The story of British ski jumper Michael “Eddie” Edwards is of the classic underdog variety: In the 1988 Winter Olympic games in Calgary, he inspired people around the world with his bright personality and infectious enthusiasm, becoming the first ski jumper to represent Great Britain at the games. Funny thing is, Eddie lost. He lost BAD and in spectacular fashion. In both the 70m and 90m events he came in dead last, failing utterly and completely by most competitive standards. Nonetheless, the guy garnered millions of fans simply because he was happy (almost hilariously happy) to be there and do his absolute best.

What Dexter Fletcher‘s Eddie The Eagle gets right is its willingness to poke fun at Eddie, played here by Kingsman: The Secret Service‘s Taron Egerton. Too often movies of its ilk take their subject too seriously, in turn making the story feel schmaltzy, pruned and disingenuous. Fletcher’s film takes several liberties with Eddie’s journey, most notably inserting a fictional trainer (Hugh Jackman). This is easy to swallow: Historical accuracy will never be the most important aspect of telling someone’s life story. Capturing and paying respect to the person’s spirit and reflecting the true value of their accomplishments? That’s everything.

It’s the essence we’re after. In the case of Eddie, his essence is an ability to find pride, joy, and positivity in the face of adversity, derision, and even failure. When he was eliminated from Britain’s downhill ski team, he opted to take up the even more dangerous discipline of ski jumping instead of giving up. When he jumped a comparatively short distance than his competitors at the games, he celebrated and played to the cameras and excited crowds, simply happy to live his dreams. That’s his legacy, funny and inspiring at the same time, and that’s precisely how the movie feels.

Egerton—unrecognizable from his character in Kingsman, donning Edwards’ signature thick glasses, thick mustache and awkward posture—exudes the unlikely Olympian’s plucky positivity without being a caricature. When Eddie’s blue-collar dad (Keith Allen) pulls up to a bus stop to find his son packed and ready to leave home in pursuit of his Olympic dream, he barks at him to get in the car. “Have you ever had a dream?” Eddie asks, to which his father defiantly barks, “To be a plasterer! Let’s go home.” With his chin held determinedly high, Eddie says with compassion, “Bye, dad.”

When Eddie arrives in Germany to train for Olympic qualification, he meets a drunk ex-jumper, Bronson Peary (Jackman), who reluctantly (after relentless pestering) agrees to train young Eddie to land jumps instead of breaking his neck. The juxtaposition of the grizzled veteran and the clumsy rookie is good fun and would have worked better with a few tweaks to Jackman’s character or even a different casting choice. The Austrailian actor simply looks too put together and dashing to be a convincing drunken mess, and the alcoholism angle screenwriters Sean Macaulay and Simon Kelton go with feels unneeded, a futile attempt at making Bronson look like a loser. The actors do have chemistry, though, and Jackman’s pure gold in a scene that sees him illustrate the art of a takeoff via a feigned orgasm á la When Harry Met Sally. The moment is so absurd (especially in the family-movie context) that you can’t help but laugh at how much fun the movie’s having.

With the help of Bronson, Eddie finally makes it to the Winter Olympics in Calgary (despite dastardly attempts by the British Olympic Committee to block his participation, mostly because he’s goofy looking) where he at first enjoys his sudden stardom but then is reminded by coach Bronson to take himself more seriously and put forth his best effort despite the fact that he’s been ski jumping for a fraction of the time his competitors have. To the shock of everyone watching his Olympic escapades, Eddie vows to compete in the potentially deadly 90m jump, which leads us directly into the movie’s obligatory “He did it! He did it!” crescendo. The rousing finale’s done excellently though a random subplot involving Bronson’s old mentor (Christopher Walken) deflates the excitement for an excruciating few moments. There are no revolutionary changes made to the underdog formula, but the movie is special in that it celebrates the pride one finds in the simple act of participation.

