In the final installment of our series of Way Too Indiecast Star Wars Specials, Bernard and Dustin are joined by two new companions, WTI’s own Ananda Dillon and Star Wars aficionado Justin Boo, to break down piece-by-piece Star Wars: The Force Awakens. Stakes were high going into this JJ Abrams-helmed mega reboot—did the movie meet the crew’s expectations? Is this the moment Dustin finally embraces the light side and becomes a Star Wars fanboy, or has he lost hope in the force altogether? Will super fans Bernard, Ananda and Justin have their childhood dreams reawakened or extinguished forever? It’s all on the line on this very special, extended, final edition of the series!

Our Heroes:

Bernard “Boo-Boo Fett” Boo – Jedi Academy class clown. Lifelong Star Wars fan, loves all three movies in the original trilogy and hopes to find BB-8 in his stocking this Christmas.

Dustin “D-3PO” Jansick – Padawan. Never watched the original trilogy (may have seen A New Hope, but memory’s foggy) and has virtually zero familiarity with the universe. A rare breed in this day and age.

Ananda “General Ackbar” Dillon – Rebel Leader. Huge Star Wars buff and general pop culture fanatic. Has been awaiting The Force Awakens with bated breath.

Justin “BooBoo-8” Boo – Jedi Master. Mentor to “Boo-Boo Fett.” Lifelong Star Wars obsessive. Seen all of the movies countless times. Has boxes and boxes of Star Wars action figures.

Subscribe to the Way Too Indiecast

• Subscribe to our podcast on iTunes
• Subscribe on Stitcher

Editor’s Note: This review was written with a spoiler-free mindset; my intention was to preserve the film’s major secrets and revelations so that you may discover them on your own.

With a deep sigh of relief, Star Wars fans can finally rest easy: Star Wars: The Force Awakens is a bombastic, high-energy, eye-popping space opera with loads of heart and soul (two key ingredients the prequels tragically lacked). It doesn’t quite capture the storybook magic of the original trilogy, but the classic Star Wars spirit lives on via returning cast members and some scrumptious fan-service callbacks. What’s most intriguing is the new stuff: a hungry young cast putting on worthy performances; a savvy director whose eye for action makes the series’ signature space battles pop and sing like never before; an exhilaratingly dominant female presence. The film gives several of the series’ longstanding traditions a loving kiss goodbye while also forging forward, setting the tone for what Star Wars will be now and in the future.

The story, by director JJ Abrams and co-writers Lawrence Kasdan and Michael Arndt, picks up thirty years after the events of The Return of the Jedi, with the Empire long-fallen. Taking the Empire’s place is the First Order which, in all honesty, looks and operates exactly like the Empire (they’ve even got armies of stormtroopers, and fleets of TIE Fighters and star destroyers). The Rebels have been replaced by the Resistance, led by general Leia Organa (Carrie Fisher). The good-guy and bad-guy factions’ shared mission is to locate a digital map which contains the location of the long-missing Jedi Master, Luke Skywalker (Mark Hamill). Harboring and guarding the map is an adorable, globular droid called BB-8, who’s stranded on the desert planet Jakku when his master, Resistance ace pilot Poe Dameron (Oscar Isaac), is captured by the First Order.

On Jakku, BB-8 meets tough-skinned scavenger Rey (Daisy Ridley) and stormtrooper-gone-rogue Finn (John Boyega). Both are charismatic and have rich histories and a few secrets to hide. Poe is star quarterback-cool and makes a big impression though he’s less of a presence than Rey and Finn and looks to have more of a central role in future installments. Looking at the movie as a sort of baton pass from old characters to new, it feels like a clean, seamless handoff. The new heroes feel as organic and fleshed-out as their predecessors did in their respective debuts in A New Hope. The nature of heroism has been a primary theme throughout the series, and it’s further explored here; one of the protagonists could in a certain light be considered a bit of a coward. But there is no courage without fear, of course.

