European filmmakers have a tendency to look at young love with unbridled honesty, which often results in sincere, interesting movies. Alanté Kavaïté’s Lithuanian coming-of-age drama Summer of Sangaile delivers a genuine look at the lives of two young girls approaching adulthood while struggling to come to terms with who they are.

Sangaile (Julija Steponaityte) is a teenage girl with a peculiar fascination with stunt planes. When she meets Auste (Aiste Dirziute), an outgoing young fashionista, they quickly become friends. As the two young women grow closer, they develop a relationship that allows them both to discover things they never knew about themselves.

Summer of Sangaile feels very much like a film from the late ‘90s. From the warm nature of its cinematography to the generally upbeat, summertime vibe throughout, Summer of Sangaile is stylistically unlike most similarly constructed coming-of-age dramas from the last several years.

As is the case with plenty of films involving pilots and planes, Summer of Sangaile is heavily metaphorical in regards to Sangaile’s inability to “fly.” Just as she cannot fly an airplane, she cannot be herself due to outside pressure and internal struggle. It’s extremely on the nose in that sense, but wonderful performances from both lead actresses and Kavaïté’s ability to keep the story grounded prevent things from ever feeling hokey. This is especially important later on in the film when some darker themes are introduced.

Despite a few scenes dragging a bit longer than they should, Summer of Sangaile more than makes up for its mild pacing issues with a superb soundtrack, stellar performances, and surprisingly unique characters. Fans of unusual, inherently European love stories are sure to appreciate what Kavaïté is going for here.

Movies about misguided adults finding their purpose by teaching life lessons to misguided kids aren’t exactly hard to come by. From The Bad News Bears to The School of Rock, experienced filmgoers know how these films are going to play out before the opening credits begin to roll, but that rarely stops them from being enjoyable. Pat Mills’ Guidance is no different.

David Gold (Mills) is a former child star struggling to make it as an actor in his adult years. Unable to get auditions, and with bills piling up, David has no choice but to look for a job elsewhere. Using the name “Roland Brown,” David gets hired as a school guidance counselor, and quickly begins dishing out life advice to students through less than traditional means. Along the way, of course, the newfound role model must come to terms with his own issues and character flaws.

It takes a while to find its footing, but once it does, there’s a genuine honesty and heart to Guidance. Equally sweet and unexpectedly dark, the film is far from the feel-good tale one might expect from its synopsis. There’s a sharp sense of humor on display from start to finish, but Mills doesn’t shy away from keeping things realistic and emotionally driven.

With an excellent soundtrack, strong performances, and plenty of humorous moments, Guidance is an entertaining comedy that succeeds swimmingly at what it sets out to do. It isn’t the kind of film that’ll stick with you long after the credits roll, but it’s a good time while it lasts.