The Skin I Live In – Way Too Indie http://waytooindie.com Independent film and music reviews Fri, 02 Dec 2016 17:34:42 +0000 en-US hourly 1 Way Too Indiecast is the official podcast of WayTooIndie.com. Our film critics grip and gush about the latest indie movies and sometimes even mainstream ones. Find all of our reviews, podcasts, news, at www.waytooindie.com The Skin I Live In – Way Too Indie yes The Skin I Live In – Way Too Indie dustin@waytooindie.com dustin@waytooindie.com (The Skin I Live In – Way Too Indie) The Official Podcast of Way Too Indie The Skin I Live In – Way Too Indie http://s3-us-west-2.amazonaws.com/waytooindie/podcast-album-art.jpg http://waytooindie.com Way Too Indie’s Top 10 films of 2011 http://waytooindie.com/features/top-10-films-of-2011/ http://waytooindie.com/features/top-10-films-of-2011/#respond Mon, 30 Nov -0001 00:00:00 +0000 http://waytooindie.com/?p=2217 Blake and I list our top ten favorite films of 2011. Comparing films to one another is hard to do when they are often times so different. Thus ranking other people’s pieces of artwork such as films is never easy but everyone likes a top 10 list . Click Read More to see our top films of 2011.]]>

Blake and I list our top ten favorite films of 2011. Comparing films to one another is hard to do when they are often so different. Thus ranking other people’s artwork such as films is never easy but everyone likes a Top 10 list (which is the reason why I told Blake we should do a numbered list of 10 instead of just an alphabetical one). So without further ado, our list of Top 10 Films of 2011:

Dustin Jansick’s Top 10:

#1. The Skin I Live In
#2. The Tree of Life
#3. The Artist
#4. Submarine
#5. We Need to Talk About Kevin
#6. 50/50
#7. Midnight in Paris
#8. Another Earth
#9. Moneyball
#10. Melancholia

Special Jury Picks
Drive, Tyrannosaur, The Ides of March, Project Nim, 13 Assassins

Blake Ginithan’s Top 10:

#1. Drive
#2. The Tree Of Life
#3. Senna
#4. A Separation
#5. We Need to Talk About Kevin
#6. The Skin I Live In
#7. Martha Marcy May Marlene
#8. Tinker Tailor Soldier Spy
#9. Miss Bala
#10. Bridesmaids

Special Jury Picks
Midnight In Paris, 13 Assassins, Moneyball, Rise of the Planet of the Apes, Melancholia

]]> http://waytooindie.com/features/top-10-films-of-2011/feed/ 0 The Skin I Live In http://waytooindie.com/review/movie/the-skin-i-live-in/ http://waytooindie.com/review/movie/the-skin-i-live-in/#respond Mon, 30 Nov -0001 00:00:00 +0000 http://waytooindie.com/?p=2419 The Skin I Live In is a psychological thriller from the highly acclaimed Spanish director Pedro Almodóvar. His work is often compared to Alfred Hitchcock’s and it is easy to see why. Even though it was shot and set in present time the film looks like it could be from the 60’s when Hitchcock was around. As the title slightly suggests, the film is about how you still remain the same inside even if your outside has been completely changed.]]>

The Skin I Live In is a foreign psychological thriller from the highly acclaimed Spanish director Pedro Almodóvar. His work is often compared to Alfred Hitchcock’s and it is easy to see why. Even though it was shot and set in present time the film looks like it could be from the 60’s when Hitchcock was around. As the title slightly suggests, the film is about how you still remain the same inside even if your outside has been completely changed.

Robert Ledgard (Antonio Banderas) is a brilliant plastic surgeon according to his colleagues. His specialty is facial and skin transplants. Brilliant he may be but we soon find out that his work closely resembles that of Frankenstein. The goal of Robert’s experiment is to create the perfect female body, he calls her Vera.

Vera Cruz (Elena Anaya) is locked up in a room in Doctor Robert Ledgard’s large mansion but we do not know why. She receives her food and reading material via a dumbwaiter. Surveillance cameras watch her every move and he handles her with tremendous care. She tries to commit suicide but again we do not know why. We must wait for Almodóvar’s masterfully crafted narrative to unfold for answers to such questions.

The Skin I Live In movie review

The new artificial skin Robert has created is resistant to every insect bite thus it can prevent diseases such as malaria. This is because it smells different from normal human skin so it repels mosquitoes from wanting to bite it. Also it cannot be burned easily due to using some pig cells to strengthen it. After he reveals his secret of using pig cells, the president of the institute of biotechnology informs him of how the bioethics of doing such a thing is forbidden then threatens to report him if he continues with this experiment.

While Robert is pondering what to do with Vera as her skin has been successfully healed from his transgenic therapy experiment, another part of the storyline develops. The primary servant of Robert, Marilia (Marisa Paredes), is reunited with her son Zeca (Roberto Álamo) who is trying to hide from local police for stealing jewelry. Zeca’s plan is to have Robert operate on his face so that he will not be recognizable by the police but Marilia quickly scolds him saying that Robert would never do the operation.

You get a sense that Marilia is afraid of her son just by their conversation which is then confirmed when she pulls a gun on him and instructs him to leave. She says to him, “You’re not my son. I just gave birth to you.” Zeca grabs the gun from her and notices Vera on the surveillance screen. Somehow she looks familiar to him. This is one of many plot thicken scenes that keep you engaged until the credits roll.

The difficult part of doing this review is not to give away any big clues. As with any good thriller/mystery, figuring out what happens is what makes it so entertaining. Almodóvar tells the story in a beautiful yet crafty way methodically giving you clues here and there. The thriller at times treads close to the line of horror but never quite crosses the line.

