Olympia Dukakis – Way Too Indie http://waytooindie.com Independent film and music reviews Fri, 02 Dec 2016 17:34:42 +0000 en-US hourly 1 Way Too Indiecast is the official podcast of WayTooIndie.com. Our film critics grip and gush about the latest indie movies and sometimes even mainstream ones. Find all of our reviews, podcasts, news, at www.waytooindie.com Olympia Dukakis – Way Too Indie yes Olympia Dukakis – Way Too Indie dustin@waytooindie.com dustin@waytooindie.com (Olympia Dukakis – Way Too Indie) The Official Podcast of Way Too Indie Olympia Dukakis – Way Too Indie http://s3-us-west-2.amazonaws.com/waytooindie/podcast-album-art.jpg http://waytooindie.com WATCH: Slack Off With Jason Schwartzman in Trailer for ‘7 Chinese Brothers’ http://waytooindie.com/news/watch-slack-off-with-jason-schwartzman-in-trailer-for-7-chinese-brothers/ http://waytooindie.com/news/watch-slack-off-with-jason-schwartzman-in-trailer-for-7-chinese-brothers/#respond Fri, 17 Jul 2015 03:24:15 +0000 http://waytooindie.com/?p=38513 Jason Schwartzman is back to the role he does best, "flawed but likeable."]]>

Jason Schwartzman has always been a bit manic onscreen, his characters often charmingly smarmy. He’s quite possibly the perfect example of “flawed but likable”—which, by the way, is a deep compliment. So, while last year’s Listen Up Philip mixed up the formula a bit, Schwartzman seems to be back in his comfort zone with the first trailer for 7 Chinese Brothers.

The flick follows Larry (Schwartzman) as he’s booted from one job and forced to hunt down another—a large feat for the oft-inebriated slacker. Soon, though, Larry gets a bite at a tire and lube shop and meets Lupe, who just might help him get his life in order.

Written and directed by Bob Byington (Somebody Up There Likes Me), the cast is rounded out by Stephen Root, Olympia Dukakis, and TV on the Radio frontman Tunde Adebimpe. The film premiered at SXSW earlier this year to some positive nods, and the trailer promises laughs. But honestly, we’d line up for Schwartzman alone.

7 Chinese Brothers opens August 28th. Check out the first trailer below.

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SFIFF Capsules: ‘Love & Mercy,’ ‘Experimenter,’ ‘7 Chinese Brothers’ http://waytooindie.com/news/sfiff-capsules-love-mercy-experimenter-7-chinese-brothers/ http://waytooindie.com/news/sfiff-capsules-love-mercy-experimenter-7-chinese-brothers/#respond Fri, 08 May 2015 13:28:48 +0000 http://waytooindie.com/?p=35930 A fresh batch of capsule reviews from SFIFF, including 'Love & Mercy,' 'Experimenter,' and '7 Chinese Brothers.']]>

Love & Mercy

Brian Wilson wrote some of the most beautifully complex pieces of music in history throughout his decades-long career with the Beach Boys and beyond. But as a person, he’s more beautifully complex than anything anyone could ever write. Bill Pohlad’s Love & Mercy explores Wilson’s psyche from two angles, focusing on the biggest artistic and personal turning points in his life. Paul Dano plays a Wilson as a young man in the Beach Boys’ heyday, in the midst of writing what would become one of the greatest albums of all time, Pet Sounds. Making up the other half of the movie is a more recent, frightening period in Wilson’s life (he’s played here by John Cusack), when he was under the (highly medicated) spell of unethical therapist Dr. Eugene Landy (Paul Giamatti), his only protection from whom being his beach blonde soul mate, Melinda Ledbetter (Elizabeth Banks).

Love & Mercy

Alternating between the two Brians is a welcome break from the typical biopic schematic. Dano’s resemblance is scary uncanny, and while Cusack’s isn’t so spot-on (I didn’t see it, to be honest), their commitment as actors is about level. Beach Boys fans will suffer uncontrollable geek-outs during the Pet Sounds studio session reenactments, but the real value of the film lies in the respectfully unkempt and fraught depiction of Wilson’s legacy as both a musician and a man.

Experimenter

Slipping between several planes of reality with the nimbleness of a jazz ensemble, Michael Almereyda‘s Experimenter, starring Peter Sarsgaard as late social psychologist Stanley Milgram, is more of a delectable treat than the dark subject matter might lead you to believe. It centers on Milgram’s famed contributions to the world of social experimentation, most notably his controversial experiment on obedience conducted in the ’60s. We see the Holocaust-inspired experiment—involving test subjects led to believe they’re remotely causing harm to a man in an adjacent room (played by Jim Gaffigan)—reenacted by a litany of strong players, including Anton Yelchin, John Leguizamo, Anthony Edwards, and others.

Experimenter

The film sees Sarsgaard’s Milgram periodically address us, the audience, in cleverly worded monologues that highlight the actor’s natural wit and intellect. It’s fun to see Sarsgaard given so much breathing room; he has a lot of fun with the role, and so we do as well. Almereyda lets loose too, with neat touches like utilizing rear-projection backdrops and employing a real-life elephant to stalk behind Sarsgaard down a hall as a fun metaphor. Winona Ryder stars as Milgram’s wife, Sasha, and gives the film an emotional oomph whose importance is clearest by film’s end.

7 Chinese Brothers

Jason Schwartzman is ridiculously funny in Bob Byington‘s 7 Chinese Brothers, a film created in the Wild West indie landscape that panders to no one (mainstream audiences will likely balk at the quaint, offbeat humor), but will please crackpot-comedy weirdos (like yours truly) to no end. Larry (Schwartzman) is a small-town schlub who drinks his way into and out of menial jobs he can’t stand. He’s got his romantically savvy friend, Major Norwood (TVOTR’s Tunde Adebimpe), his silvery grandmother (Olympia Dukakis), and his impossibly drowsy dog (Schwartzman’s real dog, Arrow) to keep him company most days. When he finds himself gravitated to his new boss, Lupe (Eleanore Pienta), he’s shocked to discover that, for once, he actually looks forward to going to work.

7 Chinese Brothers

A lot of the funniest stuff in 7 Chinese Brothers involves Schwartzman almost having a contest with himself, trying to come up with the most bizarre behaviors he can think of and making them as out-there as possible. It’s the little, absurdist stuff that makes you laugh, like Schwartzman throwing garbage into a garbage can, and then throwing said garbage can into a dumpster. Byington’s written a great script, too, each line of dialogue going in a different direction than you expected. Keep this one in mind.

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