Ski jumping, as it turns out, is one of the most cinematic of sports: Watching a human being soar through the icy air with long, slender skis stuck to his feet is an awe-inspiring sight, and Fletcher gets a lot of mileage out of a sport that pretty much looks the same every time (the variable being whether the poor guy eats snow or not; we see both successful and failed landings), using CGI stylishly and tastefully and giving us a terrifying sense of how goddamn high these athletes actually go. Looking down from the top of the 90m jump is bloodcurdlingly scary, and Fletcher makes sure to drive home just how crazy Eddie is to take up such a dangerous sport with such little experience. Once Eddie’s in flight, however, Fletcher has fun with interesting angles and brisk editing that, at its best, is exhilarating.

Most of Eddie the Eagle‘s success can be attributed to young Mr. Egerton. He makes us laugh at Eddie without making him clownish, and he makes us care for him without being corny. It’s a spot-on performance that sets the pace for everything else in the film, and he should be proud of the fact that, in this instance, he acts circles around the infinitely less memorable Jackman, a bonafide screen veteran. The gap in tone and timing and attitude between this role and Egerton’s turn in Kingsman is cavernous, and he makes the jump effortlessly (apologies for the totally-intentional pun).

“What the hell am I doing here?” I thought. Standing next to me by the Oakland Technical High School football field was Hugh “Wolverine” Jackman, leather jacket and all; next to him, his Eddie The Eagle co-star Taron Egerton and the movie’s director, Dexter Fletcher. The Australian megastar’s dashing good looks had me flabbergasted enough, but nothing was more distracting than the fact that I was standing next to WOLVERINE, my childhood hero! Reading the comics rabidly back in the ’90s, I never expected Logan would be this tall in person…

Making the scene even more absurdly amazing was the action playing out on the field just yards away: Throwing passes and running drills with high-school kids were Buffalo Bills quarterback Josh Johnson and recently-retired Seattle Seahawk Marshawn Lynch, who were there in support of Fam 1st Family Foundation. Again I thought, “What the hell am I doing here?”

What I was doing, actually, was talking to the three talented men in front of me about their new film, based on the story of Michael “Eddie” Edwards (Egerton), a British ski-jumper who captured hearts worldwide with his inspiring journey to and performance at the 1988 Winter Olympics in Calgary. Jackman plays his reluctant coach, a fictional character conjured to provide Eddie’s story with a bit of friction and an element of camaraderie. When asked about the creation of the character, Jackman joshed: “I did test for Eddie…” His joke was met with thunderous, perhaps slightly exaggerated laughter from me because I was starstruck and shameless and simply couldn’t resist (I’m sure my fellow journalists participating in the roundtable can sympathize). He’s a real charmer, that Wolvie.

While I still have no clue how in the world a schmuck like me ended up in the star-studded situation I did, I’m glad fortune chose to smile on my that sunny day, allowing me to bring you this interview about a movie I found to be genuinely funny and inspiring and a whole mess of fun for all ages. Sure, it was cool chatting it up with your favorite X-Man. But the truly important people that day were running up and down that football field, the kids who, hopefully, with the boost of these famous fellows’ encouragement, will fight tooth and nail to reach beyond their wildest dreams in the spirit of Eddie “The Eagle” Edwards.

You can watch Egerton and Wolv…er…Jackman in Eddie The Eagle this weekend as the movie opens nationwide.

Walk us through the decision to include Hugh Jackman’s character in the movie since he wasn’t a real character.
Dexter: [The movie’s] about Eddie and his journey but it’s also important that there’s some sort of attempt to explain who Eddie is and what he’s going through, why he’s feeling the things that he is, and also have a character that pushes back against him [so that] the audience feels they’re a part of that journey as well. Initially, that’s the heart of it. We as an audience need a character who’s going to push Eddie on why he’s doing what he does. But it develops into something more interesting than that. You’ve got to have a human relationship at the heart of a film like this because that’s what people understand. It was important that Eddie didn’t feel like this lonely character. So we created this other character and it becomes a movie about friendship. That’s really important. You create a character who’s the polar opposite of Eddie and it throws a light on both of [them] and gives [the actors] something to get their teeth into. And Hugh Jackman wanted to be in it!

