Today’s the day! Our first big awards show of the season. If you aren’t able to watch or are keeping score, we’ll be live updating the winners as they are announced starting at 8 EST/5 PST. Refresh your browser to see winners throughout the evening.

Complete List of 2015 Golden Globe Winners

(Winners highlighted in bold font)

Best Motion Picture – Drama
Boyhood
Selma
The Imitation Game
Foxcatcher
The Theory of Everything

Best Motion Picture – Musical or Comedy
Birdman
The Grand Budapest Hotel
St. Vincent
Into the Woods
Pride

Best Performance by an Actor in a Motion Picture – Drama
Steve Carell, Foxcatcher
Benedict Cumberbatch, The Imitation Game
Jake Gyllenhaal, Nightcrawler
Eddie Redmayne, The Theory of Everything
David Oyelowo, Selma

Best Performance by an Actress in a Motion Picture – Drama
Jennifer Aniston, Cake
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Felicity Jones, The Theory of Everything

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Michael Keaton, Birdman
Ralph Fiennes, The Grand Budapest Hotel
Christoph Waltz, Big Eyes
Bill Murray, St. Vincent
Joaquin Phoenix, Inherent Vice

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Amy Adams, Big Eyes
Emily Blunt, Into the Woods
Julianne Moore, Maps to the Stars
Helen Mirren, The Hundred-Foot Journey
Quvenzhané Wallis, Annie

Best Performance by an Actor in a Supporting Role in a Motion Picture
Mark Ruffalo, Foxcatcher
Ethan Hawke, Boyhood
J.K. Simmons, Whiplash
Robert Duvall, The Judge
Edward Norton, Birdman

Best Performance by an Actress in a Supporting Role in a Motion Picture
Patricia Arquette, Boyhood
Keira Knightley, The Imitation Game
Emma Stone, Birdman
Meryl Streep, Into the Woods
Jessica Chastain, A Most Violent Year

Best Director – Motion Picture
Alejandro González Iñárritu, Birdman
Richard Linklater, Boyhood
Ava DuVernay, Selma
David Fincher, Gone Girl
Wes Anderson, The Grand Budapest Hotel

Best Screenplay – Motion Picture
Boyhood
Birdman
Gone Girl
The Imitation Game
The Grand Budapest Hotel

Best Original Song – Motion Picture
Lana Del Ray – “Big Eyes” for Big Eyes
John Legend, Common – “Glory” for Selma
Patty Smith, Lenny Kaye – “Mercy Is” for Noah
Sia – “Opportunity” for Annie
Lorde – “Yellow Flicker Beat” for The Hunger Games: Mockingjay – Part 1

Best Original Score – Motion Picture
Alexandre Desplat, The Imitation Game
Jóhann Jóhannsson, The Theory of Everything
Trent Reznor, Gone Girl
Antonio Sanchez, Birdman
Hans Zimmer, Interstellar

Best Animated Film
The Book of Life
The Boxtrolls
Big Hero 6
How to Train Your Dragon 2
The Lego Movie

Best Foreign Language Film
Ida
Leviathan
Force Majeure
Gett: The Trial of Viviane Amsalem
Tangerines

Television Categories

Best Television Series – Drama
“Downton Abbey”
“The Good Wife”
“House of Cards”
“Game of Thrones”
“The Affair”

Best Television Series – Musical or Comedy
“Girls”
“Orange Is the New Black”
“Transparent”
“Silicon Valley”
“Jane the Virgin”

Best Mini-Series or Motion Picture Made for Television
“Olive Kitteridge”
“True Detective”
“Fargo”
“The Missing”
The Normal Heart

Best Performance by an Actor in a Television Series – Drama
Kevin Spacey, “House of Cards”
Liev Schreiber, “Ray Donovan”
James Spader, “The Blacklist”
Dominic West, “The Affair”
Clive Owen, “The Knick”

