Whenever I am staying in a hotel and have a little time to kill, I usually end up watching terrible television. With the limited channel selection and subpar early afternoon HBO programming, there’s not a lot to choose from. But Marriott hotels are looking to change that by offering Netflix streaming on the in-room television. Unfortunately for some, you have to be a Netflix subscriber to use the service, but it is definitely a cool little perk to make the business or pleasure stay more pleasurable. The service is already employed in a few hotels in New York and California, with a full roll-out expected in 2016. So, if you find yourself at a Marriott with Netflix this weekend, check out what you should be watching, along with new streaming suggestions elsewhere on the internet.

Netflix

A Most Wanted Man (Anton Corbijn, 2014)

One of the most underrated films of 2014, A Most Wanted Man boasts a slick spy game look and fantastic performances from Philip Seymour Hoffman (in his last lead performance) and its ensemble cast. Only Anton Corbijn’s third feature film, he fully controls a rich script based on a John le Carre novel. The work of the popular spy novellist has shown to translate well to the screen, and A Most Wanted Man is no exception—its geopolitical messages are complex and absolutely vital to today’s world culture. Beautifully shot in industrial Hamburg, Germany, the dreary atmosphere cranks up the the already tense political landscape. Working in every aspect, it is surprising that the film didn’t receive more critical praise last year. Now is the time to check it out for yourself and re-think your top 10 of 2014 list.

Other titles new to Netflix this week:
Ballet 422 (Jody Lee Lipes, 2014)
Beyond the Lights (Gina Prince-Bythewood, 2014)
Cake (Daniel Barnz, 2014)
GasLand (Josh Fox, 2010)
What Happened, Miss Simone? (Liz Garbus, 2015)

Fandor

Laurence Anyways (Xavier Dolan, 2012)

Because of a strange split release, Dolan’s newest film Mommy received it’s fair share of attention at the end of last year and will likely pop up on end-of-year lists in future months (it was #3 on our best of the year so far list), but Laurence Anyways is the young filmmaker’s best film. The film stars Melvil Poupaud as a school teacher who decides to undergo a gender transition. There haven’t been many films that positively depict a transgendered lead, making Laurence Anyways more interesting. Dolan fully employs his sensual, vibrant style, full of color and bold cinematography. There is plenty of drama, too, as Laurence’s decision affects his family and long-term girlfriend, played by Dolan staple Suzanne Clement. Clement delivers a fiery and dynamic performance, enough to make me wonder why other filmmakers haven’t seemed to discover her yet.

Other titles new to Fandor this week:
Confidentially Yours (François Truffaut, 1983)
Othello (Orson Welles, 1952)
Street of Shame (Kenji Mizoguchi, 1956)
The Stranger (Satyajit Ray, 1991)
Three Colors: Red (Krzysztof Kieslowski, 1994)

MUBI

The Host (Bong Joon-ho, 2006)

With Jurassic World setting the box-office on fire, it’s a good time to watch/re-watch one of the best modern monster movies. Before he broke through to English language film with the indie-hit Snowpiercer last year, South Korean auteur Bong Joon-Ho built his career on clever genre constructions, The Host chief among them. The film follows a family trying to save one of their own from a vicious sea monster that has come to destroy Seoul. The Host is scary, thrilling, funny, action packed and super cool. And the title monster features one of the most inspired creature designs. On MUBI, the curated titles are only available for 30 days, so you’ll want check out The Host sooner rather than later.

Other titles new to MUBI this week:
Exiled (Johnnie To, 2006)
The Lost World (Harry O. Hoyt, 1925)
My Brilliant Career (Gillian Armstrong, 1979)
The Rink (Charles Chaplin, 1916)
A Summer’s Tale (Eric Rohmer, 1996)

Video On-Demand

While We’re Young (Noah Baumbach, 2014)

Baumbach’s latest film now makes its VOD debut along with its release on DVD and Blu-ray. Starring Ben Stiller and Naomi Watts as a 40-something hipster couple whose relationship hits a breaking point after befriending a 20-something hipster couple, While We’re Young is a very funny look across generations. The film has a sharp eye on how culture, music, technology and filmmaking has changed over time and how we have become dependent on finding the next coolest trends. Adam Driver and Amanda Seyfried are great as the foils to Stiller and Watts, slightly exaggerated versions of Brooklyn youths, but well-developed and whole characters in their own right. Baumbach has become one of the premiere indie directors of his generation, and While We’re Young strengthens his place.

Other titles new to VOD this week:
Kumiko, the Treasure Hunter (David Zellner, 2014)
A Little Chaos (Alan Rickman, 2014)
The Little Death (Josh Lawson, 2014)

Halloween is upon us and there you are stuck in front of TV with a browser window open (shame on you IE users!) with Netflix on it. You’re probably thinking, “Hmmmm, what should we watch tonight? If only I had someone to help me out on this.” Fear not! I am here to help you navigate the plethora of drudgery that populates the popular streaming site’s library of horrific carnage.