Personifying the dark side of the force this time around is the sinister Kylo Ren (Adam Driver), a volatile, loquacious villain with dreams of picking up where Darth Vader left off (he keeps Vader’s charred helmet as an object of inspiration). The movie’s open sees him slaughtering a small village on Jakku in search of the map-guffin, and in later scenes, we learn the source and extent of his inner rage. He works for a bigger bad (I’ll let you discover who that is on your own) and also has a peer/rival in General Hux (Domhnall Gleeson), a tyrannical, barking military leader who’d be a Third Reich shoe-in in our galaxy. His pet project is a massive, world-ending new weapon he can’t wait to unleash on the Resistance.

In what instantly becomes one of the series’ best aerial action sequences, Rey, Finn and BB-8 stumble upon a “garbage” spacecraft in a junkyard and use it to take out pursuing TIE fighters. Little do they know, they’ve just hopped into the legendary Millennium Falcon—Rey mans the cockpit, Finn takes control of the same swiveling turret Han and Luke once did, and a spectacular, careening, nostalgia-dipped dogfight ensues (this sequence really is a wonder). After successfully evading their enemies and exiting the planet’s atmosphere, our young heroes eventually find the ship’s original owners, Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew), who reluctantly agree to help them deliver BB-8 to the Resistance (and Leia, who Han hasn’t seen in quite some time).

Seeing the returning actors reprise their roles is a delight though unsurprisingly there are occasional lapses in conviction on Ford’s part (when the movie calls upon him to run and gun he puts on the face of a morning jogger). The prop throwbacks and easter eggs get tiresome after a while (the film will often all but pause for applause when showcasing these classic movie relics) but they’re sure to make fans go wild and maybe even draw a tear or two. The larger narrative pays homage to the first films as well (search for lost Jedi Knight, blow up big enemy weapon) and, uninspired as this is, Abrams and co. introduce enough twists into the formula to make old tricks feel new again. What makes the returning characters’ involvement worthwhile are plot developments that are best kept a secret, though what I will say is that the ongoing Skywalker/Solo family drama is kept alive in exciting, unexpected ways.

Something that feels sorely missed in this seventh installment of the long-running space opera is, well, operatic speech. There was a theatrical, melodramatic thrust to some of the original trilogy’s classic lines that, while cheesy to some, made those iconic movie moments feel timeless and momentous. Shakespearean, even. With the exception of one exchange during the film’s most emotional scene, there aren’t many lines I can point to as being quotable or particularly weighty. Perhaps time and rewatches will prove me wrong.

The two standout actors of the film are, without question, Ridley and Driver, both of them sharing strong chemistry with the rest of the cast and, most of all, with each other. Rey and Kylo Ren are grade-A characters who are easy to invest in and bring a new energy to the Star Wars universe. Boyega, Isaac and Gleeson do fine jobs as well though I suspect those characters’ greatest moments are still yet to come. A major frustration for me was Iko Uwais and the rest of The Raid crew’s wasted casting—these guys are the best movie martial artists in the business, and they’re given nada in the way of fight sequences. Big shame.

One of the main points of anxiety for Star Wars fans anticipating this film is the implementation of CG effects. While for the most part the digital elements look fantastic (Lupita Nyong’o‘s character, Maz Kanata, is an incredible CG creation), some of them look downright out of place, like Kylo Ren and Hux’s master. This is the first successful marriage between Star Wars and digital effects, but the marriage ain’t a perfect one by a long shot.

There are moments when Star Wars: The Force Awakens feels like a modern action-adventure classic; the climactic, snowy-forest lightsaber fight, for example, ranks up there with the best in the series (in fact, the entire third act is unbelievably good). But where the movie falls short is in continuing the original trilogy’s spirituality angle. Star Wars has always been about faith and family—Abrams nails the latter, but has somewhat forsaken the former. We acquire little to no new understanding of the force and its mysteries, and the characters who do struggle with faith don’t do so in a way that we haven’t seen before. The movie gets more right than wrong, however, and all things considered, it delivers where it counts. This thing is an entertainment orgy of galactic proportions, a fun-filled, planet-hopping, visually breathtaking adventure that gets the next generation of Star Wars stories off to a good start.