Best Performance by an Actress in a Television Series – Drama
Robin Wright, “House of Cards”
Julianna Margulies, “The Good Wife”
Viola Davis, “How to Get Away with Murder”
Claire Danes, “Homeland”
Ruth Wilson, “The Affair”

Best Performance by an Actor in a Television Series – Musical or Comedy
Don Cheadle, “House of Lies”
Ricky Gervais, “Derek”
Jeffrey Tambor, “Transparent”
William H. Macy, “Shameless”
Louis C.K., “Louie”

Best Performance by an Actress in a Television Series – Musical or Comedy
Lena Dunham, “Girls”
Edie Falco, “Nurse Jackie”
Julia Louis-Dreyfus, “Veep”
Taylor Schilling, “Orange Is the New Black”
Gina Rodriguez, “Jane the Virgin”

Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television
Martin Freeman, “Fargo”
Billy Bob Thornton, “Fargo”
Matthew McConaughey, “True Detective”
Woody Harrelson, “True Detective”
Mark Ruffalo, “The Normal Heart”

Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television
Jessica Lange, “American Horror Story”
Maggie Gyllenhaal, “The Honourable Woman”
Frances McDormand, “Olive Kitteridge”
Frances O’Connor, “The Missing”
Allison Tolman, “Fargo”

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Jon Voight, “Ray Donovan”
Alan Cumming, “The Good Wife”
Bill Murray, “Olive Kitteridge”
Colin Hanks, “Fargo”
Matt Bomer, “The Normal Heart”

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Allison Janney, “Mom”
Uzo Aduba, “Orange Is the New Black”
Kathy Bates, “American Horror Story”
Michelle Monaghan, “True Detective”
Joanne Froggatt, “Downton Abbey”

No matter the mixed criticism of Frank, one thing the film makes obvious is more bands should be using theremins. That’s not just a frivolous statement, it’s part of the movie’s sugarcoated message on the value of sticking out, embracing your limits, and not concerning oneself with the number of views one’s video gets on YouTube. Once the movie stops being a whimsical comedy about a troupe of misfit musicians, it starts to take itself a little too seriously and all of a sudden the xylophone stops and the brooding drama starts. This drastic tonal switch from quirky silliness to serious quirkiness ultimately drags Frank down from being a good comedy to being just a mediocre dramedy. But hey, it has Michael Fassbender playing a guy who wears a ridiculously oversized head so that alone will be enough for some viewers.

Dominic Gleeson takes on the role of Jon, an inspiring singer-songwriter who has 14 followers on Twitter and punches the clock in a dead-end office job. As fate would have it, he witnesses a man trying to drown himself who happens to be the keyboard player of an underground eccentric pop band Jon admires. When he tells the band’s manager Don (Scoot McNairy) that he too plays keyboards, he gets the gig, and without further ado finds himself traveling to a remote cabin to record an EP as the band’s new keyboard player. Headlining the band is the mysterious Frank (Fassbender) who is like a walking-talking bobble head because of the outlandish mask he refuses to take off (even while showering.) Rounding off the band members are Clara Vagner (Maggie Gyllenhaal) on the Theramin, Nana (Carla Azar) on the drums, and Baraque (François Civil) on the guitar. Once he gets to the cabin, Jon realizes that this is no mere band practice session, and decides to completely devote himself to the band; seeing it as an opportunity to better his own skills. As the Twitter followers grow, and the band spends months preparing to record, an upcoming gig at the South By Southwest festival in Austin creates an opportunity for their biggest show yet. But, with everyone’s eccentricities engaged at maximum levels, how will this band ever be able to cope with fame?

