Ratcatcher – Way Too Indie

Movies and TV to Stream This Weekend – March 11

Aaron Pinkston — Fri, 11 Mar 2016 14:06:07 +0000

It seems like we could say this every week, but Netflix has made its biggest acquisition yet. According to the Hollywood Reporter, the streaming service has purchased the rights for Will Smith vehicle, Bright. With David Ayer (End of Watch, Suicide Squad) attached to direct, the film is known to be a gritty cop movie and sci-fi/fantasy mash-up, with human Smith teaming up with orc Joel Edgerton to work a case involving a powerful wand. The film was written by Max Landis, so it is sure to be divisive, if nothing else. After a mega deal with international star Adam Sandler and a number of awards contenders and festival favorites, Netflix has now expanded their original film into the bigger budget action territory. We are probably a long ways away from the release of Bright, but it certainly shows that business is picking up for Netflix. They are showing off their deep pockets, which could keep growing if films like Bright become streaming successes.

Netflix

Victoria (Sebastian Schipper, 2015)

It’s easy to be especially cautious about films that have a unique and specific filmmaking hook—in the case of Sebastian Schipper’s Victoria, it’s the 140 minutes taking place in one shot, a single take. Whenever a gimmick like this is used, you have to wonder if there is anything deeper than the bravura filmmaking, that a competent and entertaining story will unfold, as well. Victoria is the perfect marriage of technical skill, unique filmmaking and rich narrative experience. The truest mark is that Victoria‘s kinetic storytelling would still be compelling without the presentation. It even becomes enhanced by it, as the character and narrative arcs change in real-time while taking cues in the beats of never cutting to something else. An invigorating, purely cinematic adventure, Victoria is now available to stream on Netflix. For a different take on the film, see our TIFF review.

Other titles new to Netflix this week:
The Blue Hour (Anucha Boonyawatana, 2015)
Flaked (Series, Season 1)
The Forbidden Room (Guy Maddin & Evan Johnson, 2015)
Hateship Loveship (Liza Johnson, 2013)
The Returned (Series, Season 1)

Fandor

River of Grass (Kelly Reichardt, 1994)

With Kelly Reichardt’s debut film getting a limited re-release this weekend, Fandor allows a wider audience to check out the nearly unseen indie. Set in the southern Florida Everglades, the film is a mix of comedy and crime with many of the auteur’s narrative and thematic fingerprints. River of Grass debuted at the Sundance Film Festival alongside Clerks and Spanking the Monkey, two other debuts that launched the careers of major filmmakers, but it took Reichardt a little longer to catch on. If you are a fan of Reichardt’s work or ’90s indie film, River of Grass is a must watch. For more on the film, check out our full review.

Other titles new to Fandor this week:
Boyhood (Keisuke Kinoshita, 1952)
Forbidden Zone (Richard Elfman, 1980)
Les hautes solitudes (Philippe Garrel, 1974)
On the Way to School (Pascal Plisson, 2012)
Ratcatcher (Lynne Ramsay, 1999)

MUBI

Our Nixon (Penny Lane, 2013)

As we are fully in the presidential primary season, MUBI is offering an interesting look at one of the country’s most controversial presidents. Using only archival footage taken from video recorded by Nixon’s aides during the early years of his presidency, Our Nixon delves deep into his personal and political life, revealing perhaps a more complicated character than the one history has remembered. If you were captivated by the way Amy pushed the documentary form, Our Nixon works in a very similar way with a more relevant and tricky profile. And because all of the film’s footage comes from private sources, it has a much more intimate feeling—unique access for any government official, let alone a man who has become either reviled or a punchline over time. You can watch Our Nixon on MUBI until April 9.

Other titles new to MUBI this week:
A Band Called Death (Mark Christopher Covino & Jeff Howlett, 2012)
City of God (Fernando Meirelles, 2002)
Elite Squad: The Enemy Within (José Padilha, 2010)
Pulp Fiction (Quentin Tarantino, 1994)
Two Drifters (João Pedro Rodrigues, 2005)

iTunes & Video On-Demand

Macbeth (Justin Kurzel, 2015)

It may not have been the critical or awards favorite that it projected to be, but there weren’t many more striking films from 2015 than Macbeth. Cold and dark, the film challenges the viewer with difficult Shakespearean dialogue spoken in thick accents, never holding hands through the narrative. It’s the strong look and tone of the film, however, that is likely to captivate. Second-time filmmaker Justin Kurzel (The Snowtown Murders) shows an incredible amount of skill and confidence in making a film with a big cast completely uncompromising, unlike any Shakespeare adaptation you’ve ever seen. Michael Fassbender delivers a chilling performance as the title character, with Marion Cotillard, Paddy Considine, David Thewlis and others all doing great, austere work.