Almodóvar’s previous work has proven him as a cinematic artist whose eye for beauty is rarely surpassed. The Skin I Live In is no exception to that. It would be hard to walk away from the film without vivid images burned into your head, the styling is top notch (the perverse nature of the film adds to this as well).

The Skin I Live In would have ended better if it did not explain itself in the very last scene. I did not think it was needed, unless you were not paying attention during the film as it was alluded to on multiple occasions. That is really is my old compliant, and a small one at that, it ended about a minute too long. The film is an amazing yet bizarre thriller that involves a mad scientist creating perfect beauty as a way of filling a void in this life that results in a disturbing vengeance.

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Toronto International Film Festival Lineup 2011 http://waytooindie.com/news/film-festival/toronto-international-film-festival-lineup-2011/ http://waytooindie.com/news/film-festival/toronto-international-film-festival-lineup-2011/#comments Mon, 30 Nov -0001 00:00:00 +0000 http://waytooindie.com/?p=1824 The Toronto International Film Festival has started announcing titles of films that will be playing at it's 36th annual festival held from September 8th - 18th 2011. Last year the TIFF had 246 films that were part of the festival, which included many world and international premieres. This year's lineup looks to be very promising as it includes the works from; George Clooney, Francis Ford Coppola, Lars von Trier, Morgan Spurlock, Cameron Crowe and Jay & Mark Duplass. This year Way Too Indie's very own Blake Ginithan will be attending TIFF and will be reporting back his thoughts on it so stay tuned.Click Read More to see the films we are most excited for]]>

The Toronto International Film Festival has started announcing titles of films that will be playing at it’s 36th annual festival held from September 8th – 18th 2011. Last year the TIFF had 246 films that were part of the festival, which included many world and international premieres. This year’s lineup looks to be very promising as it includes the works from; George Clooney, Francis Ford Coppola, Lars von Trier, Morgan Spurlock, Cameron Crowe and Jay & Mark Duplass. This year Way Too Indie’s very own Blake Ginithan will be attending TIFF and will be reporting back his thoughts on it so stay tuned.

There are too many films to list for one article so instead I will list some of the most exciting and big-named films coming to TIFF in 2011.

Films Way Too Indie is most excited for at TIFF ’11 (In no particular order)
The Ides of March (director George Clooney)

Why excited: It stars one of my favorite actors Philip Seymour Hoffman. Speaking of stars it is loaded with them; George Clooney (who also wrote and directed it), Ryan Gosling, Paul Giamatti, Marisa Tomei and Evan Rachel Wood.
Synopsis: An idealistic staffer for a newbie presidential candidate gets a crash course on dirty politics during his stint on the campaign trail. Based on the play by Beau Willimon.

Moneyball (director Bennett Miller)

Why excited: Again, Philip Seymour Hoffman. Brad Pitt and Jonah Hill certainly do not hurt either.
Synopsis: The story of Oakland A’s general manager Billy Beane’s successful attempt to put together a baseball club on a budget by employing computer-generated analysis to draft his players.

The Artist (director Michel Hazanavicius)

Why excited: Not only is it black and white but it is a silent film.
Synopsis: Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.

Martha Marcy May Marlene (director Sean Durkin)

Why excited: The film is going to be a big mind-fuck. Plus got to love John Hawkes.
Synopsis: Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult.

50/50 (director Jonathan Levine)

Why excited: 50/50 shot of being funny or lame but I enjoy Seth Rogen.
Synopsis: A comedic account of a 27-year-old guy’s cancer diagnosis, and his subsequent struggle to beat the disease.

Melancholia (director Lars von Trier)

Why excited: Any director that gets banned from Cannes is pretty badass. Plus Kirsten Dunst won Prix d’interpretation feminine at Cannes from her role in this film.
Synopsis: Two sisters find their relationship challenged as a nearby planet threatens to collide into the Earth.

Drive (director Nicolas Winding Refn)

Why excited: Looks like it might be a decent action movie.
Synopsis: A Hollywood stunt performer who moonlights as a wheelman discovers that a contract has been put on him after a heist gone wrong.

The Skin I Live In (director Pedro Almodóvar)

Why excited: Nominated for the Palme d’Or at Cannes this year, this foreign film looks incredible in an artsy kind of way.
Synopsis: A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.

Take Shelter (director Jeff Nichols)

Why excited: Sounds messed up, in a good way.
Synopsis: Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself.

Jeff, Who Lives at Home (directors Jay and Mark Duplass)

Why excited: Jay and Mark Duplass are amazingly talented indie directors with their own style.
Synopsis: When he leaves his house on a banal errand for his mother, Jeff discovers that the universe might be sending him messages about his destiny.
There is no trailer for this film yet

Headshot (director Pen-ek Ratanaruang)

Why excited: The synopsis sounds very intriguing. Seeing parts of the film upside down sounds brilliant.
Synopsis: Tul, a hitman, is shot in the head during an assignment. He wakes up after a three-month coma to find that he sees everything upside down, literally. Then he meets a girl that turns his world even more upside down. Who was trying to kill him in the first place?
There is no trailer for this film yet

Keyhole (director Guy Maddin)

Why excited: Why not?
Synopsis: Idiosyncratic, cheeky and uncategorizable, the films of Guy Maddin are testaments to the singular vision of a great contemporary cinema artist, and Keyhole may be his boldest film yet. A surreal indoor odyssey of one man, Ulysses Pick (Jason Patric) struggling to reach his wife (Isabella Rosellini) in her bedroom upstairs, this hypnotic dreamlike journey bewilders and captivates.
There is no trailer for this film yet

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