In part three of our series of Way Too Indiecast Star Wars Specials, Bernard, Dustin and CJ discuss the third entry in the original Star Wars trilogy, Return of the Jedi. The boys again dissect the movie section by section, starting with Luke, Leia and friends’ rescue of Han Solo from Jabba the Hutt to the final showdown between Luke, Darth Vader and Emperor Palpatine. CJ and Dustin have still yet to be swept up in the magic and mythology of Lucas’ space epic, but maybe the thrilling conclusion to Luke’s odyssey will finally sway them over to the light side. Plus, our heroes share their Star Wars: The Force Awakens theories and expectations in anticipation of today’s grand opening.

Our Heroes:

Bernard “Boo-Boo Fett” Boo – Jedi Academy class clown. Lifelong Star Wars fan, loves all three movies in the original trilogy and hopes to find BB-8 in his stocking this Christmas.

CJ “Darth Dissenter” Prince – Sith Lord. Hasn’t seen the original trilogy since childhood, terrorizes the galaxy with shoulder shrugs and apathetic heavy breathing. Never connected with Star Wars on any level, but may open to change…

Dustin “D-3PO” Jansick – Padawan. Never watched the original trilogy (may have seen A New Hope, but memory’s foggy) and has virtually zero familiarity with the universe. A rare breed in this day and age.

Subscribe to the Way Too Indiecast

• Subscribe to our podcast on iTunes
• Subscribe on Stitcher

In part two of our series of Way Too Indiecast Star Wars Specials, Bernard, Dustin and CJ discuss the second episode in the original Star Wars trilogy, The Empire Strikes Back. Luke Skywalker learns the ways of the force from Master Yoda and Han and Leia finally open up their hearts to one another in this pivotal entry in Lucas’ saga, but will their emotional journeys force-pull CJ and Dustin’s thus far indifferent feelings about the franchise over to the light side? What will they think of that classic movie moment between Luke and Vader? A hint: Empire is one of Bernard’s favorite movies of all time; CJ and Dustin land on the other end of the spectrum. Click play to hear their spirited debate!

Our Heroes:

Bernard “Boo-Boo Fett” Boo – Jedi Academy class clown. Lifelong Star Wars fan, loves all three movies in the original trilogy and hopes to find BB-8 in his stocking this Christmas.

CJ “Darth Dissenter” Prince – Sith Lord. Hasn’t seen the original trilogy since childhood, terrorizes the galaxy with shoulder shrugs and apathetic heavy breathing. Never connected with Star Wars on any level, but may open to change…

Dustin “D-3PO” Jansick – Padawan. Never watched the original trilogy (may have seen A New Hope, but memory’s foggy) and has virtually zero familiarity with the universe. A rare breed in this day and age.

Subscribe to the Way Too Indiecast

• Subscribe to our podcast on iTunes
• Subscribe on Stitcher

Welcome to the Way Too Indiecast Star Wars Specials, a series in which we revisit the original Star Wars trilogy film by film, talking in-depth about George Lucas’ expansive space opera universe that changed movies forever. To cap things off, we’ll be reviewing Star Wars: The Force Awakens shortly after it drops on December 18th. It’s a four-part Star Wars spectacular that can be enjoyed by fans, non-fans and newbies alike!

Our Heroes:

Bernard “Boo-Boo Fett” Boo – Jedi Academy class clown. Lifelong Star Wars fan, loves all three movies in the original trilogy and hopes to find BB-8 in his stocking this Christmas.

CJ “Darth Dissenter” Prince – Sith Lord. Hasn’t seen the original trilogy since childhood, terrorizes the galaxy with shoulder shrugs and apathetic heavy breathing. Never connected with Star Wars on any level, but may open to change…

Dustin “D-3PO” Jansick – Padawan. Never watched the original trilogy (may have seen A New Hope, but memory’s foggy) and has virtually zero familiarity with the universe. A rare breed in this day and age.

