Superman Lives is one of the most bizarre and criticized unmade films of all-time, and now thanks to Jon Schnepp we have new insights into the failed project, along with an interesting look in at the equally bizarre nature of the mainstream Hollywood filmmaking machine. The Death of “Superman Lives”: What Happened? begins with Schnepp surveying fans at Comic-Con about the idea of a Tim Burton directed, Nicolas Cage starring Superman movie, showing them the leaked picture of Cage (with flowing hair) wearing an early test version of the new suit. Reactions are mixed.

Schnepp then dives into the history of the film, beginning with producer Jon Peters’ acquisition of the film rights and hiring of Kevin Smith as screenwriter. It’s clear Peters and Smith were never on the same page, as most of their recollections of early meetings never match up. Smith claims Peters wanted a modern, heavily misguided take on the iconic superhero in which he doesn’t fly and doesn’t don his famous outfit and cape; Peters immediately denies this when Schnepp asks him about it later. Peters represents the creatively bankrupt big Hollywood producer, and Smith represents the true fan fighting for the creative integrity of Superman (at least in Smith’s eyes). Their vision is clearly a mess, with the only thing they seem to agree on being that Tim Burton should direct. And so Burton comes on board, but he hates the script, so Smith gets replaced by Batman Returns script doctor Wesley Strick.

This is where things really get rolling, with plenty of interesting developments. Nicolas Cage gets involved in the production, and after getting reminded of his incredible performances in films like Adaptation and Wild at Heart, he seems perfect for the vulnerable, outsider Superman that Burton wants to portray. Schnepp also lets viewers see and hear from the incredible, versatile team of visual artists and art directors Burton put together for the project, a group reminiscent of the team Alejandro Jodorowsky put together for his failed adaptation of the Frank Herbert novel Dune (profiled in last year’s Jodorowsky’s Dune). But the studio keeps reigning the production in, tightening the budget and creative control, forcing Burton to fire Strick and bring on screenwriter Dan Gilroy (writer/director of Nightcrawler). Eventually it’s revealed that what really killed Superman Lives wasn’t fan outrage over the leaked photo of Cage, Jon Peters’ constant interference, or anything from Burton or his team; it was because of the spectacular string of big budget box office failures (like Batman and Robin) Warner Brothers put out in the late ‘90s that made the studio nervous of making another dud.

The revealing interviews Schnepp gets for his film makes it an enjoyable and informative watch throughout, but the film also does a great job highlighting the humor that comes out of the behind the scenes tensions. Schenpp also edited the film, and he shows a masterful hand at putting together differing accounts of what was going on behind the scenes to play up the comedy of the situation. Most of that comes into play in the early scenes with Peters and Smith. One of the funniest moments in the film sees Smith talk about how Peters seemingly fell into a producing career after working as a hairdresser for Barbra Streisand, followed by Peters defensively talking about how people don’t take him seriously because he started out as Barbra’s hairdresser.

But what’s most impressive is how Schnepp turns you around one of the most massively criticized attempts at a blockbuster ever. The film seems like a joke in Peters and Smith’s hands full of both misguided ideas (from Peters) and unneeded fan service (from Smith), but once Burton comes on to the project, the film surprisingly appears to come to life under his direction. And that leads into the other great victory of this documentary: it shows the real issues with today’s superhero movies. It’s not so much that they’re oversaturating the market, but that something like a Marvel cinematic universe is too safe, to the point where studios are dropping a new superhero into their template of choice. Superman Lives could have been a disaster if it had actually been made, but it definitely would’ve been a strange and unique take on an iconic superhero, and that’s something we don’t really get anymore.

The Death of “Superman Lives”: What Happened? is currently out on Blu-Ray, DVD and VOD.

When Kevin Smith brought Clerks to Sundance 1994, it helped birth a wave of low budget, independent filmmaking. It also birthed the career of Kevin Smith, which since then has lead to very mixed results. Smith’s story proved fertile enough to compel writer/director Christopher Downie to make Shooting Clerks, the story of how Kevin Smith bravely… shot Clerks.