Before the third act sours up the mood, Frank is an enjoyable enough romp filled with a colorful cast of characters and a pleasant atmosphere. Although, it must be said, the insufferable score by Stephen Renicks and Gleeson’s narration evocative of an adventure in Middle Earth or a Hogwarts school excursion paint the picture in way too thick of a dainty coat. With the way the characters are written (we’ll have a French guy who only speaks in French but everyone understands him! We’ll have the bitchy one who hates conformity! Etc.) and the overemphasis on Frank’s free spirit, it all leads to an aggravating sense of self-awareness and attention seeking. The only saviors end up being Gyllenhaal’s hilarious performance (watch her deliver lines like “Your furthest corners? Someone needs to punch you in the face” with perfectly bottled angst), some of Frank’s unpredictable characteristics which include speaking perfect German to an unsuspecting family, and the genuine humor protruding through the dainty surface. And for those wondering about Fassbender’s performance: I’ll just say that he’s best when he’s got the head on and leave it that.

Also deserving of praise is James Mather’s cinematography, adding a nuance that is unexpected. Images of Frank meditating in the forest, or characters caught lamenting by the windowsill are artistically captured and do well to boost the film’s qualities. Alas, the film starts to change clothes before growing into them and while the SXSW section provides some of the biggest laughs (Frank’s most likeable song is a personal favorite of mine,) they ultimately can’t compensate for the transparently calculated conclusion and message, which brings the whole self-awareness aspect right back on centre stage. Fans of Gyllenhaal and Fassbender will still enjoy themselves with Frank, but my advice is not to take the film as seriously as it takes itself and simply enjoy sharing the company of weirdos.

In theaters August 15

Frank

An aspiring keyboardist named Jon (Domhnall Gleeson) stumbles into an impeccable opportunity when he walks passed a band that just so happens to need a keyboardist after theirs recently tried to drown himself in the ocean. The best part about this band is that the lead singer, Frank (played by Michael Fassbender), wears a giant papier mache head at all times—even while sleeping and eating, making those situations hysterical. When Jon asks the band member how Frank is able to brush his teeth, he is given the perfect reply, “You’re going to just have to go with it.” It’s this kind of tongue-in-cheek attitude that makes Frank so entertaining to watch.

Unfortunately, Frank doesn’t always bother to follow its own rules. Inside of the third act, the film felt obligated to explain too much of its self, disrupting the go with the flow mentality that came before it. That being said, Frank is still an absurdist comedy about discovering inner creativity that is worth seeking out–especially at SXSW since the festival makes an appearance in the film.

RATING: 7.3

The Guest

Perhaps the most exciting collaboration in the horror genre as of late is director Adam Wingard and writer Simon Barrett. Together the duo has previously worked on the V/H/S series and more recently in the horror/comedy You’re Next. Continuing with their trend of genre mashing, their latest effort in The Guest takes the action and badassery of The Terminator and mixes it with the style and sound of Halloween.

A solider (Dan Stevens) shows up at a door claiming to know the owners son before he passed away in the war. He is a charming man with hypnotic blue eyes and is handsomely built. The family accepts him into the house after he plays his cards right, radiating more cool than even Ryan Gosling could exude. Eventually one of the family members begins to grow suspicious of him after showing signs of trying to hide his true identity.

Using the same equipment used on the soundtrack of John Carpenter’s Halloween 3, the energetic synth soundtrack in The Guest superbly produces the pacing for the mayhem that unfolds. Even though the main character is clearly the villain, I found myself still rooting for him at times—like when he helps one of the family members from being bullied at school. The Guest is like an atmospheric 80s action thriller that is intentionally overacted and exaggerated. The story is not very elaborate, but that doesn’t matter when you’re having this much fun.

RATING: 8.2

You do not have to be a fan of country music to enjoy Crazy Heart, a depressing story based on the novel by Thomas Cobb. The superb acting by Jeff Bridges and his character are entertaining enough. The storyline is nothing too spectacular but you cannot help but be enthralled with the main character. It is Scott Cooper first film as a director and he did it in only 24 days, I really hope it is not his last.

Bad Blake (Jeff Bridges) is no doubt a drunk, chain smoker and depressed man. The once legend country singer is now out of his prime. With little ambition he has, he plays in front of small bowling alley crowds of a few dozen. Bad Blake has so little money to his name that without his fame scoring him free alcohol, something that he is rarely without, he would not be able to pay for it.

