There was a funny bit of news floating around this week regarding an obscure (comically so) film having its Best Original Song Oscar nomination revoked by the Academy. “Alone Yet Not Alone”, the song in question from a movie of the same name, has got to be one of the cheesiest, most hackneyed piece of movie music of the year, and a far cry from being in the running for the title of “the best”. Turns out, as reported by several outlets, the song’s composer, Bruce Broughton, is a former Academy governor and current executive committee member, a position he exploited to “earn” his song a nomination. No song will replace “Alone Yet Not Alone” (the title still makes me giggle) in the ballot, reducing the field to four nominees.

It’s not the most gripping news story, but you know the saying: “Give me lemons, and I’ll make…my Weekend Streaming Recommendations!!!” That’s how the saying goes, right? Close enough. For this week’s recommendations, I’ve chosen films that have won the Oscar for Best Original Song in years past, films with legitimately great songs to wash out the icky taste of “Alone Yet Not Alone”. (Man, that is seriously one of the funniest movie/song titles I’ve ever heard. It sounds like middle school poetry.)

You’ve probably seen all of these awesome films at least once, but each is worth revisiting. And if you’ve missed some, discovering them is only a click away.

8 Mile

When Eminem was announced to be the star of a “serious” drama inspired by his life as an underground rapper in Detroit, most of us–even fans of the gifted emcee, like me–cringed. Surely this was a cash-grab built to capitalize on Mr. Mathers’ popularity. (He was INSANELY popular back in 2002, approaching Madonna and Michael Jackson levels of notoriety.) To everyone’s surprise, the movie wasn’t half bad! It’s definitely worth watching on a lazy Sunday afternoon, at least. Eminem’s performance feels natural, if a little restrained, and the basement-rap-battle scene is undeniably electric. Best of all, the film gave us “Lose Yourself”, Em’s driving motivational anthem about seizing once-in-a-lifetime opportunities. The chugging guitar riff and catchy-as-all-hell hook (“LOSE yourself in the MUsic, the MOment you OWN it…“) have made it one of Eminem’s most enduring singles. (As a bonus, the film also inspired that awesome Chappelle’s Show parody. “Spaghetti! Spaghetti! Spaghetti!“)

Slumdog Millionaire

Danny Boyle is one of those rare filmmakers who can seemingly do anything: horror (28 Days Later); kids movies (Millions); sci-fi (Sunshine); psychological (127 Hours, Trance)…and the list goes on. We’re quite fortunate to have the fellow making movies for our lucky eyes and ears to feast on. Of the excellent films in his oeuvre, none have had the success or cultural impact of Slumdog Millionaire, the South Asian underdog story about street kid Jamal (Dev Patel) defying fate by progressing farther in India’s version of “Who Wants to be a Millionaire?” than the corrupt showrunners had planned. The film is bursting with life, and its runtime is just about the briskest 120 minutes you’ll sit through. The film’s Oscar-winning song, the infectious, pulsing Bollywood hit Jai Ho, was actually written for another Indian film, Yuvvraaj, but only really picked up steam when it was featured in Boyle’s film.

Crazy Heart

Jeff Bridges enjoyed a string of box-office and critical success from 2008 to 2010, with his work in Iron Man, Tron: Legacy, and True Grit making him a more commercially popular actor than ever. The best performance of this period of Bridges’ career was in Crazy Heart, in which he played a hopelessly washed-up, alcoholic country singer-songwriter named Bad Blake. With deep emotional complexity and a slight devilish touch, Bridges scores with one of his most brilliantly conceived performances. The turn won him the Oscar for Best Actor in 2009, and the film’s song “The Weary Kind”, written by Ryan Bingham and T-Bone Burnett, captured gold as well. It’s got everything I love in a country song: a stripped-down arrangement, forlorn, poignant lyrics, and a timeless melody. Bridges broke his hot streak with last year’s R.I.P.D, but thankfully, with the power of internet streaming, we can rewind back a few years to when he was still on fire.