The project’s origins can be traced back a little over a year to this failed IndieGoGo campaign; however, since then the film appears to have been made with the participation of some familiar Kevin Smith faces. The trailer embedded below features most of the main players from Smith’s Clerks film recreated for a faux behind-the-scenes montage. Paying close attention, you can spot Comic Book Men‘s Mike Zapcic and The Angry Video Game Nerd‘s James Rolfe among the faces, but reportedly the man himself, Kevin Smith, will cameo as a newspaper reporter, and provide narration for the film.

Check out the trailer for Shooting Clerks below:

True crime documentary films have the power to set the record straight, to observe facts and events with a clear eye. Films like Paradise Lost and The Thin Blue Line set men free from life or death sentences for crimes they did not commit. During last night’s mini-series finale of The Jinx: The Life and Deaths of Robert Durst, something else happened. Andrew Jarecki’s entertaining pulp profile of the millionaire real estate family and the suspicion surrounding three murders ended with the filmmakers uncovering the smoking gun. Durst had been determined not guilty in a previous case and was a prime suspect in two others, but without proof that could fully link him. If you didn’t watch The Jinx finale (or any of it), it is a prime example of the power of film and its real-world effect. You can also see the wonderful New York Times rendering of events, news that broke shortly before we saw it all play out on HBO. And here are other news items from the week that you may have missed:

RIP Richard Glatzer, Co-director of Still Alice

Remembering a film artist that has passed on wasn’t intended to be a staple in this weekly feature, but that is unfortunately how things have played out recently. Richard Glatzer, who battled ALS while continuing his career as a writer and film director, is a true hero. His last film, Still Alice, is a beautiful portrayal of how disease can affect an entire family, but also a stirring tribute to those who don’t let their ailments deter them from life. The film will always be a touching tribute to Glatzer’s career. For a tribute on the man, please read the Hollywood Report.

It Follows Big Hit in Limited Release

While only grossing an estimated $163,000 in its opening weekend, the indie horror flick had the top per screen average of the weekend at $40,750. This puts It Follows as the second highest per screen opening average of the year, behind A Most Violent Year, and 9th overall in the past 12 months. The film has garnered rave reviews on the festival circuit, and we called its inventive monster one the scariest ever. It Follows will be spreading to more theaters in the coming weeks before it infects Video On-Demand on March 27.

Kevin Smith Announces Clerks III, Possible Other Films

A few years back, while we were all hotly anticipated Red State, Kevin Smith announced that he was going to retire from filmmaking to focus on podcasting and film distribution. Well, the prolific indie filmmaker has apparently had a change of heart. From The Dissolve, Smith has announced that he’ll be revisiting the series that put him on the map, as Clerks III will begin shooting in May. Currently, Smith has a few other projects in the works, including Yoga Hosers (a sorta spiritual sequel to Tusk), and potentially a sequel to his early film Mallrats.

Martin Scorsese (Maybe) Directing Mike Tyson Biopic

In other director attaching news, Jamie Foxx teased that the legendary director will be helming his long anticipated Mike Tyson biopic during an interview on Uproxx. Scorsese, of course, made the greatest profile of a boxer of all time, so this would be an interesting return to the ring. Raging Bull defined how combat sports are put on film and Scorsese could be the perfect fit for the dynamic and ferocious personality of Mike Tyson. At this point, there is no confirmation, but we can dream a little, can’t we?

SXSW Opens Its 2015 Fest

Austin’s SXSW film festival has grown into one of the biggest destinations for indie and genre films, with films like Tiny Furniture, Bridesmaids, The Cabin in the Woods and Chef making their world premieres in recent years. Couldn’t make it to Austin this year? Well, we have you covered with reviews from the festival all week. You can check out the full lineup here.

Trailer of the Week: Iris

Last week I mentioned the late filmmaker Albert Maysles’s upcoming film Iris, and now the first trailer for the doc has dropped. The portrait of legendary fashion icon Iris Apfel looks to fit alongside a number of recent fantastic documentary profiles of aging artists such as Bill Cunningham New York, Joan Rivers: A Piece of Work, Elaine Stritch: Shoot Me and Jiro Dreams of Sushi. Check out the trailer below!