In part one of our four-part series, we’re talking about Star Wars: Episode IV – A New Hope, a movie widely credited for inspiring millions and launching the tidal wave of action-adventure blockbusters that’s still washing over us today. How will Bernard and CJ react to meeting Luke, Leia, Han and the gang once more? What will Dustin’s fresh-eyed take on the movie be? Will the boys think the grandaddy of them all is a galactic classic? A dark-side disappointment? Or does it hover like Luke’s landspeeder somewhere in between? Listen in to find out!

Subscribe to the Way Too Indiecast

• Subscribe to our podcast on iTunes
• Subscribe on Stitcher

The new Star Wars: The Force Awakens trailer dropped tonight during Monday Night Football on ESPN, and while millions of fans rejoiced, many were too busy pulling their hair out trying to get tickets to the damn movie.

Pre-sale tickets to the hotly anticipated blockbuster went on sale tonight as well, and the sky-high demand crashed virtually every website that made the tickets available. The web’s largest vendor, Fandango, crashed almost immediately. Here’s the error message you’d see on the site if you tried to do, well, anything:

Somehow, I don’t think the thousands of frustrated Star Wars fans frantically clicking the refresh button on their browsers found the error “funny.”

Despite the online debacle, the new trailer did, in fact, play on ESPN on time, without a hitch, and it was AMAZING. Giving us longer looks at Adam Driver’s Vader fanboy Kylo Ren, Daisy Ridley’s Rey (and her cute lil buddy BB-8), and John Boyega’s lightsaber-wielding Finn, the explosive trailer is everything fans like yours truly could have hoped for. Check it out below (as if you haven’t already watched it 500 times):

Now that the trailer’s finally arrived, we’ll have to practice patience a little longer as we await the film’s December 18th release. For those of you who managed to secure your tickets, congratulations, you old pirate! For those of you who haven’t…

May the force be with you!

It can’t get more direct than getting to hear the word from the source himself. De Palma features only one interview subject: the Blow Out, Carrie and Scarface (how do you only choose three?!) filmmaker, Brian De Palma. What could have easily been a self-indulgent or rose-tinted retrospective discussion is made fascinating by De Palma’s openness about his aspirations and influences, as well as his willingness to admit to several failures. That forthright demeanor is what might make De Palma accessible to those who don’t even consider themselves De Palma fans in the slightest. It’s also why, for the De Palma championers, this documentary is an ideal look into the director’s collected works. Brian De Palma’s noteworthy career is put into new perspective by the man at its helm.

Filmmakers Noah Baumbach (Greenberg, Frances Ha) and Jake Paltrow (The Good Night, Young Ones) seem like an odd pair to author a portrait on the legendary Brian De Palma; however, the trio of directors frequently have dinner with one another, engaging in conversations apparently not too dissimilar to this one—filmed in Paltrow’s living room. Baumbach & Paltrow jump cut through De Palma’s responses in a way that maintains a speedy pace. The rapid assembly assures that the film never really wastes a moment. They briefly acknowledge the filmmaker’s upbringing before speeding into De Palma’s early career, leaving most of the runtime for diving into his filmography piece by piece. Certain sections go into greater depth than others, although it’s not always the expected films where De Palma decides to go into detail. His work on the aforementioned films as well as The Bonfire of the Vanities, Casualties of War and Home Movies are all given extended sequences in which De Palma gets specific on his vision, then trashes on all subsequent film and TV versions of Carrie.

De Palma has plenty of name-dropping and behind-the-scenes stories to satisfy movie nerds. Some photosets show De Palma dining with friends Francis Ford Coppola, George Lucas, Martin Scorsese and Steven Spielberg—there’s even an old home movie of Spielberg calling Lucas from a car phone. Among the most fascinating looks into the production process that De Palma provides is the director’s account of how he became attached to Scarface, before abandoning the film while Sidney Lumet took over, only to return to the director’s chair before filming commenced. When De Palma brings up his inspirations, from personal experiences like watching his doctor father’s surgeries to cultural influences like Orson Welles’ The Magnificent Ambersons, the movie makes the filmmaker’s artistic ambitions much clearer.

