The auteur label is becoming more and more of a taboo, since it implies a belittling attitude towards the hundreds of people working on a given film. In this way, Swedish maestro Roy Andersson is something of a relic; while his movies must be meticulously crafted by hundreds of participants, it’s his inimitable vision that perseveres. He’s got his authorship stamped all over his films, with such surgical precision that you can tell an Andersson film from miles away. It takes the man about 7 years to release a new movie, which has become yet another trait that adds to his auteur status. To call the director anything else feels discrediting. This year, he caps off his trilogy “about being human” with a mouth-watering, mouthful of a title; A Pigeon Sat On A Branch Reflecting On Existence.

The film made Way Too Indie’s Top 15 Most Anticipated TIFF Films, and that was before news came that Andersson walked away with top honors from this year’s Venice Film Festival. As promised on paper, the film is a celebration for cinephiles, and follows in the footsteps of its predecessors; 2000’s Songs From The Second Floor and 2007’s You, The Living. Fans of either of those will fall for A Pigeon the instant it begins. A man walks around a museum, looking at reminders of our futile existence, and reflects on a stuffed pigeon sitting on a branch. Andersson’s impregnable camera lingers on the slightly bamboozled bird until we get three short vignettes thematically connected as “three meetings with death,” each more ridiculous than the last but all equally acidic in their comical disposition.

Along the way, we are introduced to various characters who will cross paths or reappear again in the background. Thanks to Andersson’s definitive choice of having an immobile camera angled with exactness, each scene a single unit with no intercuts, one gets time to scan the screen from top to bottom and left to right, noticing a baby in the corner, or a tearful dance instructor behind the window panes. In this way, Andersson’s cinema is very much made with the spectator in mind; the framework becomes all the richer for it, because there’s a familiarity with the interiors of a café or certain characters, which fill one with unexpected nostalgia. How do you capture nostalgia on film? Roy Andersson knows.

Not all the vignettes work in flawless unity as they do in the previous two installments. But, the ones that don’t interlock seamlessly are the shorter, seemingly more random, ones. Two scenes, running close to 15 minutes (if not longer) in length, are instant classics; a travel back in time to a heavily featured café where a patroness sings a song about paying for shots, and a serendipitous moment when two centuries collide in another café, in the middle of nowhere. These scenes are technical marvels, while simultaneously promoting Andersson’s themes on the human condition, mainly on the subject of war, women’s place in a “man’s world,” and the impact of history on the present.

An assortment of people talking on the telephone and saying how happy they are to hear the person on the other end of the line is doing fine, is one of the comedic underscores and gets a new shade of meaning upon each repeat (whether it’s a woman scrubbing the floors, or another woman in the middle of electro-shocking a monkey). In fact, in its succinct running time of just over 100 minutes, Andersson manages to cram in a wealth of contemplative themes; people’s fear of loneliness, Darwinian principles of survival, society’s dependence on money, and implications behind various commodities, whether they are clown masks or human beings.

A Pigeon is anchored by two of the most often seen characters; a couple of entrepreneurs who walk around trying to “help people have fun” by selling masks and fake vampire fangs. One of them is going through an existential crisis, and at one point listens to the same song on loop, declaring “It’s so beautiful, but so horribly sad too.” That’s as good a description as any of the existence presented in Andersson’s world of beige, powder-white figures. Much like the melancholic 16th century painting “The Hunters In The Snow,” by Pieter Bruegel The Elder, that inspired the film’s title. An acerbic punch to the gut, a comedy of human errors, and a treasure chest for the philosophically inclined; A Pigeon Sat On A Branch Reflecting On Existence is the work of an auteur on top of his game.

Originally published on September 23, 2014 as part of our TIFF coverage

Following 2000’s Songs from the Second Floor and 2007’s You, the Living, Swedish filmmaker Roy Andersson‘s long gestated project A Pigeon Sat on a Branch Reflecting on Existence has arrived to complete his trilogy, “about being a human being.” The film had its premiere earlier this month at the Venice Film Festival, where it took home the festival’s Golden Lion award for Best Film. It went on to run in the 2014 Toronto Film Festival; however, the film has no announced plans for distribution outside of Scandinavia.

Pigeon is a series of loosely connected vignettes about existence that range from wildly hilarious to bleakly depressing. Primarily tracking two novelty item salesman Sam (Nisse Vestblom) and Jonathan (Holger Andersson) as they move throughout Gothenberg attempting to, “help people have fun,” Andersson’s sketches largely involve these ineffectual salesman or occur while they bare witness.

