Ed Helms has struck comedy gold. He’s done it on the small screen (The Office) and the big (Hangover), and while his name recognition is fairly high, he has yet to cement any sort of leading man status. This has left him to pick up slack in some pretty dreary films (we’re looking mostly at you, We’re The Millers). But now he’s getting a crack at leading his own ensemble in Vacation, a re-boot of the National Lampoon classic.

From the looks of the first trailer, Vacation promises a pretty straight forward plot to make room for the hijinks that are sure to come: Rusty Griswold (Helms) is all grown up and looking to recreate some of the good ol’ family bonding time that his father, Clark (once again reprised by Chevy Chase) managed to create on their long-past road trip to the infamous Walley World.

Vacation is the directorial debut of John Francis Daley and Jonathan Goldstein (the writing duo behind Horrible Bosses and The Incredible Burt Wonderstone), which is reason enough to instill some hesitation. But hopefully the stacked supporting cast behind Helms and Chase will make up for it: Christina Applegate, Leslie Mann, Chris Hemsworth, Charlie Day, Nick Kroll, Keegan-Michael Key and many others are promised to pop up.

So, while we’ve never heard anyone out in the streets calling for more Griswold films, it’s a property with some potentially pre-established fans. And if the first red band trailer is any indication, it doesn’t look to change up the formula too much. We do like Helms, so we’d love to see this surprise us. Vacation hits the road on July 31st.

Vacation Red Band Trailer

Writers David Wain and Michael Showalter won over audiences (though not critics) with their 2001 nostalgic summer-camp satire Wet Hot American Summer and attempt to repeat their success with their new rom-com parody They Came Together. The film pokes fun at just about every romantic comedy trope and cliché out there, but committing the same mistakes as the cookie-cutter genre it’s parodying isn’t ironic enough to justify laughs. Many of the punchlines are either beaten to death by repetition or are needlessly explained why they’re funny. And there’s nothing funny about that.

The film begins at a dinner table where Joel (Paul Rudd) and Molly (Amy Poehler) recall how the two of them met to their friends Kyle (Bill Hader) and Karen (Ellie Kemper). Right off the bat the film acknowledges that their story is very much like a corny romantic comedy, as if admitting their own corniness gives the film a free pass. Not long after the lovebirds start describing how they began to date, Kyle blurts out from across the table, “You weren’t kidding, your story really IS like a corny movie!”. Cue the eye rolls.

Both Joel and Molly had broken up with their significant others shortly before running into one other (literally) on their way to the same party. However, it was not love at first sight. The two start off on the wrong foot by getting into a loud argument after blaming the other for the collision. They definitely don’t seem right for each other. After all, Joel works at the Corporate Candy Company which threatens to shut down Molly’s small indie candy shop. Though in the very next scene the two instantly settle their differences in a book store upon discovering their love for the fiction genre. It’s suppose to be ridiculous, that’s the joke.

There are moments where the self-aware comedy works. One of the few laugh out loud moments is when Molly recites a paragraph of specific details while ordering a muffin, only to find out that the entire passage is actually verbatim on the menu. But unfortunately, many of the gags are simply exhausting. Case in point when Joel replies to a bartender, “You can say that again”, who then proceeds to repeat his line over and over until it becomes annoying. A similar instance occurs when someone shouts “swish” after every missed shot on the basketball court. It’s funny maybe once or twice, but definitely not on the fourth or fifth.

They Came Together certainly relies on the undeniable charm of Rudd and Poehler. Maybe a bit too reliant. Both actors do their best with the material, at times elevating the writing better than anyone else could, though even their great comedic chemistry is not enough to save the film. Perhaps that’s why Wain gathers an army of an ensemble including appearances from Ken Marino, Jason Mantzoukas, Ed Helms, Melanie Lynskey, Max Greenfield, Jack McBrayer, Kenan Thompson, and even Judge Judy. These are all welcoming additions but unfortunately all the talent goes to waste with the weak script.

Even a with a short-and-sweet runtime of 83 minutes, They Came Together overstays its welcome with repetitive jokes. The real kicker is many of those jokes weren’t all that great to start with. For example, there is a running joke that New York City plays SUCH an important role in the film that it’s almost a character itself. I suppose this is a dig towards Woody Allen for claiming the city is its own character in his rom-com Manhattan, but I think the joke will mostly fall on deaf ears. They Came Together tries too hard to become a self-aware parody that it forces its humor, generating much less laughs than expected.

