Asaf Galay – Way Too Indie http://waytooindie.com Independent film and music reviews Fri, 02 Dec 2016 17:34:42 +0000 en-US hourly 1 Way Too Indiecast is the official podcast of WayTooIndie.com. Our film critics grip and gush about the latest indie movies and sometimes even mainstream ones. Find all of our reviews, podcasts, news, at www.waytooindie.com Asaf Galay – Way Too Indie yes Asaf Galay – Way Too Indie dustin@waytooindie.com dustin@waytooindie.com (Asaf Galay – Way Too Indie) The Official Podcast of Way Too Indie Asaf Galay – Way Too Indie http://s3-us-west-2.amazonaws.com/waytooindie/podcast-album-art.jpg http://waytooindie.com TJFF 2015: Hebrew Superheroes http://waytooindie.com/news/hebrew-superheroes-tjff-2015/ http://waytooindie.com/news/hebrew-superheroes-tjff-2015/#respond Sun, 03 May 2015 15:40:25 +0000 http://waytooindie.com/?p=34956 This history of Israeli comics presents a wealth of facts but struggles to tell a story in Hebrew Superheroes.]]>

Like they say, timing is everything. Just as the superhero blockbuster Avengers: Age of Ultron takes over theaters around the globe, the Toronto Jewish Film Festival swoops in like a caped crusader to offer the ultimate counter-program to the big-budget, big studio offering.

Making its North American premiere is Hebrew Superheroes, from directors Asaf Galay and Shaul Betser. This documentary, clocking in at a lean 54 minutes, offers a rare look at the history of Israeli comics and their creators.

Loaded with appearances from historians, artists, writers, and accented by a variety of animated scenes, Hebrew Superheroes begins its story in 1936, when only kid-targeted comic fare existed. This lone option continues successfully for decades, but other artists and writers are driven to take the medium in other creative directions. Most were influenced by mainstream U.S. superhero comics or inspired by groundbreaking titles like Art Spiegelman’s Maus. These artistic creators talk on-screen about their work, offering a great personal touch to the documentary.

The film’s main issue though, is that it lacks a centeral narrative. While the directors do a good job establishing the (mostly) linear timeline and assembling the talent to present their information, what they offer is simply that: information. One creator’s experiences are followed by another’s and so on, but the least common denominator connects them; there’s never a sense of something bigger. The result of the docuemtnary isn’t a history story, it’s the history’s resume, and the bullet-point feel of the presentation slows the film to a frustrating halt.

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