Watch trailer for A Pigeon Sat on a Branch Reflecting on Existence

Still parsing through the lineup of 59 films announced by the Toronto International Film Festival last week? Well TIFF was just getting started. Today the festival revealed films set to play in several programmes. Read on to learn what programmes were announced, along with some of the more notable films in the bunch.

First up is Midnight Madness, one of the more popular programmes of the festival. The programme dedicates itself to wacky, shocking, funny, scary and extreme films from around the world. Every night of the festival brings a new, exciting premiere at the stroke of midnight for the programme’s passionate and dedicated fans. Programmer Colin Geddes tends to launch some big genre films every year, with past festivals premiering films like You’re Next, Insidious, The Raid: Redemption and Oculus. This year the programme opens with Sion Sono’s latest film Tokyo Tribe, and closes with Adam Wingard‘s The Guest. Other films playing are It Follows, which caused a stir earlier this year at Cannes; Jermaine Clement & Taika Waititi’s vampire comedy What We Do in the Shadows; Kevin Smith’s Tusk; [REC]: Apocalypse, the fourth entry in the hit Spanish franchise, and Big Game, the new film from the director of past TIFF film Rare Exports starring Samuel L. Jackson as the president.

Next up is Vanguard, the programme people like to describe as Midnight Madness’ older, darker sister. This area of the festival reserves itself for some truly wild, original material. This year we’ll be seeing the likes of Dave McKean (MirrorMask) with his latest film Luna; Fabrice du Welz‘s Alleluia; Takashi Miike‘s Over Your Dead Body, and, most excitingly, Peter Strickland‘s The Duke of Burgundy, his follow-up to Berberian Sound Studio.

TIFF Docs is, well, exactly that. The documentary arm of the festival is set to show off new works from Frederick Wiseman, Joshua Oppenheimer, Ethan Hawke, and Nick Broomfield, among many others. As always, documentary fans have plenty to chew on here.

Finally, Masters deals exclusively with top-tier arthouse filmmakers from around the world, and this year brings yet another impressive line-up of names. Roy Andersson finally emerges with his new film A Pigeon Sat on a Branch Reflecting on Existence, and Jean-Luc Godard‘s latest Goodbye to Language 3D will also screen. Works from renowned directors like Michael Winterbottom, Ann Hui and Hong Sang-Soo will also screen. Also screening is Leviathan, a film we raved about at Cannes this year.

Read on for full descriptions of everything announced today. The Toronto International Film Festival happens from September 4th to 14th, 2014, in Toronto, Ontario. For more information, including how to buy tickets, you can visit www.tiff.net/thefestival.

Midnight Madness

[REC] 4: Apocalypse (Jaume Balagueró), Spain World Premiere
Angela Vidal wakes up in a high-security quarantine facility, sole survivor and witness to the horrific events inside the building. But does she remember what happened to her? Is she carrying a virus? Distrust spreads through the isolated facility while new, even more deadly forms of evil spread even faster.

Big Game (Jalmari Heleander), Finland/United Kingdom/Germany World Premiere
The fate of the most powerful man in the world lies in the hands of a 13-year-old boy. Plunged into a deadly game of cat and mouse, Oskari and the president must team up to survive the most extraordinary night of their lives.

Cub (Jonas Govaerts), Belgium World Premiere
Young, imaginative 12-year-old Sam heads off to camp with his Cub Scouts pack. In the woods, he stumbles upon a strange treehouse and a masked, feral child. When his leaders ignore his warnings about the mysterious boy, Sam starts to feel increasingly isolated from the pack, and convinced a terrible fate awaits them all.

Electric Boogaloo: The Wild, Untold Story of Cannon Films (Mark Hartley), Australia International Premiere
Director Mark Hartley (Not Quite Hollywood, Machete Maidens Unleashed!) continues his delightful documentary disinterment of down-market movie detritus with this chronicle of the rise and fall of 1980s action-exploitation juggernaut Cannon Films, whose contributions to the cinematic canon include American Ninja, The Delta Force, Death Wish II and Masters of the Universe.