Jeff Who Lives at Home is the forth feature film by the Duplass brothers, who were part responsible for the “mumblecore” movement with their first film The Puffy Chair. Similar to The Puffy Chair, Jeff Who Lives at Home is about two brothers who have two completely different mind sets about life that bond over a road trip of sorts. Jay and Mark Duplass have now edged their way into the limelight now, but their style of quick zoom cinematography, loosely scripted dialog, and indie heart felt qualities have remained intact, thankfully.

As the title would suggest the film is about a man named Jeff (Jason Segel) who lives at home. Not only does he have no home of his own, but no job or significant other either. He firmly believes that if you look at coincidences hard enough that you will find they actually happen for a reason as part of your destiny.

His brother Pat (Ed Helms) is looking to fill a void in his life by buying a Porsche, despite his wife’s (Judy Greer) wishes and the fact that he really cannot afford it. Pat does not think very highly of Jeff as he has always had to do everything for him. The two brothers have never truly bonded.

Jeff desperately tries to put connections together for everything that enters his life. He receives a phone call from someone looking for Kevin. They had the wrong number but he considers that a sign. He studies the name to find the significance. Nothing comes to mind although he is able to scramble the letters around in the name to spell knife (adding the letter ‘f’).

It is not until he gets on a bus that he finds the connection. Someone is wearing a jersey with the name Kevin on the back of it. After following him around a little bit he ends up playing basketball with him. The path connects him to a restaurant where he runs into his brother Pat.

Pat is not particularly enthused to have run into Jeff as he received a phone call from their mother (Susan Sarandon) instructing him to straighten Jeff out a little bit. But as destiny would have it, the brothers are given an opportunity to finally bond to one another as they begin to investigate whether or not Pat’s wife is cheating on him.

Jeff knows that the greatest day in history is today and lives his life accordingly. Pat does not see life that way and is envious that Jeff does. It is the first and only time that Jeff has something that Pat does not, which marks a significant moment in each of their lives.

There are at least two situations in the film that were incredibly tense because of how real the relationships feel. The Duplass brothers do an amazing job with films that do not have complex storylines but instead have wonderfully real characters and situations. Some people may say I am biased towards their films but only because I seem to connect so well to them.

Just like how Jeff made connections in the film, I made some of my own to one of my favorite indie films, Me and You and Everyone We Know. The first connection between the films is the original music in both films was done by Michael Andrews. You can hear the resemblance in the score even if you did not catch his name in the opening credits. The second connection I made is that both films feature a character that mostly communicates through instant messenger with people they have no idea who is on the other end.

There is a repetitive theme of a bird flying in the sky throughout the film. The bird to Jeff is a metaphor to fly your own way and to compulsively live life in the now. There is a fantastic scene towards the end where he sees a helicopter that reminds him of the birds he saw in the beginning.

Most Duplass brother films have not always ended the in a way that pleases the audience, they instead end how they should in real life. Jeff Who Lives at Home may be an exception to that but it was done in a way that remained completely satisfactory. After all, who are we to argue with destiny?

The synopsis of Jeff Who Lives at Home is a rather powerful yet whimsical one, it is about believing that things in life happen for a reason. However, the film had just the right amount of laugh out loud moments combined with the right amount of emotional scenes. Achieving that level of balance along with making the film full of heart is something that is rarely done this well. The Duplass brothers make it worth being passionate about films.

The latest from the indie sensation duo of the Duplass brothers is Jeff Who Lives At Home, a film that stars Jason Segel, Ed Helms, and Judy Greer. The film opened on March 16th but for those of you who have still not watched the trailer yet, here it is.

The Duplass brothers are one of my favorite indie directors whose previous work consists of, The Puffy Chair, Baghead and Cyrus, all of which are worth checking out. Some would say they have crossed into the mainstream a little with Cyrus but it still had an indie feel to it. According to IMDB the budget for Jeff Who Lives At Home is estimated at 10 million (3 million more than Cyrus), which would still make the film eligible for next years’ Film Independent Spirit Awards.

Based off their previous work and this trailer, Jeff Who Lives At Home looks like it would be well worth watching.

UPDATE: Read our movie review of Jeff Who Lives at Home.