Friday at Comic-Con in Hall H was primarily focused on two of television’s hottest shows, The Walking Dead and Game of Thrones. We won’t bore you with television news, but… oh, who are we kidding? If you love good films, chances are you watch both of these amazing shows and therefore should know you can check out the new preview of The Walking Dead Season 5 here, and be sure to catch the gag reel from Game of Thrones here.

Alright, on to movie news.

RADiUS-TWC Preview Horns and Everly

The first film-related panel of the day showcased two of RADiUS-TWC’s upcoming films, Everly and Horns. To speak on Everly was the film’s lead, Salma Hayek, and director Joe Lynch. The film is the story of a woman whose mob boss ex-boyfriend decides he wants her killed. She holes up in her apartment and defends herself agains the would-be assassins one by one. Lynch talked about his excitement to make a film starring a badass woman and “strong female character” which he said shouldn’t even be a term any more as a female ought just to be allowed to be a “strong character.” No argument here.

Salma talked about the difficulty of making a film shot entirely in one small location, as well as Lynch’s decision to shoot chronologically. For good measure she also mentioned that she “barely wear[s] anything at all through the whole film.”

The real meat of this panel was when director Alexandre Aja, writer Joe Hill, and star Daniel Radcliffe (and let’s be honest, mostly Radcliffe) made their entrance to show off Horns. Based on Hill’s novel, the film stars Radcliffe as Ig Perrish, a young man who wakes up one morning to discover he’s growing horns. His new accessories are fitting as he’s been demonized in his hometown for a year since his girlfriend Merrin (Juno Temple) was murdered and the finger of blame was pointed at Ig. With his horns comes the disturbing gift of getting anyone near him to reveal their darkest secrets and innermost evil desires. At first alarming Ig soon realizes he can use his new gift to track down who really killed Merrin and force them to confess to it.

After a full-audience rendition of “Happy Birthday” for Radcliffe, who just turned 25, Hill, who looks plenty like his father Stephen King and has his voice, remarked on the splendor of Hall H saying “Joss Whedon’s butt sweat once graced this chair. I can almost feel his essence wafting up to me.”

After that weirdness they showed an especially fun clip from the film where Ig convinces some reporters hounding him that they ought to fight each other before doing some investigating at a local bar. The bartender ends up starting the place on fire, and Ig walks coolly out the front door with smoking billowing around him, horns protruding, with a red shirt, yellow hoodie and great brown leather jacket. (Any similarities to Gryffindor colors were exclaimed to be purely coincidental — “I’m too young to be referencing my own past work in my new films” joked Radcliffe.)

Of course the audience got a bit swoony, unable to keep from asking Radcliffe questions that related this role to Harry Potter. He very eloquently spoke highly of his experience with the franchise and explained how much he loved the script for Horns immediately, finding himself quite drawn to the dark anti-hero Ig. Aja chimed in saying “Potter was only the beginning of something great.”

Based on what we saw the film has a bit of ridiculousness (how could it not with that premise?) but looks thoroughly enjoyable.

20th Century FOX Presentation

Next up was the two hour jam-packed presentation from 20th Century Fox. First on their slate, The Maze Runner, which they teased by immediately showing an extended look at one of the opening scenes in which teenager Thomas (Dylan O’Brien) finds himself in a fast-moving elevator which opens into a grassy glade surrounding by tall stone walls and filled with many other boys his own age and he himself can’t remember his own name.

Then out came director Wes Ball along with the author of the novel, James Dashner, followed by cast members Will Poulter, Kaya Scodelario, and Dylan O’Brien. They answered a few questions around the film, while audience questions focused mainly on the book series and Ball revealed they are hoping to complete the entire series, even showing a conceptual poster for The Scorch Trials, the title of the second book. Another long clip was shown of the bug-like creatures that terrorize the boys as they run through the maze. Things got slightly awkward when O’Brien accidentally let slip a spoiler that really wouldn’t surprise readers of the book, but was a bit of a giveaway for those who will just be seeing the film.