Other titles new to VOD this week:
Camino (Josh C. Waller, 2015)
Coming Home (Zhang Yimou, 2014)
Daddy’s Home (Sean Anders, 2015)
The Hunger Games: Mockingjay – Part 2 (Francis Lawrence, 2015)
Paris Belongs to Us (Jacques Rivette, 1961)

Now Streaming: Movies and TV to Watch at Home This Weekend – July 24

Aaron Pinkston — Fri, 24 Jul 2015 17:40:00 +0000

Another week, another streaming service getting into the theatrical release business. This time it is “Now Streaming” mainstay MUBI, as announced on Variety, as they have secured the UK and Ireland rights to distribute festival darling Arabian Nights. As part of the deal, shortly after the theatrical release, MUBI will do what they do best and make the film available on their streaming service. With Netflix, Amazon and now MUBI in on the theatrical game, the writing on the wall has been outlined in permanent marker—the way we consume movies will continue to change in the coming years. And now check out the titles new to the various streaming sites below.

Netflix

Zero Motivation (Talya Lavie, 2014)

One of the best films in the recent run out of Israel, Zero Motivation is a darkly comedic take on the intense situation in the Middle East. In the vein of MASH, this is a wartime film without any war, replacing bullets and bombs with a group of young women bored to death by the menial office work they are charged with as part of their required military service. Perhaps the film’s strongest attribute is its balance between sometimes silly, sometimes droll situational humor with the very serious backdrop—it always understands that there are real stakes at play here, even with a group of characters plucked from the Israeli cast of Girls. When we picked it as one the best films from 2014 that you may have missed, we called the film a “confidently pleasant experience, one that’s surprisingly funny and likable.”

Other titles new to Netflix this week:
The Guest (Adam Wingard, 2014)
Set Fire to the Stars (Andy Goddard, 2014)
Teacher of the Year (Jason Strouse, 2014)

Fandor

Taste of Cherry (Abbas Kiarostami, 1997)

A much different type of film from the Middle East is Abbas Kiarostami’s Taste of Cherry. The film involves a middle-aged Iranian man seeking to find someone who will help in burying him after he commits suicide. Much of the film takes place inside of Mr. Badii’s truck as he talks with them about the unique job he is hiring. This structure gives the film a slow, meandering pace, but much rewarding philosophical thought. Today, the film might be most famous for its 1-star review from Roger Ebert (who, interestingly, loved the similarly themed Goodbye Solo). Taste of Cherry is presented by Fandor as part of its Criterion Picks exploring some of the best independent films of the 1990s—a few of which are highlighted below. As with many Fandor streaming selections, it is available for a limited time. If you want to catch up with Taste of Cherry, or any of the 1990s picks, you will have to do so by August 2.

Other titles new to Fandor this week:
An Angel at My Table (Jane Campion, 1990)
Emporte-moi (Léa Pool, 1999)
Ratcatcher (Lynne Ramsay, 1999)
Rhymes for Young Ghouls (Jeff Barnaby, 2013)
Schizopolis (Steven Soderbergh, 1996)

MUBI

Poetry (Lee Chang-dong, 2010)

Poetry is a beautiful and poignant film from one of most emotionally resonant storytellers working in today’s world cinema. The film is a character profile of an elderly woman who begins showing the early signs of Alzheimer’s—the title coming from a poetry class the woman begins taking in order to maintain her mental strength. Of the filmmakers coming from the South Korean New Wave, Lee works less within the extreme genres and more from the country’s melodramatic traditions. Poetry does blend in some elements of crime and violence, but is much more a simple character study.

Other titles new to MUBI this week:
Barking Dogs Never Bite (Bong Joon-ho, 2000)
Casanova ’70 (Mario Monicelli, 1965)
The Ruling Class (Peter Medak, 1972)
The Stunt Man (Richard Rush, 1980)
Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010)

iTunes and VOD

Veep (Season 4)

Hitting iTunes for rental or purchase this week is the wonderful fourth season of the HBO comedy series Veep. This season saw Selena Meyer and her ragtag team (including new cast member Hugh Laurie as her perhaps too popular running mate) hitting the campaign trail, ending in a shocking election night. Episode #9 “Testimony” is a particular highlight—the episode is completely made from the “found footage” taken from a congressional committee hearing. An homage to the landmark McCarthy hearings documentary Point of Order, “Testimony” gives a new for to Veep‘s biting satire. With the fate of Selena Meyer up in the air, the show’s brilliant creator, Armando Iannucci, is stepping away as executive producer, writer, and director.

Other titles new to VOD this week:
Before We Go (Chris Evans, 2014)
Child 44 (Daniel Espinosa, 2015)
Felix and Meira (Maxime Giroux, 2014)
House of Lies (Season 4)
Lucky Stiff (Christopher Ashley, 2014)