Butch Cassidy and the Sundance Kid

“Raindrops keep fallin’ on my head…” Aaaahhhh…the sound of peacefulness. What a great song for an equally great movie. Written by Burt Bacharach and Hal David for Butch Cassidy and the Sundance Kid, the distinctively ’70s-sounding tune isn’t exactly the most obvious musical companion for a badass gunslinger Western set in the 1890’s, but it perfectly fits the scene it accompanies, of Paul Newman practicing tricks on a bicycle to the giddy amusement of Katharine Ross. George Roy Hill’s film, as you probably already know, is clever, charming, impeccably acted, and one of the best buddy movies of all time (if not one of the best movies, period). Newman and Robert Redford are at the peak of their careers here, and the film’s famous final frame is one of the most treasured images in all of cinema. You can’t watch this classic too many times, so stream away, my friends. You won’t regret it.

For this week’s batch of Weekend Streaming Recommendations, I’ve chosen to pick a quartet of excellent documentaries, but with an added bonus: To enhance your viewing pleasure, I’ve included interviews I conducted with the films’ directors and subjects! It’s like special features for streaming movies!…well, kinda. There have been a truckload of great, great documentaries coming out over the past year or so, and these four are some of my favorites.

The Square

Recently nominated for an Oscar for Best Documentary, Jehane Noujaim’s The Square is about the Egyptian mass protests staged in Cairo’s Tahrir Square that have rattled the country over the past few years, and it’s also one of the most thrilling, culturally significant, awe-inspiring films in recent memory. Streaming exclusively on Netflix, the film follows a handful of revolutionaries, all from different walks of life, as they devote their lives to wresting the power away from oppressive dictators Hosni Mubarak and his over-powered successor, Mohammad Morsi. You couldn’t ask for a more inspirational, captivating on-screen personality than the film’s primary subject, a young, brash, loudmouth revolutionary by the name of Ahmed Hassan who you’ll never forget. – Watch the trailer

Interview with director Jehane Noujaim and producer Karim Amer

Tall as the Baobab Tree

One of the best documentaries I saw at last year’s San Francisco International Film Festival, Tall as the Baobab Tree follows a family in a small Senegalese village that struggles to transition into a new age of modernity that threatens to disrupt their established, traditional roots. When a freak accident puts a young girl named Coumba’s family in a desperate financial situation, her father chooses to sell her younger sister Debo into an arranged marriage. With Coumba being the first in the family to attend school, she’s able to dream of a bigger, better future for herself, and she wants to rescue her sister from the forced fate imposed upon her by their father. Though the script is fictional, the story speaks to the real-life status of a part of the world teetering on the precipice of modernity. It’s a beautiful, important film, and a story more people should be familiar with. It isn’t streaming for free at the moment, but it’s a special film that’s worth shelling out a few bucks. – Watch the trailer

Interview with director Jeremy Teicher

Blackfish

I’m never, ever going to Sea World again, thanks to Blackfish, a bracing, revealing documentary by Gabriela Cowperthwaite. The film examines the fatal consequences of marine parks keeping animals like killer whales in captivity through the story of one whale in particular, named Tilikum, who’s taken the lives of three trainers since his capture. Cowperthwaite interviews current and previous employees of these parks, and their accounts of the tragedies surrounding Tilikum and whales like him are shocking. With so many people having misconceptions about how these sea parks operate (me included), Blackfish is a must watch, and will hopefully help to bring about change in the way we treat animals in captivity. – Watch the trailer

Interview with director Gabriela Cowperthwaite

A Band Called Death

“Before there was punk, there was a band called Death”, reads the poster for the rock-doc A Band Called Death, directed by Mark Christopher Covino and Jeff Howlett. The tagline speaks the truth: Before the Ramones or The Clash rose to prominence, three brothers from Detroit started a band in their parents’ house and eventually recorded the world’s first pure punk record. The band was forgotten and never received credit for pioneering a genre of music, but in 2008, their music resurfaced and word about the lost “forefathers of punk” began to spread like wildfire. Dannis and Bobby Hackney, two thirds of the band, recount the troubled history of their musical journey, including the demise of their self-destructive, spiritually inspired late brother, David. – Watch the trailer

Interview with subjects Dannis and Bobby Hackney