The Guest (Adam Wingard), USA Canadian Premiere
The follow-up to Adam Wingard and Simon Barrett’s wildly popular You’re Next, The Guest tells the story of a mysterious and devastatingly charming visitor, David (Dan Stevens of Downton Abbey) who arrives on the doorstep of a bereaved family claiming to be the best friend of their dead son, a young soldier who died in action. The Petersons welcome David into their home and into their lives, but when people start mysteriously dying in town, their teenage daughter Anna (Maika Monroe of It Follows) starts wondering if David is responsible.

It Follows (David Robert Mitchell), USA North American Premiere
For 19-year-old Jay (Maika Monroe), the fall should be about school, boys and weekends at the lake. Yet after a seemingly innocent sexual encounter she suddenly finds herself plagued by nightmarish visions; she can’t shake the sensation that someone, or something, is following her. As the threat closes in, Jay and her friends must somehow escape the horrors that are only a few steps behind. With a riveting central performance from Monroe and a strikingly ominous electronic score by Disasterpeace, It Follows is an artful psychosexual thriller from David Robert Mitchell (whose The Myth of the American Sleepover premiered at Critics’ Week in 2010). The film also stars Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, and Lili Sepe.

Midnight Madness Opening Night Film.

Tokyo Tribe (Sion Sono), Japan International Premiere
Set in an alternate Tokyo of the near future, director Sion Sono continues his run of sensational films with the explosive street gang tale Tokyo Tribe. Tokyo Tribe is the first live-action adaptation of the best-selling manga series Tokyo Tribe 2, by Santa Inoue, which has sold two million copies and has been published in Asia and the west to great popularity.

Tusk (Kevin Smith), USA World Premiere
Wallace (Justin Long) is a podcaster on a mission who thinks he has found the story of a lifetime in Howard Howe (Michael Parks), an adventurer with amazing stories and a curious penchant for walruses. When Mr. Howe’s true desires unfold, things take a dark turn and Wallace faces a terrifying transformation at the hands of his captor. As his friends Alison and Teddy (Genesis Rodriguez and Haley Joel Osment) search the backwoods of Canada to rescue him, they discover a nightmare from which there is no escape. Conceived from one of indie legend Kevin Smith’s own Smodcast’s, Tusk is an unprecedented tale that is equal parts hilarious and horrifying.

What We Do in the Shadows Taika Waititi and Jemaine Clement, New Zealand/USA Canadian Premiere
Vladislav (Jemaine Clement), Viago (Taika Waititi), and Deacon (Jonathan Brugh) are three flatmates who are just trying to get by and overcome life’s obstacles—like being immortal vampires who must feast on human blood. Hundreds of years old, the vampires are finding that beyond sunlight catastrophes, hitting the main artery, and not being able to get a sense of their wardrobe without a reflection, modern society has them struggling with the mundane like paying rent, keeping up with the chore wheel, trying to get into nightclubs, and overcoming flatmate conflicts.

Vanguard

Alleluia (Fabrice Du Welz), France/Belgium North American Premiere
When Gloria and Michel meet on a dating site, nothing suggests the destructive and murderous passion that will be born of their crazy love. Alleluia is inspired by a 1947 article about nurse Martha Beck and swindler Raymond Fernandez, who became involved in a deadly, tragic affair.

The Duke of Burgundy (Peter Strickland), United Kingdom World Premiere
Peter Strickland’s eagerly anticipated follow up to Berberian Sound Studio and Katalin Varga is a gorgeously dark melodrama following two women who test the limits of their unsettlingly intense relationship. Starring Sidse Babett Knudsen (Borgen) and Chiara d’Anna.

Goodnight Mommy (Ich seh, Ich seh) (Veronika Franz and Severin Fiala), Austria North American Premiere
In the heat of the summer in an isolated house in the countryside between woods and corn fields, 10-year-old twins wait for their mother. When she returns with her head wrapped in bandages after surgery, nothing is as it was before. Stern and distant now, she shuts the family off from the outside world. Starting to doubt that this woman is actually their mother, the boys are determined to find the truth by any means.

Hyena (Gerard Johnson), United Kingdom International Premiere
Michael Logan is an anti-hero for our times: a natural predator, a high-functioning addict, and corrupt police officer. But his dark world is evolving: a recent influx of ruthless Albanian gangsters is threatening to change London’s criminal landscape. Michael’s razor sharp instincts have always kept him one step ahead, but now his increasingly self-destructive behavior and the sheer brutality of the new gang lords send Michael spiraling into a descent of fear and self-doubt.