Next up was Jorge Gutierrez‘s colorfully vibrant cartoon, Book of Life. Showing a longer trailer for the film, it really does look impressively creative with breathtaking animation. (Here’s the first trailer.) Championing on behalf of the film was Gutierrez, producer Guillermo del Toro, Channing Tatum, Rob Perlman, and Christina Applegate. Always a fan favorite at Comic-Con, del Toro received the biggest welcome and was eloquent with his responses to questions regarding the film. The man has always been good in deciphering the difference between being a film’s director, and thus owner, and a film’s producer, which is when he plays advocate.

While del Toro is always geeky charming, and there were plenty of questions for Channing Tatum, especially one alluding to his best asset being his “visual” ones and not necessarily his voice, the real charmer was director Gutierrez who spoke with childlike enthusiasm about his childhood in Mexico and his deep connection with Dia De Los Muertos, a day when the dead are honored and believed to commune with the living.

The panelists left with the audience chanting “Hellboy 3” and del Toro smiling ear to ear.

Next up was Hitman: Agent 47, based on the video game. The film stars Rupert Friend, who sent in a short video hello introducing the first trailer. Clearly his work on Homeland has prepped him well to be a calm collected super-human assassin. The film looks ho-hum and the brief panel with Hannah Ware and Zachary Quinto didn’t inspire much enthusiasm for the film, just a few thank yous from fans to Quinto for his Star Trek work.

Next was a hilarious preview of New Girl co-stars Jake Johnson and Damon Wayans Jr.‘s film Let’s Be Cops. The extended trailer does indeed look hilarious, albeit completely ridiculous. Jake Johnson sent in a video as he’s currently filming Jurassic World (I mean honestly, what is that movie even going to be like with all these comedians?!) that showed him in a hotel with a long-haired, thong clad man. Weird. Funny. Everyone involved, including Nina Dobrev, Rob Riggle, and Keegan-Michael Key, all sounded like they had a lot of fun filming it.

Last in this jam-packed panel was more on Kingsman: The Secret Service. First a video with Mark Hamill, who has a role in the film, introduced an extended scene from the film. In the scene Colin Firth‘s secret agent character smoothly takes out some local thugs who give main character Eggsy (Taron Egerton) a hard time. The film looks action-packed and surprisingly clean for a comic-book adaptation. Perhaps because the main villain, played by Samuel L. Jackson hates the sight of blood?

At any rate it certainly looks like an interesting addition to the action-packed films on the roster this weekend and seeing Colin Firth and Samuel L. Jackson in the same panel was not something I’d have imagined every seeing.

The Musk of Tusk: An Evening with Kevin Smith

After a jam-packed day an hour and a half listening to Kevin Smith babble on was almost soothing. Known as a yearly frequenter and panel giver at Comic-Con, this year Kevin Smith started by giving Comic-Conners exactly what they’d want to hear: insider info on the new Star Wars film. Smith is one of the privelaged few who had the chance to visit the film’s set in London by invitation of JJ Abrams. Smith, while careful not to break his NDA, told an extended story (is anything LESS than extended with him?) about walking onto set and going aboard the Millennium Falcon.  He then segued strangely well into a sex-story concerning his wife. And that’s Kevin Smith for you. He got surprisingly more audience questions in than you’d think, considering how long-winded he is. Two of those questions were from children and it was hilarious to watch him try to keep his swearing at a minimum (as if they hadn’t JUST heard the sex story).

Eventually Smith revealed that Tusk is what he considers to be his best film to date, and he’s also working on a film he hopes children, especially girls will love, called Yoga Hosers. Finally Smith gave us the first trailer for Tusk, which he elaborately explained came from an idea developed during one of his podcasts, called Smodcast, where he discussed an ad someone in real-life posted about wanting someone to come stay with them and agree to dress in a walrus suit. Smith began to speculate this would make a great horror film, where the man actually wanted to turn his house guest INTO a walrus. After spitballing the premise, Smith got Twitter to affirm his decision to make the film with the hashtag #WalrusYes, and here we are a year later and his film is coming out in September.