Hugh: I did test for Eddie. [laughs] Just to be clear, most of this movie is based on truth. There are some deviations but the key things, the most amazing things—his jumping, the injuries, the coming back, the fact that he was sleeping in a closet—all that is true.

Dexter: There were people that did help along the way and, of course, in a film you’ve got six, seven different characters coming in and playing some part in that journey. That becomes confusing. So we reduced that into one super-character which, in fact, would be Hugh Jackman. It’s a storytelling exercise. It’s facts told in a fictional way.

Taron, what was it like playing this role that could potentially inspire children and young adults? How does that make you feel as an actor?
Taron: If that’s the case, I can’t imagine anything more rewarding for an actor. That’s truly, truly gratifying on a level more than anything. The thing I love about Eddie is that he’s someone who’s easy to make fun of, deride, mock—but actually, he’s got this incredibly unique quality so few people have. Not that he’s impermeable but he takes the negative and is able to turn it into fuel for the positive. So, when someone says something unkind to him or tells him he can’t do it, in a very quiet, dignified way, he doesn’t engage with it or retaliate—he just allows it to make him stronger and tougher. I think that’s probably one of the most valuable lessons you can learn.

One of the things that appealed to me most about the movie is that it doesn’t take itself so seriously. We can actually laugh at Eddie a little bit, in a good-natured way.
Hugh: It’s called being British! [laughs] It has got that British, Full Monty quality. If you’re too earnest and on-the-nose in England, it’s never going to work! I think Eddie enjoyed having a laugh. If anyone ever in sports has shown [they] like to have a laugh at themselves, it’s Eddie Edwards.

Taron: Eddie’s a bright chap; he’s not an idiot. He knows that what he did was funny. He had been doing it a fraction of the time his competitors had been doing it, and it was this terrifying, death-defying jump he kind of threw himself into. That’s funny, and he knows that. When he saw the movie, he was thrilled. I think it’s because he knows that we struck the balance. There was a funny side but obviously, to him, it was a very serious thing. I know Dexter was very conscious—and we were, too—of making it a balance. You have to leave the theater going, “Yes! He did it!” I hope we’ve succeeded.

Hugh: At one point, [Eddie] actually broke his jaw and tied it up with a pillow case and competed like that.

Taron: We shot that, actually, but it didn’t make it in!

Hugh: Oh, really?

Dexter: We did! But also, I don’t think we treat [the story] in a sort of sentimental, mushy way. If you’re going to get up on those ski jumps, you’ve got to have a certain amount of fortitude. He’s not like, “I hope I don’t hurt myself.” He doesn’t even think about that. Being unsentimental allows him to be strong. We know he’s a strong character with a strong story, so we can afford to laugh at him.

Hugh, when looking at your role here, Charlie Kenton in Real Steel and even Wolverine, there’s a through line of rogues with a heart of gold. What draws you to characters like this?
Hugh: It’s the opposite of me because I’m seemingly very likable and outgoing but underneath there’s just zero heart. [laughs] I’m sure sometimes these kinds of roles come to me because of Wolverine, who’s sort of the ultimate reluctant hero. I just really love this story. If there had been some other construct or character, I probably wouldn’t have been part of it. I loved working with these guys and I do love, I suppose, seeing on film that idea of redemption. [My character] is someone who lives with a lot of regret and is, therefore, kind of cynical to the world. Deep down, he realizes he stuffed up his chance for whatever reason. Lack of self-belief, obviously. I love the idea that people are redeemable, I suppose.

Dexter: I think also that you’re not afraid to play the human flaw, you know? To play someone who’s flawed is a more interesting thing altogether. He’s flawed; he’s human; he’s real. I think that needs to be something you readily tackle and relish as well.