance institute has always been about films and their filmmakers; they promote independent filmmaking and moreover, they’re very good at it. Introducing a sub festival for music at the London event seemed slightly disconcerting and even though I did not take part in this aspect I don’t believe many people understood its connection with Sundance.

A.C.O.D Panel Event

If it is the Sundance Institutes intention to focus on music as well as film at its London festival then it may need to work on why they are doing so and what relevance it has with Sundance. Aside from this minor criticism, the festival was a wonderful experience and being hosted at the hugely popular o2 arena, I believe it will only grow and improve over the years. With this all said, it is worth noting that this was only the second year of Sundance London and that it is too early to judge the festival’s success, but what I will say is that I had a fantastic time and that I will be attending again next year – unless between now and January some miracle happens and I’m able to jet off and attend the Utah experience!

Sundance London Stage

Top 3 Films From Sundance London

In a World

What I loved most about In a World was its ability to really involve the audience. The comedic relationships and witty one liners were so incredibly well written that you cannot help but love Lake Bell’s directorial debut. There was nothing at all that I could fault or criticize throughout the entire film, I simply loved it.

Emanuel and the Truth about Fishes

Francesca Gregorini’s depiction of the hardship of losing loved ones and dealing with life’s uncontrollable curve balls was so wonderfully visualised. It had such a personal feel to it that you could not ignore that the director’s heart and soul were being laid bare for the world to see. She did so with such taste and beauty that many of whom I spoke with after shared my love for what we had just seen. Emanuel and the Truth about Fishes is truly a cinematic achievement.

Mud

I was totally taken aback by Mud as I had not known what the story was about at all, I had just heard that it included stellar performances and an intriguing narrative. They were not wrong – it was without a doubt one of the best films to come out of Sundance this year. Mud displays beautiful friendships and an alternative love story, giving Matthew McConaughey, what critics are describing as the performance of a lifetime and I’d have to agree.

Emanuel and the Truth about Fishes

Sitting in the 9am screening of Francesca Gregorini’s Emanuel and the Truth about Fishes, I was surrounded by sleepy film fans and people uncertain of what to expect from what they were about to see. Myself, I had taken an interest in Gregorini’s film as soon as I saw the synopsis hit the Sundance web page late last year. I then watched the interview with her on the Sundance YouTube channel and became increasingly eager to see her story.

Emanuel and the Truth about Fishes was an incredible artistic, poignant and heartfelt tale drawing upon Gregorini’s personal issues about loss, guilt and pain whilst focusing on the courage to overcome individual trauma. The narrative also highlights the strong emotional connection humans can hold for each other, and in Emanuel’s case (portrayed by Kaya Scodelario), the effects on a troubled child longing to find a mother figure in her life.

Emanuel meets Linda (Jessica Biel), the mysterious lady who moves in next door, she is a new mother it would seem and Emanuel is instantly intrigued by this woman. Their relationship grows when Emanuel volunteers to babysit Linda’s newborn baby, and develop an affectionate bond towards each other.

Kaya Scodelario is the heart of this story, her emotion is so unbelievably real throughout the entire film – if not lead astray by Hollywood, her career will only continue to progress and her performances, excel. Many closed-minded men may disagree as the film was extremely feminine and focused on trauma only women can really relate to. Others that may focus more on dialogue could find faults within the screenplay as some criticized it as being very “written after attending a screenwriting seminar” feel. However, Emanuel and the Truth about Fishes is overall a fantastic achievement for Francesca Gregorini and an absolute pleasure to watch.

RATING: 9.4

A.C.O.D

Going into this film I undoubtedly had expectations in regards to it being a comedy, as the chosen cast were renowned for their humour. Adam Scott and Amy Poehler work as such an amazing comedic couple in Parks and Recreation that knowing their characters were the complete opposite of that in A.C.O.D, where Poehler is now Scott’s stepmother – I expected hilarity to ensue. Ultimately I was very disappointed with the lack of overall chemistry of the cast. That said however, I did enjoy A.C.O.D as it was a ‘good’ comedy; it just didn’t utilize the actors’ comedic potential enough.

Carter (Adam Scott) was unknowingly part of a research study focusing on observing Children of Divorce when he was younger; in fact the woman investigating this study, Dr Judith (Jane Lynch) wrote a book about him and other children involved. As Carter’s brothers wedding in announced and the preparation commences, Carter is responsible for getting his parents to be civil towards each other ready for the ‘big day’. This results in extremely comedic scenes and Carter eventually getting in touch with his old therapist, Dr Judith.