Official trailer for Jeff Who Lives At Home:

Cedar Rapids is a comedy that shares some similarities to The Hangover aside from just Ed Helms, who seems a lot like Steve Carell in The 40 Year Old Virgin. It is about a man who must come out of his shell to stand up for what he believes is the right thing to do. Always raunchy, often funny, but rarely more than bland.

Tim Lippe (Ed Helms) is a simple man from Brown Valley, Wisconsin who is easily entertained by the little things in life and clearly has not ventured far from home. Case in point when he rents a car he is ecstatic to find out it is a shiny red Chevrolet Cobalt, a fairly basic family sedan. He has never flown in an airplane nor stayed in a hotel before.

Perhaps one of the reasons why Tim is so sheltered is because of how socially awkward the guy is or at the very least it does not help matters. He does not have much of a sense of humor and is the type that probably can count his sins on one hand. Although, it is not a sin to have regular intercourse with your junior high school teacher (Sigourney Weaver), it is a bit odd.

Selling insurance is something that he excels in because his clients know they can trust him. He takes a lot of pride in working for Brown Star Insurance, so when an opportunity to win the prestigious Two Diamond Award arises, his boss Bill (Stephen Root) assigns him to go.

Cedar Rapids, Iowa is where the convention is held for this award so that is where Tim must travel to. Cedar Rapids to Tim is like Las Vegas to most people; it is where people from this convention go to get away from their daily problems via partying because regret does not exist there. One even says, “What happens in Cedar Rapids stays in Cedar Rapids.”

For guidance purposes, Bill gives Tim a list of who to avoid and who to stick with at this convention. The list of people to stick with is plentiful while only one person is labeled to avoid and his name is Dean Ziegler (John C. Reilly). He is known as a poacher, known in the insurance industry as someone who steals clients.

When Tim arrives in Cedar Rapids he thinks the two-star hotel’s lobby is incredible and thinks the chlorine smell of the pool is a luxury. Tim is very leery about given his credit card to the front desk even though it is a standard procedure among all hotels. When he arrives at his room he is taken aback when someone is in there. Although, he seems he is more uncomfortable about the man being African American than simply a person in his room.

This man turns out to be his roommate. He is a “straight-shooter” named Ronald Wilkes (Isiah Whitlock Jr.) from the St. Cloud, Minnesota area. Ronald was on Bill’s list as someone to stick with so Tim knows he is no threat. Ronald informs Tim of some good and bad news. The good news is that they got a junior suite upgrade because the hotel was running out of rooms. The bad news is they will be getting another roommate. I bet it would only take you one guess to figure out who it will be. That is correct, Dean Ziegler.

Dean Ziegler best describes his own self, “What isn’t wrong with me? I talk too much, I drink too much, I weigh too much. I piss people off.” That in a nutshell is Dean Ziegler. A true rebel who likes to party and can easily talk you into something you do not want to do. He is everything that Tim is not, a dangerous man that easily influences people like Tim.

Tim wants the relationship with his old teacher to continue but she is fresh off a divorce. They want two completely different things, she wants to have some fun and he wants to settle down. It is when she uses a metaphor of a bird nudging her young birds to fly away from the nest does he finally understand he needs to let go of her.

That seems to be a turning point for Tim’s character, no longer is he tied down, instead he realizes he is free. But it would not be the last time he has to question is morals. Tim finds out the real way the award is won and must rely on help from people he least expected.

The film’s director, Miguel Arteta, embellishes the portrayal of the Midwest like films such as Fargo have done in the past. However, that is expected in movies to do so. For the most part Arteta does a good job at showing stereotypical rural living Midwestern personality traits; trustworthy, simple, and friendly.

Ed Helms does an excellent job in his first major leading role in film. He plays the sheltered and reserved guy well and does a good job showing his other side when the film calls for it. As for John C. Reilly, I personally think he is best when serious, despite mostly playing wacky roles as of late. It is not to say he does not do funny well, because he does, I just think his serious work is superior. If you liked his roles in Step Brothers, Walk Hard and Talladega Nights, you will love him here.

Cedar Rapids receives most of its humor from crude one-liners that are sure you make you crack a smile more than once. Looking at the whole picture, the funny scenes and great characters are slightly overshadowed by the poor storyline. Even by typical comedy standards it felt too straight forward. Even though there were some funny scenes throughout, there were not enough to cover up for the lack of story.