There are points where De Palma’s single subject structure limits its insights. De Palma mostly waves off the accusations of misogyny in his films and chooses to not elaborate on his divorces. Yet, De Palma is willing to address his legacy honestly more than one would assume from a director of his stature. The result is a captivating look through an iconic filmmaker’s work that goes far beyond a simple DVD commentary feature. The documentary sheds enough light on the long list of movies attributed to Mr. De Palma that you’ll want to revisit the ones you’ve seen and finally watch the titles that you’ve put off.

With Star Wars: The Force Awakens just on the horizon, Bernard, CJ, Dustin, and special guest (and giant Star Wars fanboy) Justin Boo go in-depth about the mass anticipation of the new film as well as the feverish passion of the millions of fans of the legendary franchise. Why is there such excitement for the new trilogy when the last one was such an abomination? Also, film critic Rob Trench joins CJ and Bernard to recap the Toronto International Film Festival, from the best to the worst to the fantastic films flying just under the radar. Plus, the return of our Indie Picks of the Week!

Topics

• Indie Picks (2:13)
• Star Wars Hype (15:00)
• TIFF Wrap-Up (45:12)

WTI Articles Referenced in the Podcast

The Fool Review
Me and Earl Review
TIFF Coverage

Subscribe to the Way Too Indiecast

• Subscribe to our podcast on iTunes
• Subscribe on Stitcher

Today we celebrate Warwick Davis’ 45th birthday! Anyone who considers themselves a proper fan of Fantasy and Sci-Fi knows that we owe many of our most beloved characters to the endearing talent of this charming man.

Davis has played titular roles in some of the most famous movie and television series of our time. He has left an indelible mark in pop culture and cinematic history. With a career spanning 32 years, let’s give this man his due today as he celebrates being 45! In case we’re ever in doubt about just how little we’ve accomplished in our lives, we have only to look to him to confirm it.

And with that, here are some fun facts about Warwick Davis to shed some light on just how incredible a life can be in the short span of 45 years:

#1. He started playing the Ewok, Wicket, (beginning with Star Wars: Return of the Jedi) when he was just 11 years old. Originally cast as an extra, he moved up in the world when the actor previously planned to play Wicket fell ill.

#2. He must have made quite an impression on George Lucas who wrote this next movie with Davis in mind for the leading role. Perhaps a bit overshadowed by Val Kilmer’s flamboyantly delightful Madmartigan, Warwick Davis played the title character of that unforgettable and courageous Nelwyn in Willow.

#3. Harry Potter spotlighted the talents of almost every well known contemporary British actor and Davis was no exception. He played both Professor Filius Flitwick as well as Griphook.

#4. One of Jennifer Aniston’s first leading men, Warwick (pronounced Warrick) haunted us as that horrifying fantastical menace, Leprechaun. Six times.

#5. He played Nikabrik in Disney’s The Chronicles of Narnia: Prince Caspian. (He had played Reepicheep in the BBC version in 1989).

#6. Perhaps the character everyone most looked forward to in Hitchhiker’s Guide to The Galaxy, Marvin the Paranoid Android, was brought to life in 2005 by Davis, at least physically (the voice was provided by Alan Rickman).

#7. He was a part of the Goblin Corps in Jim Henson’s Labyrinth.

#8. In 2013, he starred in an episode of Doctor Who opposite the Eleventh Doctor, Matt Smith.

#9. Remember that fantasy TV mini-series, The Tenth Kingdom, that tugged at our adolescent heartstrings in the year 2000? He played Acorn, the Dwarf!

#10. Has both a daughter and a son with his wife, Samantha. His son’s name? Harrison.