Luna (Dave McKean), United Kingdom World Premiere
Renowned artist and filmmaker Dave McKean (MirrorMask) brings his distinctive blend of live action and gorgeously wrought animation to this dreamlike reverie about four people – Grant, Christine, Dean and Freya – whose long weekend in an isolated house by the sea brings up old resentments and the life of a dead child is revisited in a series of strange dreams.

Over Your Dead Body (Takashi Miike), Japan International Premiere
A star, Miyuki Goto (Ko Shibasaki) plays Oiwa, the protagonist in a new play based on the ghost story Yotsuya Kaidan. She pulls some strings to get her lover, Kosuke Hasegawa (Ebizo Ichikawa) cast in the play, even though he’s a relatively unknown actor. Other performers Rio Asahina (Miho Nakanishi) and Jun Suzuki (Hideaki Ito) lust after Miyuki. Off stage the cast’s possessive love and obsessions exist as reality. Trapped between the play and reality, the cast’s feelings for each other are amplified. When it becomes clear that love is not meant to be both on and off stage, love turns into a grudge and crosses the blurred line between reality and fantasy.

Shrew’s Nest (Musarañas) (Juanfer Andrés and Esteban Roel), Spain World Premiere
Spain, 1950s. Monste’s agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she sacrificed her youth to raise. But one day, a reckless young neighbour, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew’s nest… and perhaps he’ll never leave.

Spring (Justin Benson and Aaron Moorhead), USA World Premiere
A young man in a personal tailspin flees the US to Italy, where he sparks up a romance with a girl harbouring a dark, primordial secret in this edgy, romantic drama with a supernatural twist.

They Have Escaped (JP Valkeapää), Finland North American Premiere
A boy and a girl meet at a custody center for youth with difficulties. The boy has come to serve his obligatory civil service. The girl is one of the youths in custody, and she is constantly in trouble, with a fire inside her and a lust for life that can’t be quashed or controlled. The boy becomes infatuated with the girl. He is a quiet one; a stutterer. But there is a fire inside him as well. Rules, laws, punishment; the shackles of the hostile environment with no understanding around them can be broken. They steal a car and flee together. Thus begins a journey with endless escapes.

Waste Land (Pieter Van Hees), Belgium World Premiere
Leo Woeste is a homicide investigator living with his girlfriend Kathleen and her five-year-old son, Jack. Kathleen gets pregnant unexpectedly just as Leo must solve his most bizarre case to date: the ritual murder of a young Congolese man, which may or may not involve Leo’s hedonistic new colleague, Johnny Rimbaud. As the case’s complexity mounts by the minute, Leo is pulled away from Kathleen and his role as a father, and heads deeper and deeper into the Waste Land.

The World of Kanako (Kawaki) (Tetsuya Nakashima), Japan International Premiere
When beautiful straight-A high school student Kanako goes missing, her mother asks ex-husband Akikazu — a drifting, irresponsible former cop — to find their daughter. He embarks on a desperate search in the hope of reuniting his family by any means necessary. But as his investigation progresses, Akikazu starts to discover the darkness that lies behind his daughter’s impeccable façade. Clue by clue, revelation by revelation, he starts his descent into the hellish underworld of Kanako’s secret life…

TIFF Docs

Beats of the Antonov (Hajooj Kuka), Sudan/South Africa World Premiere
Beats of the Antonov follows refugees from the Blue Nile and Nuba Mountains in Sudan as they survive displacement and the trauma of civil war. Music, a cornerstone of their traditions and identity, becomes itself a vehicle for survival.

I Am Here (Wo Jiu Shi Wo) (Lixin Fan), China International Premiere
During the summer of 2013, 12 young boys battle each other for the No. 1 spot in Super Boys, a decade-old American Idol-style TV talent show in China. They discover who they are and learn to love each other in the process. From the director of Last Train Home.

Iraqi Odyssey (Samir), Iraq/Switzerland/Germany/United Arab Emirates World Premiere
Tracing the emigrations of his family over more than half a century, this riveting documentary epic from acclaimed expatriate Iraqi filmmaker Samir (Forget Baghdad) pays moving homage to the frustrated democratic dreams of a people successively plagued by the horrors of dictatorship, war, and foreign occupation.