Scott was the perfect guy to represent the awkwardness of Carter’s character as his blunt and dry self-conscious sense of humour really highlights the effects of the trauma he is undergoing through his parents messy relationship.

Although A.C.O.D was not my favourite film of the day, nor is it one likely watch again – I’d certainly say it’s worth seeing at least once. It gives you the chance to see the diversity of Adam Scott’s abilities as an actor as they really shine through, and there are some real classic comedic moments that shouldn’t be overlooked.

RATING: 7.6

Mud

Mud is a story focused on a compassionate fugitive deserted on a lonely island surrounded by the Mississippi Rivers. This is until two adventurous young boys stumble across this rugged man whilst trying to salvage a lost boat. The two boys, Ellis (Tye Sheridan) and his best friend Neckbone (Jacob Lofland) are hesitant when they first meet Mud, as he is an unkempt looking man, whose sun dyed skin and worn out appearance gives them reason for caution – that and the fact he has a pistol tucked into his trousers. Mud introduces himself and tells the boys that he is waiting for a woman to meet him and asks if they could bring him food the next time they visit the island.

Tye under the impression that Mud is undergoing this hardship for love wants to help him and Neckbone being his best friend agrees to assist Tye in doing so. There are certain scenes that highlight the personalities of these two young boys and these are what made the film – their chemistry and on screen relationship has been likened to the young boys in Stand by Me.

Illustrating immersive imagination and extracting impeccable performances from all members of the cast, Jeff Nichols did a fantastic job representing a carefully constructed Deep South dramatic feature. Mud will do extremely well through it festival experiences, and will, without a doubt make it onto the big screen with huge success.

RATING: 8.6

Being from the UK with only a select few film festivals to attend each year, Sundance London offers British film-fans the chance to access the UK premiere of the fantastic films that were premiered in Utah earlier this year. Redford himself will be attending the press conference this morning at 11am as will Festival Programmer John Cooper, I am very eager to hear their welcoming messages. All films that will have their UK premiere have their maker in attendance at the festival this year. So we will be hearing from Lake Bell, In a World, Lynn Shelton, Touchy Feely and Francesca Gregorni, Emanuel and the Truth about Fishes and more.

Today, the 2nd Sundance London Film and Music Festival opens its doors to the press. Londoners and films buffs from all over the UK are given the opportunity to be a part of the Sundance experience starting tomorrow through the 28th.

This festival introduction includes my top three films I am looking forward to seeing at Sundance London

Touchy Feely

Sundance regular, Lynn Shelton had her third film premiered this January at the festival and will be screening again in London at the end of the week. Shelton’s Your Sisters Sister of 2012 was one of my favourite films of the year so I’m extremely eager to see recurring actress Rosemarie DeWitt take the lead in Touchy Feely. As Dustin said in Way Too Indies Top 10 Most Anticipated Films Playing Sundance – “If it is anything like her previous films, we should expect a film with less script thus more natural feeling dialog, which helps maker her films so genuine”.

In A World

Coming away with the Waldo Salt Screenwriting Award: US Dramatic in January, In A World “brings us into an idiosyncratic world where one woman fights the odds and family finds her voice”. This is Lake Bell’s directorial debut and showcasing her incredible talent also wrote and stars in this comedy. The story delves into the world of the Hollywood voice over talent with Carol Solomon a (Bell) a struggling vocal coach who is both irritated but pushed by her renowned famous voice over artist father, Sam Sotto. Pursuing her dream to be a voice-over star, Carol lands her first voice-over gig which entangles her in a web of dysfunction, sexism, unmitigated ego, and pride.

A.C.O.D

Stuart Zicherman’s A.C.O.D (Adult Children of Divorce) is a comedy whose cast includes some very familiar faces, including Adam Scott (Parks and Rec), Amy Poehler (also Parks and Rec), Jessica Alba (Sin City) and Mary Elizabeth Winstead (Scott Pilgrim).

Adam Scott’s character becomes aware that he was once a participant in a study about children of divorce and is sought out to undergo a follow-up study as an adult. His participation in the present-day is where the comedy ensues as his younger brother is getting married which brings his divorced parents back together, causing a lot of awkward friction.

Reviews at present for A.C.O.D have not been kind, judging it as an “amusing but formulaic man-in-crisis comedy” (The Guardian) – however, I am keeping an open mind and very much looking forward to seeing some of the fantastic Parks and Rec actors together in a feature film among others.