The trailer is fantastic. In it, Justin Long plays a podcaster who travels to Canada to interview his latest subjective for his podcast and discovers the old man (Michael Parks) actually wants to keep him hostage and turn him into a walrus. It’s completely bizarre and looks delightfully creepy AND very Kevin Smith-ish, with Justin Long cracking a joke at the end of the trailer that he “doesn’t want to die in Canada.” It looks great, and you can check out the trailer here. After the trailer, actors Genesis Rodriguez and Haley Joel Osment came out to about their roles in the film.

In closing Kevin Smith assures us that though the trailer doesn’t explicitly show it, “We do turn him into a f***ing walrus. And it is f***ed up.”

It looks fantastic and it would be wonderful to see a Kevin Smith film we can get behind after all these years.

So Way Too Indie is about to become Way Too Geeky for a few days next week as we cover the annual Comic-Con International in San Diego.

While we both decry and yet embrace the infiltration of Hollywood at a convention created for devoted comic fans, we revel in the chance to get our movie news AND pop-culture fix all at the same time. I, Ananda, have painstakingly gone through the schedule of events (and OMG there are a lot) to find all those movie-related panels to (try to) attend so that WTI readers get all the juicy pop-culturey news they deserve.

Here are the Top 10 things Way Too Indie can’t wait to see and hear about at this year’s San Diego Comic-Con:

10 – Sony Pictures Panel

(Thursday, 12:30, Indigo Ballroom)

Feeding into our nostalgia is a first look at Goosebumps starring Jack Black and directed by Rob Letterman. Jack and Rob will both be on hand to talk about the film and discuss Black’s turn as the legendary author himself, R.L. Stine. The film is slated for August 7, 2015. Director Chris Columbus will also attend, showing audiences a sneak peek at upcoming Adam Sandler film Pixels also set to début next year.

9 – Radius-TWC Previews Horns and Everly

(Friday, 3pm, Hall H)

Daniel Radcliffe will be on-hand along with co-star Juno Temple to chat about Horns and début the film’s movie trailer. Directed by Alexandre Aja and based on Joe Hill’s dark novel, the film already looks like Radcliffe is tapping into the Voldemort spectrum of evil for his tortured protagonist. Additionally, Salma Hayek will introduce footage from Everly where she plays a woman protecting her family from assassins sent by her ex, a mob boss. We’ve also been promised other news on upcoming Radius titles.

8 – 20th Century Fox Presentation

(Friday, 4:20, Hall H)

While there is no formal description of what Fox will be covering they did release to press that talent will be on hand for The Maze Runner, Book of Life, Hitman: Agent 47, Let’s Be Cops, and Kingsman: The Secret Service. So we can expect to hear about all of those, but not a peep about next June’s new Fantastic Four reboot. Maybe because they know die-hard comic audiences at this convention are not entirely thrilled with director Josh Trank’s casting choices and avant-garde vision for the film, namely his suggestion that his cast not bother even reading the comics. At any rate YA fav The Maze Runner should draw a crowd, and Channing Tatum, a voice in Book of Life, will likely cause swooning. Personally Colin Firth, from Kingsman: The Secret Service, is the more likely candidate to cause this girl to swoon.

7 – Warner Bros. Pictures Panel

(Saturday, 10am, Hall H)

Saturday starts off with a bang, getting one of the most anticipated panels out of the way first thing. Always big presenters at the convention, Warner Bros. will provide a look at three major upcoming films: Jupiter Ascending, Mad Max: Fury Road (we’d better see Tom Hardy), and The Hobbit: The Battle of the Five Armies. After its pushed back release date the latest Wachowski sibling film is what we most want to hear about, though the Mad Max reboot may also be worth a look. However, The Hobbit exhausted us two years ago. Yawn.

6 – The Giver

(Thursday, 1:30, Hall H)

A novel with a huge fan base, especially those of us forced to read Lois Lowry’s The Giver in school as children, the film adaptation has generated huge amounts of buzz. With a fantastic cast (oh, please show up Meryl Streep) we can’t wait to see exclusive footage from the film which premieres in August. The trailer has already shown it looks pretty fantastic.