Merchants of Doubt (Robert Kenner), USA Canadian Premiere
Documentarian Robert Kenner (Food, Inc.) investigates the shadowy world of professional skeptics, whose services are bought and paid for by corporations, think tanks and other special interests to cast doubt and delay on public and governmental action on climate change.

National Diploma (Examen d’Etat) (Dieudo Hamadi), France/Congo North American Premiere
A group of young Congolese high-school students who are about to write the exam for their National Diploma in Kisangani, Democratic Republic of Congo, gather in a maquis (communal house) to help each other prepare. It is common practice to be ejected from classes during the school year for failing to pay “teachers’ fees”, but the students are determined, and resort to all means at their disposal to earn a diploma, a stepping stone out of a life of poverty.

National Gallery (Frederick Wiseman), France/USA North American Premiere
Master documentarian Frederick Wiseman (Crazy Horse, At Berkeley) takes the audience behind the scenes of this London institution, which is inhabited by masterpieces of Western art from the Middle Ages to the 19th century. In a perpetual and dizzying game of mirrors, the film presents a portrait of a place, its inner workings, and its relationship with the world, its staff, its public and its paintings.

Natural Resistance (Jonathan Nossiter), Italy/France North American Premiere
A group of Italian vineyard proprietors live a life many can only dream of. In their converted 11th-century monastery and winery in Tuscany, Giovanna Tiezzi and Stefano Borsa find a way to grow grains, fruit and wine that create a link to their ancient Etruscan heritage. Ten years after Mondovino, the wine world has changed just like the world itself. The enemy is now far greater than the threat of globalization. But against the new world economy, these natural wine rebels offer a model of charmed and joyous resistance.

Red Army (Gabe Polsky), USA/Russia Canadian Premiere
Red Army follows the most successful dynasty in sports history: the Soviet Union’s Red Army hockey team of the 1980s. Told from the perspective of its captain Slava Fetisov, the story portrays his transformation from national hero to political enemy. From the USSR to Russia, the film examines how sport mirrors social and cultural movements, and parallels the rise and fall of the Red Army team with the Soviet Union. An inspiring story about the Cold War played out on the ice rink, and the man who stood up to a powerful system and paved the way for change for generations of Russians.

Seymour: An Introduction (Ethan Hawke), USA International Premiere
Director Ethan Hawke explores the life and lessons of pianist, teacher and sage, Seymour Bernstein. Since giving up a career as a concert pianist at age 50, Seymour has dedicated his life to teaching his students about music, happiness and the power of detaching satisfaction from success.

Silvered Water, Syria Self-Portrait (Ma’a al Fidda) (Ossama Mohammed and Wiam Simav Bedirxan), Syria/France North American Premiere
The collaboration between exiled Syrian filmmaker Ossama Mohammed and young Kurdish activist Wiam Simav Bedirxan distills footage from thousands of clandestine videos to create a shattering, on-the-ground documentary chronicle of the ordeal being undergone by ordinary Syrians in the ongoing civil war.

Sunshine Superman (Marah Strauch), USA/Norway/United Kingdom World Premiere
Sunshine Superman tells the story of Carl Boenish who pioneered and popularized the activity of BASE jumping (jumping from fixed objects with a parachute). Carl married Jean Campbell and together they travelled to Norway in 1984 to jump from the cliffs of Trollveggen. Against the backdrop of the midnight sun, tragedy strikes.

Tales of the Grim Sleeper (Nick Broomfield), USA/United Kingdom World Premiere
Nick Broomfield digs into the case of the notorious serial killer Lonnie Franklin, known as the “Grim Sleeper,” who terrorized South Central Los Angeles over a span of 25 years.

The Look of Silence (Senyap) (Joshua Oppenheimer), Denmark/Indonesia/Norway/Finland/United Kingdom Canadian Premiere
Through Joshua Oppenheimer’s work with perpetrators of the Indonesian genocide, a family of survivors discover who killed their son. The youngest brother is determined to break the spell of silence and fear under which the survivors live, and confronts the men responsible for his brother’s murder.

This Is My Land (Tamara Erde), France World Premiere
This film follows several Israeli and Palestinian teachers over one academic year, observing their exchanges and confrontations with students, their debates with their respective ministries’ curriculum and its restrictions, and offering an intimate glimpse into the profound and long-lasting effect that the Israeli/Palestinian conflict transmits onto the next generation.