#11. In 2011, he published his Autobiography, “Size Matters Not: The Extraordinary Life and Career of Warwick Davis”. It’s available to order on Amazon. In pretty much every format you could want.

We are in awe of your life, Mr. Davis! Have a wonderful Birthday!

Way Too Indie was on the red carpet of the San Francisco International Film Festival to capture photos of Amy Acker and Alexis Denisof from Much Ado About Nothing as well as legendary award winners such as Harrison Ford, George Lucus, and Philip Kaufman. We also have some more exclusive photos from private interviews with Michael Cera, Sebastian Silva, Richard Linklater, and Julie Delpy.

Tuesday night saw an elite group of cinema saints receive awards from the minds and hands behind the 56th annual SFIFF, the San Francisco Film Society. The red carpet was graced by the man who gave us Dolby Digital, the screenwriter of Forrest Gump, a gravelly-voiced British badass, a geek-tastic Star Wars reunion, and much more. Way Too Indie was there to capture all the red carpet magic, just for you.

Here’s a list of the recipients of this year’s awards

Peter J Owens Award for Acting—Harrison Ford

One of the most charismatic and iconic leading men of the past 40 years of cinema, Harrison Ford is a treasure. His rugged charm, commitment to his craft, and iconic performances captured the imaginations of millions. Spielberg, Lucas and Scott created wondrous worlds for us to explore, and Ford was our guide. It’s one thing to believe an actor, and another completely to believe in an actor. Ford’s work is immortal, and his characters—Han Solo, Indiana Jones, Rick Deckard—will be a part of film history forever.

Founder’s Directing Award—Phillip Kaufman

Aside from helping pen the sweeping adventures of the aforementioned Indiana Jones, Phillip Kaufman has had an extraordinarily colorful directorial career. The styles and genres of his catalog are wonderfully varied, from the San-Francisco-set indie horror of Invasion of the Body Snatchers, to the space shuttle drama of The Right Stuff, to his Marquis de Sade biopic, Quills. His constant drive to challenge and reinvent himself makes him one of the most adventurous auteurs of our time.

Kanbar Screenwriting Award—Eric Roth

Penner of great films like Forrest Gump, The Insider, and Munich, screenwriting powerhouse Eric Roth has proved that Hollywood blockbusters don’t have to be schlocky cash-grabs—his screenplays are imaginative, artistic, and deeply human, always moving and always polished. Despite their complexity and sophistication, his stories have connected with people around the globe for decades. Munich is one of Steven Spielberg’s most underrated films, and most of its strength comes from Roth’s brilliant writing. He’s a screenwriter beginners should study and a master of his craft.

Persistence of Vision Award—Jem Cohen

A cinematic experimentalist and perceptive silent watcher, Jem Cohen is a director more people should know, especially if you have an affinity for the arthouse. His quiet, observant films—typically a hybrid of documentary and fiction—are fascinating meditations on urban landscapes ravaged by modernity. We enjoyed his latest film, Museum Hours, which played at SFIFF, and recommend that you seek out his work. Cohen is one of the most unique voices in cinema today.

George Gund III Award—Ray Dolby

Yes—that Dolby. This is the guy. All of that beautiful sound spilling out of your speakers? Ray Dolby had a huge hand in making those booms, crashes, and whirrs sound so crisp and clear. An innovator in stereo sound, Dolby’s contributions are invaluable, and we all owe him a roaring round of applause (in stereo, of course.) Today, Dolby Digital is on the cutting edge of sound technology, just as the Dolby Sound System was back in 1965. If you want to talk impact, Dolby and his Dolby Laboratories have been immeasurably integral to the evolution of the movie-going experience.

Mel Novikoff Award—Peter von Bagh

Finnish director Peter von Bagh is one of the most knowledgeable film historians in the world. He’s written around 40 books on film, directed over 50 films, produced a long-running film radio series, and seen more movies than you and me combined. He’s a cinephile’s cinephile, and his love for world cinema has influenced film lovers far beyond his native Finland.