While performing in Santa Fe, Bad Blake meets a newspaper journalist named Jean (Maggie Gyllenhaal). Instantly, you can tell Bad Blake is attracted to her. We see a completely different side of Bad Blake after only a few visits from his newfound interest. We see that if he tries, he can be quite charming. This is the closest Bad Blake has had to a real family.

Bad Blake then gets a call from his agent about a huge break, a chance to play in front of 12,000 people, but there is a catch. He is not the headliner but rather the opener. Oh, and it is for Tommy Sweet (Colin Farrell), a man he does not care for as they had a falling out in the past. Although he is reluctant, he accepts the gig.

Before the gig the two meet up at a restaurant. Tommy admits while signing an autograph that Bad Blake taught him everything he knows about country music and tells the fan he is not the one he should be getting the autograph of. At the same time that Tommy is being genuine, Bad Blake tells Tommy he is just doing this gig for the money, not for sentimental sake.

It is not long before Jean expresses her concern over Bad Blake’s alcoholism. He did not earn the nickname Bad for no reason. She tells him not to drink while in front of her son, although it is apparent she is worried about him drinking in general. Just as it seems his life could not get any better personally or professionally, he much over-come his self-destructive lifestyle.

Crazy Heart’s story is most definitely not unique, an old celebrity that is still clinging on to their fame, who hits rock bottom and tries to become somebody again. What makes this film so good is the character. As a viewer, you develop an unexplainable attraction to Bad Blake, whether it is out of empathy or otherwise, you find yourself rooting for him. The film also had a pretty firm emotion grip throughout and especially in a scene near the end that takes place in a mall.

Jeff Bridges has the sort of mumbling voice that works extremely well in his advantage in this role. And being the amazingly talented singer that he is, he was able to fit in perfectly. He plays it so well; it is hard to imagine any other actor that would come close to a performance as his. Maybe Philip Seymour Hoffman could but even then I have my doubts.

His performance did not go unnoticed though. He won an Oscar for Best Performance by an Actor in a Leading Role and the Independent Spirit Award for Best Male Lead. The film did not stop there though; Maggie Gyllenhaal was nominated for an Oscar for Best Supporting Actress and it won Best First Feature and Best First Screenplay at the Independent Spirit Awards.

Simply put Crazy Heart is an engaging film with incredible acting, amazing music that even a non-country lover can appreciate, with really only the only downfall being the film’s story is not groundbreaking. I thought the ending was honest and fair, although I could see some people being disappointed with it.

You know it’s a good movie when you have such high expectations for it and after seeing it, it surpasses what you expected. In fact, it made me want to go see it again in the theater, something I never do. Thanks to the brilliant director, Christopher Nolan, The Dark Knight is easily one of the best superhero movies of all time.

This relatively long movie (2hr 30mins) flys by so quickly due to the non-stop action and fast scenes. You don’t get a chance to breathe. It’s the highest rated movie currently on IMdb’s website (granted it’s only been out for a week). This movie follows the previous Batman movie Christopher Nolan directed, Batman Begins, in that it is not your typical superhero movie. It is much more realistic and believable. Much as the title subtly states, this movie has a dark mood to it. It’s chaotic and mesmerizing.

I’ll say it now, I will be completely surprised if Heath Ledger doesn’t win an Oscar for his role. The Joker is played absolutely perfect. You honestly get the feeling that the character is an unbalanced maniac. Christian Bale was solid as well. Some parts had me wondering how it kept it’s PG13 rating. The storyline is incredibly fluid and logical. My only real compliant about the movie is a small one. There are some scenes where Batman’s voice sounds like an incomprehensible gurgled mess. It’s a small flaw that thankfully doesn’t appear frequent.

I haven’t seen a better movie more recently than The Dark Knight since There Will Be Blood. Although it’s a completely different kind of movie, it falls just short of a masterpiece for this genre. Highly recommended.