5 – Paramount Panel

(Thursday, 3pm, Hall H)

No news on what they will discuss but we’re hoping there is something on Interstellar, Chris Nolan’s new film to be released in November. Also likely are plugs for Hercules (which comes out the very next day) and the upcoming Teenage Mutant Ninja Turtles. We hope they know their audience and don’t bother with Hot Tub Time Machine 2. And if we’re really lucky there might be some small clues about next summer’s Terminator: Genesis.

4 – Goonies Never Say Die

(Thursday, 6pm, Indigo Ballroom)

Goonies cast members will be on hand to discuss the newly announced Goonies sequel. Surprise guests are guaranteed and plenty of discussion on how this cult-favorite film has stood the test of time. The child in us is literally jumping up and down in anticipation.

3 – The Musk of Tusk – An Evening with Kevin Smith

(Friday, 6:35pm, Hall H)

We’ll definitely be getting a trailer for Kevin Smith’s new monster horror film Tusk, his first film in three years. It was announced yesterday the film will be released September 19. Also guaranteed is hilarious discussion as anyone who listens to Smith’s SModcast podcast already knows. Speaking of the podcast, Tusk was first envisioned in an episode of the show and follows a journalist who encounters a worldwide adventurer and becomes the plaything of a deranged killer. The film stars Justin Long, Michael Parks, Genesis Rodriguez and Haley Joel Osment and we know Rodriguez and Osment will be at the panel.

2 – Legendary Pictures Panel

(Saturday, 12:25pm, Hall H)

Guaranteed are a look at Guillermo del Toro’s upcoming horror gothic-romance Crimson Peak as well as a look at new found-footage horror-thriller As Above/So Below. The latter is already rather uninspiring after releasing a ho-hum trailer but we wouldn’t mind if Guillermo del Toro took up all the time. Crimson Peak sounds quite promising, with del Toro saying his intentions were to make a film in the vein of the horror greats, The Exorcist, The Shining, and The Omen. A classic ghost story sounds like exactly what we need in the sea of found-footage out there in Horror-land. And if he wanted to go on to talk about Pacific Rim 2, we’d be more than happy to hear all about it! No clue if there will be enough info yet to discuss Godzilla 2, we completely understand director Gareth Edwards might be a little overwhelmed with that little Star Wars spinoff film he’s prepping for.

1 – Marvel Studios Panel

(Saturday, 5:30pm, Hall H)

Always the benchmark of Comic-Con we expect plenty from Marvel’s presentation. For starters they are likely to give us some special guest appearances and footage from Guardians of the Galaxy as a last push before it’s August 1 release. Also pretty much guaranteed is info on Avengers: Age of Ultron including some cast members and hopefully a sneak peek or two at footage. Marvel’s had a busy week with announcements about their universe, especially major changes for The Avengers as Thor is now a woman, Captain America is getting a comic reboot in “The All-New Captain America” where the Falcon takes over as the Captain, and then Iron Man gets back to his darker Tony Stark roots in “Superior Iron Man”. No clue how this will effect the film franchise, but I’m sure we can expect a reboot in a few years depending on how audiences take to the new personalities/sexes/identities. Otherwise, announcements around Ant Man, due for a release next summer, are also likely despite Edgar Wright’s abandonment of the project. Peyton Reed (who is also signed on to direct the screen version of comic book The Fifth Beatle) is now set to direct and the film just might have a chance of keeping up its momentum.

Notable Absences

Where the heck is Disney, Lucasfilm, and Lionsgate? Apparently Lionsgate thinks The Hunger Games: Mockingjay Part 1 doesn’t need the added publicity, because they are blowing off Comic-Con this year. They are probably right. Obviously Lucasfilm doesn’t think it has enough to talk about yet in regards to Star Wars Episode VII. And apparently Disney didn’t feel like coming out to promote their first Disney-Marvel animated collaboration Big Hero 6 (which just debuted a trailer). Also no George Clooney to chat about Tomorrowland, the film based on the area of Disney’s theme park, and no Pixar which means nothing on Inside Out. Maybe Disney is skipping out in an attempt to push people to D23, their exclusive Disney convention?

At any rate, be sure to stay tuned to Way Too Indie for up to the minute coverage throughout Comic-Con as we battle the lines and cosplayers to get all the juicy tidbits.