It’s the same story every year. You hover your mouse over a few different choices, unsure of which movie to click on. Well, this year you’re in luck. I’ll be up front and admit that some of these are not the greatest films horror has to offer. But what I am willing to bet is that you either haven’t seen, or even heard of, some of these hidden gems. So here are 7 horror films I’ve picked out for you to try on Halloween night (after you’ve put the kids to bed of course). Maybe even sandwich one or two of these picks in between a classic like Halloween or The Shining. Enjoy!

7 Scary Movies To Watch On Netflix This Halloween

The People Under the Stairs

This film, from Horror legend Wes Craven, is an absolutely bizarre tale about a teenager from the ghetto who gets roped into looting a house that supposedly has countless priceless gold coins that liter the basement of the archaic home. What they end up finding out is that the house is owned by a psychotic married couple who keep people locked up without any hope of escape. The film is essentially a fairy-tale masquerading as a nightmarish clash of classes between the wealthy suburbanites of L.A. and the unfortunate souls of the city’s inner quarters. The film is shocking at times and Craven lets the blood flow in a few scenes, but the film is engaging on multiple levels and will appease viewers who not necessarily adore the Horror genre.

Let the Right One In

If you like your Horror with a heavy dose of devastating drama, look no further than this Scandinavian vampire film. While I prefer the American remake (yeah I said it), this Swedish original is heartbreaking in its telling of a lonely young lad who is constantly alone and picked on by kids at his school. Enter Eli; a young vampire who has lived for decades living off the blood of innocent people. Together they form a close bond and must rely on one another to survive their daily plights. Yes, it is bleak (the American remake even more so). And yes, it is sad and hard to watch. But this is one of the best (and overlooked) vampire movies in recent years.

Also streaming on: Amazon Prime, YouTube (paid subscription)

Resolution

Now this is an interesting Horror movie that tries to rise above its genre and for the most part, it succeeds. Michael gets a message from a friend, Chris, who is camped out in an abandoned cabin as he battles a meth addiction. Mike decides to head out there to have one last go at Chris to help him go cold turkey. He gets to the cabin and immediately hand cuffs Chris to the wall. Everything seems to be going fine until the two friends start getting strange messages from the future. In one instance Michael’s laptop turns on by itself and shows the two friends a video from literally a minute into the future and in another they play a CD in a car stereo that involves dialogue from them at a later period. The film naturally builds to a bloody, final conflict that will either have you clapping or throwing the remote at the TV. I personally loved it.

Our review of Resolution

Maniac (2013)

To be completely honest, I’m not necessarily sure this movie is even that good so much as it is something different. Maniac offers up some real treats in terms of visuals and pulsating, vibrant score that oozes dark 80’s synth pop at every corner. The film is primarily told from a first person perspective of a man who is clearly mentally ill. He prowls the city streets for beautiful young women to scalp for his mannequin shop that he inherited from his parents. The movie at times is pretty disgusting and Elijah Wood (as the killer) is pretty unconvincing and non-threatening. But aesthetics and killer (no pun intended) are something to behold.

The Host

About 7 years ago, Asia (particularly South Korea) had a stranglehold on world cinema, churning out all kinds of instant classics. One of those is one of the best monster genre flicks of the past 20 years, The Host. When a shadowy (U.S. based) military outfit dumps a chemical into the drain that leads into Seoul’s main river, it creates a beast that years later comes back to wreak havoc on the city and in particular one family. What The Host does so well is that it focuses on the intimate details of what makes a close knit family tick. In return the viewer is heavily invested in what happens to them. The film runs 20 minutes too long, but there is no denying the insatiable power that director Joon-ho Bong creates along the way.

Also streaming on: Amazon Prime

The Howling III

I will be the first to admit, The Howling III is a terrible movie. But it is so bad that it must be seen to be believed. It takes place in Australia and couldn’t be wackier if it tried. If you are unfamiliar with The Howling series, it’s essentially about werewolves. Most of the films are unrelated with some stories, like this one, taking place in different countries around the world. An odd race of human-like marsupials is discovered in the land down under and things get ugly when they start attacking citizens of the lovely city of Sydney. There are some scary scenes, there are some comedic scenes and then there are scenes that are completely baffling, including one that hilariously breaks the fourth wall.

Also streaming on: YouTube (with ads)

Pontypool

This Canadian Horror film was very much overlooked upon its release more than 4 years ago. Unjust, if you ask me. A former shock jock (the magnificently underrated Stephen McHattie) is sent to the small town of Pontypool to do the morning show of the local radio station. On this particular morning a massive snow storm hits and the residents start going insane. Taking place inside of a basement of a church for literally 99% of the runtime, Pontypool is all claustrophobic horror as everything you hear about the outside world and how its crumbling is experienced through only 2-3 people in a small room. As the walls start to close in on our heroes, we watch, helplessly, as they maneuver the perilous situation and try to figure out how to survive the apocalyptic event. Pontypool is a fun lark away from the usual Horror fodder that populates your usual Halloween viewing.