The Yes Men Are Revolting (Laura Nix and The Yes Men), USA World Premiere
For two decades, The Yes Men have pulled off hilarious and spectacular media hoaxes to expose corporate crime. In this intimate portrait, they are now approaching middle age and struggle to stay inspired as the worst crime of all threatens the planet. Can they get it together before the ice caps melt?

Masters

1001 Grams (Bent Hamer), Norway/Germany/France World Premiere
When Norwegian scientist Marie attends a seminar in Paris on the actual weight of a kilo, it is her own measurement of disappointment, grief and love that ends up on the scale. Starring Ane Dahl Torp, Laurent Stocker and Stein Winge.

A Pigeon Sat on a Branch Reflecting on Existence (En duva satt på en gren och funderade på tillvaron) (Roy Andersson), Sweden/Norway/France/Germany North American Premiere
Like a modern-day Don Quixote and Sancho Panza, Sam and Jonathan, two travelling salesmen peddling novelty items, take audiences on a kaleidoscopic journey through human destinies. This is a trip that shows us the beauty of single moments, the pettiness of others, the humour and tragedy that is in us, and the frailty of humanity.

The Face of an Angel (Michael Winterbottom), United Kingdom World Premiere
Why are we fascinated by murder? Inspired by the killing of British student Meredith Kercher in Italy, this film looks beyond the salacious headlines to explore both the media and the public’s obsession with violent stories, whether fictional or real. Starring Daniel Brühl, Kate Beckinsale, Valerio Mastandrea and Cara Delevingne.

The Golden Era (Huang jin shi dai) (Ann Hui), China/Hong Kong North American Premiere
Xiao Hong, one of the most famous female writers, lived through the most turbulent times in contemporary China. Her estrangement from her father sparked a long quest for an emotionally satisfying life. She was rescued from poverty by writer Xiao Jun, but their competitive relationship brought her more heartache than joy. While escaping the Japanese invasion, she married novelist Duanmu Hongliang and fled to Hong Kong. Starring Tang Wei and Feng Shao Feng.

Goodbye to Language 3D (Adieu au langage 3D) (Jean-Luc Godard), France North American Premiere
The idea is simple: A married woman and a single man meet. They love, they argue, fists fly. A dog strays between town and country. The seasons pass. The man and woman meet again. The dog finds itself between them. The other is in one, the one is in the other and they are three. The former husband shatters everything. A second film begins: the same as the first, and yet not. From the human race we pass to metaphor. This ends in barking and a baby’s cries. In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin.

Hill of Freedom (Ja-yu-ui eon-deok) (Hong Sang-soo), South Korea North American Premiere
South Korean master Hong Sang-soo crafts yet another delightful, soju-saturated tale of love thwarted in this story of a heartsick Japanese man who travels to Seoul to attempt a reunion with the woman he still pines for. Starring Ryo Kase, Sori Moon, Younghwa Seo and Euisung Kim.

Leviathan (Andrey Zvyagintsev), Russia Canadian Premiere
Kolia lives in a small fishing town near the Barents Sea. He owns an auto-repair shop that stands right next to the house where he lives with his young wife Lilya (Elena Liadova) and his son Roma (Sergueï Pokhodaev) from a previous marriage. The town’s corrupt mayor Vadim Shelevyat is determined to take away his business, his house, as well as his land. First the mayor tries buying off Kolia, but Kolia unflinchingly fights as hard as he can so as not to lose everything he owns. Facing resistance, the mayor starts being more aggressive. Starring Alexey Serebryakov, Elena Lyadova, Vladimir Vdovitchenkov, Roman Madyanov and Anna Ukolova.

Revivre (Hwajang) (Im Kwon-taek), South Korea North American Premiere
A middle-aged man who has recently lost his wife to cancer indulges in fantasies about a young woman at his work in the new film from Korean master Im Kwon-taek (Chunhyang). Starring Ahn Sung-ki, Kim Qyu-ri and Kim Ho-jung.

Timbuktu(Abderrahmane Sissako), France/Mauritania/Mali North American Premiere
Luminous, lyrical and poetic, set during the early days of the 2012 fundamentalist takeover of northern Mali and inspired by real people and real events, Timbuktu is a searing drama about the everyday woes and resistance of ordinary people in a city overrun by extremist foreign fighters. Starring Ibrahim Ahmed aka Pino, Toulou Kiki and Abel Jafri.